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If you are using a three-head tape deck without the SYNCHRO
terminal:
1.
Connec t
t he
tape dec.
k
to
the
T
AP
E
2
term
ina
ls.
2.
Y
ou
can monito
r
the
rec orded
soun
willie
record
ing
by
ressing
the
TA
PE
2
bu
t
ton
.
Recording from other sources (AM, FM, CD, AUX, VCR,
VI DEO 1, and VI DEO 2)
Press
the
button
correspondi
ng
to
the
source
to
e
recorded
All
otller oper
lions
are Iden lie
I
to t hose wilen
reco
r
din~1
from
records.
• For
S. E.A.
rec
ord mg
Llsing
thp
SEA
RE
C
hll
ttOll
,
refer
to
page
17
Recording from a video unit
1.
Pres tile
V
IDEO
1
(VI
DE
O
2)
button
2.
Operate thev
ideuu
nit
(V
I
DE
O
1,2)
3.
Operf'!te the
VC
R
for recordi ng
Note
:
-When the SOUND SELECTOR button is pressed, the
SOUND SELECTOR function can be used for recording as
described
on page
10.
The VISUAL signal from the VIDEO 1
(V
IDEO 2) terminal and the SOUND signal selected are
re
corded on the VCR. (The SOUND signal cannot come from
other
video units when the SOUND SELECTOR function is
being
used.)
*
For
S.E.A.
recordmq
using the
SEA
REC
bu t
n,
rpiel to
paqe
17)
Using st ereo headp
hones
Stereo headphones can be pluyyed into the fro t pan I lack
The
siunal
tr
orn
this jack is inciepender1t of the speakers
1.
Plu~J
stereo
hei'ldphonps Into
this lack
fur
private
listening.
2.
T
o
li sten
throu gh
ea
dp
hones
whi
le listening
to
the
speak
ers,
press
the
appropri
ate SPEAKER
S
blltto
n
to ON
(
~
)
Note:
- Pu II out the headphone plug when not in use
.
Tape dubbing
T
o
pertorm
fa
e dub
bi
ng,
two tape
rec
orders shou
l
p
con
nected
,
one to the
T
A PE
1
termi
nals
(called
"
No
.
1"
tape
dack)
al1
an
other to the TAPE
2
terminals
kalled
"
No.
2"
tape deck),
Dubbing from No
.
2 to No.1
1
Press
th
e
T
AP
E
2
D
UB
B
ING
button so
that
the
TAPE
2
D
UB
ind
ic tor
lights.
2.
Opera
te
No.
2
tape deck
for p
i
y
bac
k
3
Opel
ate
No.1
tape deck
for
recording,
4
Press the
T
A
PE
2
button
to
moni to
r
th
e
sound
throu
h
speakers
or
head.
hones
Notes:
-Deck -to -deck dubbing is possi
ble wh
ile listening to any
other
source
.
To do this, press the
T
A
PE 2 button so that
th
e
TAPE 2 MON ITOR
indicator
goes
out;
operate the two tape
decks for dubbing and
select
the
other
source you want to
hear with the corresponding source
select
button.
-During dubbing, S.E.A.
record
ing is
possible
.
- Dubbing the SOUND
signal
f
rom
the
No.
2
tape deck to a
VCR and the No.1 tape
deck
,
f
rom
the No.
1 tape deck
to
the
No.
2
tape
deck
and
a VC
R,
and from
a
VCR
t
o the
No
.
1
and
No.
2
tape
decks
are
possib le;
in
these cases,
S.E.A
.
recroding is possible
.
OPERATION OF THE S .E.A. GRAPHIC EQUALIZER
Compensation for room acoustics
The
freqllency
(8sponse of
a
listeni
n
room val-ies
cfep
n
in
on
Ihe
room 's shi'lpe or
furn·shings
,
and
the position of
the
listener
in
the room
.
Each
listening
posi
ti on
in
the
room
provides
the listener
WIth
a
differen
t
se
t
of frequency
re
sponses,
as
Cl
result of different deqrees of rev8 rbc
ation,
rerlec
ion
,
echo
,
and absorption (lffecting
ach
fl'equency
,
TllP
SE.
A
sy
stem
can
functio
n
to make
thp.
sou
nd
response
r
a
room
rla
t b
emphasi zing
those frequencies
havin,
a
high
degree
of
absorption an
d
de-emp hasizi
ng
tllose
rroquencies
havi
n
a
hig
h
degree
0
reflection.
The fre
uency
ranges
affected
by
'absorption
'
an
d
'reflec tion
'
are
narro
;
th
e
efore,
it is only
nec
ssary
to
compensate
the
co respondi n"
frequency
ban
Sirlce convpntio nal
tone control
systems simpl
y
a just
he
h
ighs and
lows
cen
tered
armln
d
the
1
k
H7
frequency
,
they
i'lre
both
Imprecise
and
i
)Complete,
The
RX-7 VB
K/
RX -9
V
B
K
mo
nitors and
equalizes seven
separate audi
o freq
uency
bands,
th
us
allowin
g
yo
u
to
ma
ke
the
necessary
adj
ust
ments in t
he
preci
sely app
ro
pr
iat
e
f
re
quency
bands
in o
rd
er
to
compensate
for t he
acoustic
response
t
a ro
om
and
any
li
stening positi on
Irl
it.
Custom sound processing
When
a
stu
dio
recordi
ng
is
made
,
the
sound
signa
ls are
p
rocess
ed
to
prod
uce
sound
that is uni
qu
e
to a par
ticula
r
grollp
or
orchestra.
Wit
h the RX-7
V
BK
/
RX
-9VB
K
,
you
ca
n
cl
o
this at
home
- produci
ng
sou
nd
ta
ilored
exactly
to your
tastes by
emph
asizi
ng
o
r de-e mphasi
Ling various
p-
rts of
th
e
m
usic.
-
Operation
S.E.A. pattern memory
For
you
r
own sound
con1Pensa
tion
an
d
pr
ocessin
.
y ou
can use the
10
PROG RA
MED
and
MANUA
L
preset
SEA
p
attern
s
PROG RAMED
These
five
S.E
.A.
patterns
were
preset
at
the
factory
to
offer
suggest
sett
iilQ5
for various
types of audio
programs
Each
preset
pattern
is
shown below,
A
ft
er
recalli
ng
t
hese
pa
terns,
y
ou
can
fu
rthe
r cha
nge each
f
requency
iJand
to
sui
t yourself
.
Howeve
r
,
since II
ey
are
represen
at
ive
patte
rn
s,
the original
,
stored patte
rn
will
be
unc
hanged
HEAVY
(CD
)
Used
fo
r music
wi
th
a 1
1eavy
bat
,
suc.h as
roc
<
music
.
Low
freque
ncies
are
emph
.sized to
produ
ce
deeper,
more
power
ful
sound.
Hiqher
frequen
ies
are
al
so
emphasimd
to
en hance
and bring cla
rity
to the
hiyhs.
inrilid
ing the percussive
notes.
CLEAR
(m
)
For crisp
, clpar
sound
with
tran
spcre
nt
highs
The
low
and
m iddle
f
equencies
thal
lend
to be
unclear are
ce-emphasiLed,
and
the
mi ddle
and
high
frequ
encies
that
strength en
the
vocal
comp
onent of
the
music
are
emp
hasi
Led.
SOFT
(LS.J)
For
ackground
music.
Th
e
very
low
freque ncies,
wh
ich need
boos
ti
ng
at
low volum
e lev
Is,
are
emp
hasi
zed
,
and
the
st
im
u
lat
i
ng
effec
t
of higher
frequ
enci es
is
di
m
in
ished
by
de
-
m
phasi
zing
hi
gh frequencir,s
16
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