Parasound Halo C1 Controller Owner's Manual page 44

CONNECTING AUDIO AND VIDEO SOURCES AND RECORDERS
44
continued
Analog Recording Via the Tape Monitor Jacks
Component Video Inputs and Outputs
Pr Y
Red Green
Composite Video Inputs
Video 1 Video 3 Video 5
Video 2 Video 4 Video 6
Video 1 Video 2 Video 3
L
R
With some audio recorders, the Tape Monitor feature enables you to observe the quality of your
recording as it's being made, without having to rewind the tape or go back to the beginning of
the disc and play it through again to be sure it is okay. Analog recorders with separate record
and playback heads can play the signal from the tape as soon as it's passed from the recording
to the playback head. If you're recording to the analog inputs of a CD, DAT, or other digital
recorder, using Tape Monitor lets you hear the signal after it's gone through the recorder's ana-
log-to-digital (and digital-to-analog) converters, so you can make sure there's no overload distor-
tion. If you do hear any problems, the Tape Monitor helps you determine, by comparing the orig-
inal signal to the recorder's output, whether that signal or your recorder is causing the problem.
(If it is your recorder, check its level settings; setting the level too high is the most common
cause of distortion in recording.)
If your recorder is connected to the Record Out jacks next to the Zone output, you can also
monitor its output by selecting it as the source for your main zone. But while you're recording,
be sure not to select any active recorder as the source for the Zone output, or you'll hear an
annoying (and possibly speaker-damaging) loud howl.
The analog record outputs carry only two-channel signals. Surround information will be recorded
if your source is matrix-encoded analog material such as a video tape with a Dolby Surround
soundtrack. When recording from DVDs or other digital sources, add left- and right-channel
analog connections from the source to the C 1 and select that analog input for recording, as
multichannel digital signals are fed only to the digital output.
(Note: The Tape Monitor jacks can also be used as an external processor loop, connected to an
equalizer or other two-channel processor. With the processor connected between Rec/Out and
Play/In jacks, you can switch it in and out of the signal path from your chair, using the Tape key
on the Master remote.)
What You May Need:
Two pairs of unbalanced interconnects with RCA plugs
•
Analog tape recorder, preferably with off-tape
•
(third-head) monitoring
Pb
CAUTION
TO PREVENT ELECTRIC SHOCK,
DO NOT REMOVE COVER. NO USER
Input 1 SERVICEABLE PARTS INSIDE,
REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
Balanced Analog Audio Inputs
Input 2
Left Right
Input 3
Output
Blue H Sync V
Video Outputs
S-Video Inputs
Record Zone
Video 1 Video 2 Video 3 Video 4 Video 5 Video 6
OSD Main NoOSD
Video 4 Video 5 Video 6 Audio 1 Audio 2 Audio 3 Audio 4 Audio 5
L
R
Play/In
Analog Audio Inputs Tape Monitor
Tape
Monitor
Balanced Analog Audio Outputs
Left Right Center Subwoofer
Digital Audio Inputs
Coax
S-Video Outputs
Coax 1 Coax 3
Record Main
Optical 1 Optical 3
Digital Out Digital Out
Optical Optical Coax 2 Coax 4 Optical 2 Optical 4
Record 1 Record 2 Zone Front Surround Center Back
Rec/Out Sub
Analog Audio Outputs 7.1 Analog Audio Inputs
Zone &
Record
Record Playback
Input
Outputs
L R
C2 Controller
Parasound Products, Inc.
San Francisco, California, USA
Left Surround Right Surround Left Back Right Back
Made In Expansion Port For
Finland Future Technologies
External Control
RS-232 Control IR Inputs – 12V Triggers –
Main Zone P1
Front Surround Center Back Pro 1 Pro 2
AC Power
1
0
Sub Pro 3 Pro 4
Main Analog Audio Outputs Programmable Out
DIGITAL
Output
AUDIO
RECORDER
L R
Pro 1
P2 On-Off