8218 Digital - Orban 8218 Operating Manual

Digital fm stereo encoder/generator with limiter
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8218
Digital
Stereo
Encoder
INTRODUCTION
8218
Digital
FM
Stereo
Encoder
More
and more
FM
stations
are transporting
their
audio
digitally,
from
studio
to transmitter.
However,
digital
links typically
handle
left/right
rather
than composite.
Orban's
8218
Digital
FM
Stereo
Encoder can
extend your
all-digital
performance through
to
the stereo
encoder.
It's
designed
to
perfectly
complement
Orban's
OPTIMOD-FM
digital
audio
processors
in
an
all-digital
transmission system.
All
encoding
is
done
entirely
in
the
digital
domain
by
a
dedicated
DSP
chip,
producing
two
analog composite
outputs
with outstanding
specifications
and
long-term
stability.
The
8218
accepts
either
analog
or
AES/EBU
digital inputs.
The
digital
input automatically
synchro-
nizes
to
and
de-jitters
any
standard
incoming sampling
rate.
In addition,
it
responds
to status
bits in
the
AES/EBU
data
stream
that
may
be used
to
turn
de-emphasis
on
or
off.
This
feature
allows automatic switching of pre-emphasis and/or
J.17
(NICAM)
de-emphasis
to
accom-
modate
different
transmission
schemes.
An
Overshoot
Control Limiter
can be
applied
to
the
incoming
audio, limiting
overshoots
to
less
than
0.5dB
while introducing
minimal
(or
no) audible
artifacts
and
without contaminat-
ing
the
baseband spectrum above 57kHz.
The
Overshoot
Control Limiter
is
particularly
useful
if
the
processed audio has
been
passed
to the
8218
through a
digital
STL
that
uses
lossy
encoding,
like
MPEG,
Dolby,
or
APT-X. The
Overshoot
Control Limiter uses
lookahead
techniques, and,
when
activated,
adds
a time delay
of
4
milliseconds
to
the stereo
encoding
process.
Features
>70dB
separation,
20Hz-
15kHz.
<-90dB
noise
and
distortion
(after
de-emphasis,
and
referenced
to
100% modu-
lation output).
Digitally-created
composite
signal,
from
either
analog
or
AES/EBU
digital input.
The
8218
also accepts
two
analog
SCA
inputs,
and
sums them
with analog
composite
output.
The
analog composite appears
on
two
outputs,
each with
individual
level control.
Built-in
sample
rate
converter
that
allows
8218
to
accept
any
digital
AES/EBU
input
sample
rate
between
32kHz
and 48kHz.
Recessed
front
panel controls
for selecting
Input type (Analog/Digital), Ste-
reo/MonoL/MonoR
mode,
Pilot
On/Off, and
Crosstalk
Tests.
Front panel metering of Left
and
Right
inputs plus
Composite
or
Pilot
outputs.
Recessed
front
panel multi-tum screwdriver potentiometers
for
Analog
Left,
Analog
Right,
and
Digital input
levels,
as well as for
Pilot,
Composite
#1,
and
Composite #2
output
levels.
Recessed
rear
panel
DIP
switch
for selecting
pre-emphasis
In/Out,
pre-emphasis
type
(50ps/75(J.s),
J.17
de-emphasis
In/Out,
and whether
or not
the stereo
en-
coder's
pre-emphasis
and
J.17
de-emphasis
settings
respond
to status bits
of
the

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