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Product Information Document
Digital Mixers
X32
40-Input, 25-Bus Digital Mixing Console
with 32 Programmable MIDAS Preamps,
25 Motorized Faders, Channel LCD's,
32-Channel Audio Interface and
iPad/iPhone* Remote Control
S16
Leave That Heavy Analog Snake Behind
The
S16
digital stage box closes the gap between stage and FOH (Front of House) by placing 16 fully-
programmable, remotely controllable
stage end. Connecting over a single shielded (STP) CAT5 cable, up to three
daisy-chained to deliver 48 channels in and 24 out to the stage. Dual AES50 ports on the X32 allow
up to 96 input channels to be connected and routed in the same system.
•
AES50 network ports featuring
(in- ear compatible)
•
Remote operation via shielded CAT5e cable up to 330 ft / 100 m length
•
Dual AES50 ports, each for cascading up to three
•
Precise LED metering plus 7-segment displays for signal control on stage
•
Phones output assignable to any of the inputs/outputs for on-stage monitoring
•
Connectivity for BEHRINGER's
•
Dual ADAT outputs for use in splitter mode and stand- alone digital multi-core applications
•
MIDI in/out for bi-directional communication between FOH console and on-stage MIDI devices
POWERPLAY P1
Personal In-Ear Monitor Amplifi er
The
POWERPLAY P1
right at the artist's fi ngertips. Use a
P1 beltpack. Whether on stage or in the studio, the P1 provides performers and recording artists with
a dependable and aff ordable personal monitoring solution.
MIDAS
Mic Preamps and 8 analog, balanced XLR returns at the
KLARK TEKNIK
SuperMAC technology for ultra-low latency
S16
units – no merger or router required
P16
Personal Monitoring System for in-ear applications
Personal In-Ear Monitor (IEM) Amplifi er puts control where it's most useful –
P16-M
for creating your personal mix to then feed it to your
S16
stage boxes can be
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