Table of Contents
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Stage Piano
User's Guide
©1999 All rights reserved. Kurzweil is a product line of Young Chang Co.; V. A. S. T. is a registered
trademark, and Kurzweil, SP76, SP88, and K2600 are trademarks of Young Chang Co. All other
products and brand names are trademarks or registered trademarks of their respective companies.
Product features and speciÞcations are subject to change without notice.
Part Number: 910329 Rev. A
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Table of Contents
Related Manuals for Kurzweil sp88x
Summary of Contents for Kurzweil sp88x
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Page 1: Stage Piano
Stage Piano User’s Guide ©1999 All rights reserved. Kurzweil is a product line of Young Chang Co.; V. A. S. T. is a registered trademark, and Kurzweil, SP76, SP88, and K2600 are trademarks of Young Chang Co. All other products and brand names are trademarks or registered trademarks of their respective companies. -
Page 2: Radio And Television Interference
The lightning flash with the arrowhead symbol, within an equilateral triangle, is intended to alert CAUTION the user to the presence of uninsulated "dangerous voltage" within the product's RISK OF ELECTRIC SHOCK enclosure that may be of sufficient magnitude DO NOT OPEN to constitute a risk of electric shock to persons. -
Page 3: Young Chang Distributors
Young Chang Distributors Contact the nearest Young Chang ofÞce listed below to locate your local Young Chang/ Kurzweil representative. Young Chang America, Inc. P.O. Box 99995 Lakewood, WA 98499-0995 Tel: (253) 589-3200 Fax: (253) 984-0245 Young Chang Co. 178-55 Gajwa-Dong... -
Page 5: Table Of Contents
Contents Young Chang Distributors ............... iii Chapter 1 Introducing the Stage Piano Welcome! ....................1-1 Stage Piano Overview ................1-1 Sound, Internal Voices Setup, MIDI Setup ........1-1 The Keyboard................... 1-2 The Front Panel..................1-2 The Ribbon Controllers ................1-2 Other Controllers.................. - Page 6 The Kurzweil Stage Piano User’s Guide Sound and Setup Select Buttons ...........2-11 The Numeric Display ..............2-11 Mode LEDs ..................2-12 Parameter Editing Buttons............2-12 The Parameter Display..............2-12 The Info Strip .................. 2-12 Button Combinations..............2-13 Direct Select ................2-13 Panic..................
- Page 7 The Kurzweil Stage Piano User’s Guide Chapter 4 MIDI Setups Mode Selecting Setups ..................4-1 Zones ......................4-2 Editing MIDI Setups ................4-3 Saving a ModiÞed MIDI Setup.............. 4-3 Sending a MIDI Program Change ............4-4 Parameter Summary ................4-4 Internal Sound ..................
- Page 8 The Kurzweil Stage Piano User’s Guide Chapter 6 Advanced Applications External Sound Modules................ 6-1 Example: The Kurzweil MicroPiano ..........6-1 Example: The Kurzweil K2600R ........... 6-2 Computer Sequencers................6-2 MIDI Hookup ................... 6-3 Local Control Off and Patch Thru On ........... 6-3 Basic Sequencer Operations............
- Page 9 The Kurzweil Stage Piano User’s Guide Sound Board Diagnostics............7-9 Interface Test ( )............7-9 i i i i n n n n f f f ROM Test ( ).............. 7-9 r r r r o o o o m m m RAM Test ( )..............
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Page 11: Introducing The Stage Piano
Chapter 1 Introducing the Stage Piano Welcome! Congratulations, and thank you for purchasing a Kurzweil / Young Chang Stage Piano. YouÕve got your hands on an excellent-sounding and ßexibleÑyet economicalÑperformance instrument and MIDI controller. This manual will get you started with your new instrument. YouÕll deÞnitely want to keep the manual handy as you become an advanced user, also. -
Page 12: The Keyboard
Introducing the Stage Piano The Keyboard The Keyboard Depending on model, the keyboard has 76 keys (E1ÐG7) or a full 88 keys (A0ÐC8). These are full-sized, weighted keys, the equal of keyboards found on more expensive synthesizers and controllers. The keyboard is velocity-sensitive, meaning the harder (faster) you press a key, the louder the voice (except for organ voices which, realistically, are not velocity-sensitive). -
Page 13: Connectors
Also, donÕt forget to check our web site for any late-breaking information on the Stage Piano and other Kurzweil products: http://www.youngchang.com/kurzweil Above all, have fun, and make lots of great music with your Stage Piano! -
Page 15: Getting Started
Chapter 2 Getting Started This chapter will help you hook up your Stage Piano and learn its basic functions. Unpacking the Instrument The box that your Stage Piano ships in contains the following: ¥ The Stage Piano ¥ AC Adapter (12V DC, 0.5A) ¥... -
Page 16: Playing The Demo
Getting Started Playing the Demo Playing the Demo To play the demonstration song, press the left-most two buttons (Internal/Setup and MIDI Prog Change) at the same time. YouÕll hear a short demonstration of the sounds and effects. The unit must be in Play mode (all LEDs to the left of the display off) for this to work. -
Page 17: Power Switch
Getting Started The Rear Panel Power Switch Press the white dot to turn the Stage Piano on or the blank area to turn it off. If it will be off for a long period of time, unplug the power adapter from the wall. The Stage PianoÕs hi-tech EEPROM memory is like a computerÕs hard drive and needs no power or battery to retain information. -
Page 18: Midi Ports
A control pedal can be very useful for controlling volume, vibrato, or other effect by foot. The Kurzweil CC-1 control pedal will plug in directly and work perfectly but it is also possible to use aftermarket ÒcontrolÓ pedals designed for synthesizers. A volume pedal may or may not be satisfactory depending on how it is constructed. -
Page 19: Connecting To Your Audio System
Getting Started Connecting to Your Audio System Connecting to Your Audio System The Audio Output jacks are professional 1/4-inch ÒphoneÓ jacks so if you are connecting to an audio system with ÒRCAÓ jacks, you will need two Òphone plug-to- RCA plugÓ adapter cables. Remember: always lower the volume of your audio system when changing audio connectionsÑor better yet, turn the power off! CAUTION: Be sure to lower the volume of your audio system or switch it off when changing audio connections! -
Page 20: Connecting Headphones
MIDI Connections to External Module The external sound module can be almost anything: a K2000R, K2500R, K2600R, Kurzweil MicroPiano, and a world of other possibilities from alternative manufacturers. It could be another keyboard synthesizer or large digital piano as well, in fact nearly anything with a MIDI In connection. -
Page 21: Connecting More Sound Modules
Getting Started Connecting MIDI Connecting More Sound Modules With MIDI, youÕre not limited to just one add-on sound module; you could connect 2, 3, or even more using the basic method illustrated below. Although your Stage Piano will be able to play independent sounds on only 1 multitimbral or 2 monotimbral modules at once, you can address up to 16 different external sounds using MIDI Setups, all from your Stage PianoÕs front panel! Thru... -
Page 22: Connecting To A Computer Sequencer
Getting Started Connecting MIDI Connecting to a Computer Sequencer If you have a computer with a MIDI interface and MIDI sequencing software, your Stage Piano can become an integral part of a home MIDI recording studio. The basic connection pattern is shown below. Computer Mixer Sound Card... - Page 23 Getting Started Connecting MIDI NOTE: Different sequencer applications use different terms for what weÕre calling Through mode. For example, the sequencer may have a Patch Thru or Soft Thru parameter, which you should set to On in this case. If you want to use an external sound module with your Stage Piano and a sequencer, it should be connected into the loop before the Stage Piano, as illustrated below: Computer Sound Card...
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Page 24: Full System
Getting Started Connecting MIDI Full System Even more complex setups are possible. Below is just one possibility using a Kurzweil ExpressionMate MIDI processor and K2600R to provide unprecedented expressive control over a vast palette of sounds. Computer MIDI Processor Sound Module... -
Page 25: The Front Panel
Getting Started The Front Panel The Front Panel The Stage PianoÕs front panel is illustrated in detail below. Control Info Editing Parameter Mode Numeric Sound / Setup Slider Strip Buttons Display LEDs Display Select Buttons Sound / Setup Select Mode Select / Param Edit Parameter Global Grand Pno 1... -
Page 26: Mode Leds
Getting Started The Front Panel Each character in the display also has a small dot at the bottom right. If these dots are on, it means that the current setup has been edited but the change has not yet been made permanent by storing it into memory. -
Page 27: Button Combinations
Getting Started The Front Panel Button Combinations How many ways can you press a button? Actually the Stage Piano recognizes 3 special cases beyond just Òpressing a button.Ó Direct Select In Play mode, if you want the red sound or odd-numbered setup next, itÕs simpleÑ just press the corresponding sound/setup select button. -
Page 28: What Mode Am I In
Getting Started What Mode Am I In? What Mode Am I In? WeÕve used the word ÒmodeÓ quite a bit in this chapter. Here is a reference list of all of the possible modes and how to recognize them. The signiÞcance of the modes will become clear as you read on through Chapters 3 and 4. -
Page 29: Chapter 3 Internal Voices Mode
Chapter 3 Internal Voices Mode This chapter describes Internal Voices mode in detail. This is the simpler of the two modes and is automatically selected when power is turned on. Internal Voices mode is indicated by the LED immediately over the display being on. When in Internal Voices mode, the entire keyboard plays the selected sound. -
Page 30: Modifying Effects
Internal Voices Mode Selecting Internal Voices Mode Modifying Effects To change the effect type or intensity of the currently selected sound, you will need to make a brief excursion into Edit mode. Do the following to temporarily change the effect setting of a sound: 1. -
Page 31: Saving A Soundõs Effects Settings
Internal Voices Mode Saving a Sound’s Effects Settings Saving a Sound’s Effects Settings 1. Go to Edit mode and select one of the 3 effects parametersÑEffect (left column, 4th row), Reverb Wet/Dry (right column, 1st row upper), or Chorus Wet/Dry (right column, 1st row lower). -
Page 32: Sending A Midi Program Change
Internal Voices Mode Sending a MIDI Program Change Sending a MIDI Program Change You can change the program (sound) in an external device from the front panel of your Stage Piano quickly and easily without leaving Play mode: 1. While in Play mode, press the MIDI Prog Chg (MIDI Program Change) buttonÑitÕs the lower-left editing button. -
Page 33: Midi Channel
Internal Voices Mode Modifying Other Internal Voice Parameters MIDI Channel 1-16 and Off SpeciÞes which MIDI channel to send on. No MIDI signals are sent if the value is Off. Destination Int, Mid, Bot This speciÞes where your performance data should be sent. Int means the internal sound module, Mid means MIDI, and Bot means both. -
Page 34: Hold Or Zero
Internal Voices Mode Editing Basics Hold or Zero Hld, Zro SpeciÞes whether the B ribbon signal remains at its last value or returns to zero when your Þnger is lifted. Default is Hold. Control Slider, Control Pedal 0-129 and Off SpeciÞes where signals from the front panel Volume/Controller slider and control pedal are sent. -
Page 35: Edit Vs. Play Mode
Internal Voices Mode Editing Basics Edit vs. Play Mode In Play mode you select different sounds (or MIDI Setups if in MIDI Setups mode) by pressing the Sound/Setup Select buttons to the right of the display. In Edit mode, the sound (or setup) is frozen and the Sound/Setup Select buttons perform a variety of editing functions as marked on the buttons themselves. -
Page 36: Direct Numerical Editing
Internal Voices Mode Editing Basics Direct Numerical Editing Most parameters have numerical values which can also be entered directly using the Sound/Setup Select buttons marked with digits. You can enter a 1, 2, or 3-digit value, then press Enter to accept it. There are a couple of rules though: ¥... - Page 37 Internal Voices Mode Editing Basics You may have noticed that on return to Play mode after editing a non-effects parameter, all of the dots in the display are lit. This is a signal that the Internal Voices Setup has been edited but not yet saved. Executing the above save procedure will turn them off.
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Page 39: Chapter 4 Midi Setups Mode
Chapter 4 MIDI Setups Mode Up to now youÕve been operating your Stage Piano exclusively in Internal Voices mode (unless of course youÕre like most readers and have tried MIDI Setups mode anyway). YouÕve learned that you can set the physical controllers, like ribbons and pedals, to transmit to desired MIDI destination numbers;... -
Page 40: Zones
MIDI Setups Mode Zones Zones The biggest difference between the Internal Voices Setup and a MIDI Setup is that the latter has 2 zones whereas the former has only 1. This name comes about from its usual association with a split keyboard. In the Stage Piano, however, the zones can overlap partially or even completely thus making the term layer more accurate. -
Page 41: Editing Midi Setups
MIDI Setups Mode Editing MIDI Setups Editing MIDI Setups Editing MIDI Setups is much like editing the Internal Voices Setup. The main difference is that you have the two zones to deal with now. The Play/Edit button now functions as a zone selector button as well. Starting from Play mode, the Þrst press of Play/Edit will take you to Edit mode, Zone L. -
Page 42: Sending A Midi Program Change
MIDI Setups Mode Sending a MIDI Program Change Sending a MIDI Program Change You can send a MIDI Program Change from Play mode using the same procedure that was described for Internal Voices mode on page 3-4. In MIDI Setups mode however you will need to specify which zone the program change is for. -
Page 43: Destination
MIDI Setups Mode Parameter Summary Destination Int, Mid, Bot This speciÞes where your performance data for this zone should be sent. Int means the internal sound module, Mid means MIDI, and Bot means both. Internal Effect 0-9, Noc This is the effect number for the sounds for this setup and is the same for both zones. A value of 0 means no effect and Noc means no effects change when changing to this setup. -
Page 44: Velocity Curve
MIDI Setups Mode Parameter Summary Velocity Curve Allows you to alter the relationship between keyboard playing effort (keystroke velocity) and the resulting sound volume in this zone. Below are sketches of these curves. Volume Velocity 1 Linear 2 Expand 3 Compress 4 Bump 5 Reverse 6 Reverse Expand... -
Page 45: B Ribbon Up, B Ribbon Down
MIDI Setups Mode MIDI Controller Destinations B Ribbon Up, B Ribbon Down 0-129 and Off SpeciÞes where signals from the two halves of the right ribbon are sent for this zone. Defaults are Modulation Wheel (1) and Pan (10) respectively. See MIDI Controller Destinations for a description of MIDI destination numbers. -
Page 46: Continuous Controller Destinations
MIDI Setups Mode Continuous Controller Destinations Continuous Controller Destinations These communicate ÒcontinuousÓ (meaning smoothly varying) values of 0Ð127 to an external sound module or effects device. If you assign one of these to a switch pedal, 127 (maximum effect) will be sent when the pedal is down and 0 (minimum effect) when it is up. -
Page 47: Switch Controller Destinations
MIDI Setups Mode Switch Controller Destinations MIDI # Controller Name Description 33–63 LSB for 1-31 Originally defined for vernier (fine) control of destination numbers 32 less than these. The Stage Piano will send to these like any other destination and so they should be considered Undefined. Table 4-1 Continuous Controller Destinations (Continued) Switch Controller Destinations... - Page 48 MIDI Setups Mode Switch Controller Destinations MIDI # Controller Name Description 84 Portamento Control When Portamento Switch (65) is turned on and Portamento Time (5) is not zero, the value of this Controller is the MIDI note number from which the pitch glide will start.
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Page 49: More On Keyboard Splits
MIDI Setups Mode More on Keyboard Splits More on Keyboard Splits The example given earlier described the simplest possible keyboard split where one section of the keyboard controls one sound and an adjacent section controls a different sound but there are other possibilities too. Split-with-transpose is one of these possibilities. - Page 50 MIDI Setups Mode Changing Setups: Special Considerations setup are sent at setup change time. When the effect type (number) changes, the Stage Piano will brießy mute the effects processor to avoid any audible pops and clicks. Although much less objectionable than a click, this momentary muting will be audible if notes are sounding or still decaying during the changeover.
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Page 51: Chapter 5 Global Parameters
Chapter 5 Global Parameters Global parameters do just what their name implies: affect the operation of instrument-wide behavior (like the tuning of all the notes you play). There is one set of seven global parameters; they affect both Internal Voices mode and MIDI Setups mode. -
Page 52: Touch
Global Parameters Access to the Global Parameters Touch 1–5 This parameter affects the response of the keyboard to your playing effort as follows: Easier. Little effort is required to play notes loudly. Also, softly-played notes are louder than the other settings. Best for ensemble playing. Easy. -
Page 53: Effect
Global Parameters Access to the Global Parameters Effect Snd, Set, Off This parameter speciÞes how the effects processor in the internal sound module responds to MIDI Setup changes. The possibilities are: Sound. The effect associated with the internal sound as deÞned for Internal Voices mode is selected regardless of the Effect speciÞed by a setup. -
Page 54: Saving Global Parameters
Global Parameters Access to the Global Parameters Saving Global Parameters If you change a global parameterÕs value, the new value remains in effect until you turn the power off. To make your global edits permanent so theyÕll be effective next time your Stage Piano is turned on, you need to save them in the EEPROM memory. -
Page 55: Advanced Applications
This chapter will present a few ideas to get you started but there are many, many more possibilities as well. Although Kurzweil equipment is cited in these examples, there is a whole world of possibilities out there and your Stage Piano will be equally adept at using any of them. -
Page 56: Example: The Kurzweil K2600R
(be sure the Hold or Zero parameter is set to Hold). There are many more possibilities; donÕt hesitate to try them. Example: The Kurzweil K2600R At the other end of the sophistication spectrum is a multitimbral module like a K2600R. -
Page 57: Midi Hookup
Advanced Applications Computer Sequencers MIDI Hookup The Þrst step in using your Stage Piano with a sequencer is getting the MIDI connections happening. Few sound cards have MIDI ports built-in (the connectors are too big) so youÕll probably have to use an adapter cable that plugs into the cardÕs ÒgameÓ... -
Page 58: Saving Setup Memory
Advanced Applications Computer Sequencers When using a sequencer keep in mind that although the Stage Piano can be set to send on any MIDI channel, its internal sound module will receive only on Channel 1. This means the sequencer must be instructed to play material intended for the internal sound module on Channel 1. -
Page 59: Reloading Setup Memory
Advanced Applications External MIDI Processors Reloading Setup Memory ItÕs even easier to reload saved data by following these steps: CAUTION: The entire EEPROM content will be reloaded, erasing all of your edits since the last time you reloaded. 1. Make sure a MIDI cable is connected from the computer or sequencerÕs MIDI Out port to the Stage PianoÕs MIDI In port. -
Page 60: Receive Program Change
¥ Make sure the Stage Piano is in MIDI Setups, Play mode Example: The Kurzweil ExpressionMate One MIDI processor/controller that works well with the Stage Piano is the Kurzweil ExpressionMate. Figure 2-8 on page 2-10 shows how it can be connected in a system with a Stage Piano, a sound module, and a computer. -
Page 61: Chapter 7 Troubleshooting
Chapter 7 Troubleshooting Maintenance Aside from normal care in handling and use, your Stage Piano requires no regular maintenance. Clean with a soft cloth dampened with water. Never use abrasives or solvents as they may damage the unitÕs paint, markings, info strip and display lens. There are no batteries inside to replaceÑever. -
Page 62: Audio Problems
Troubleshooting Common Problems Audio Problems NOTE: When diagnosing audio problems, set the Stage Piano to play its demo sequence. If there is no sound from your Stage Piano, check the following: ¥ Stage Piano Volume/Controller slider turned down. Move the slider to the right. ¥... -
Page 63: Midi Problems
Troubleshooting Common Problems MIDI Problems If you are experiencing problems sending MIDI to an external module, check these: ¥ MIDI cable not securely plugged in at both ends. ¥ Wrong MIDI connections. To send MIDI, plug into the Stage PianoÕs MIDI Out connector and the moduleÕs MIDI In connector. -
Page 64: Control Pedal Problems
Troubleshooting Common Problems A dual switch pedal must be wired as shown below. Any other wiring pattern will not work correctly. In in doubt, check the Switch Pedal diagnostic described on page 7-7. Sleeve Ring Left Right Pedal Pedal Figure 7-1 Switch Pedal Wiring Diagram Control Pedal Problems If you are having problems making a control pedal work properly, give these a try:... -
Page 65: Use The Right Impedance, Taper, And Range
Service Centers Use the Right Impedance, Taper, and Range For best results, use a Kurzweil CC-1 control pedal, available from your dealer. The CC-1 meets all of the requirements described below at an economical price. A control pedal should have an impedance between 5,000 and 100,000 ohms. Less than 5,000 may overload the reference voltage source in the Stage Piano and interfere with operation of other controls like the Volume/Controller slider. -
Page 66: Restoring Factory Defaults
Troubleshooting Restoring Factory Defaults Restoring Factory Defaults 1. Turn power off. Then hold down the two buttons labeled Panic and turn power on. Continue holding until the LEDs have ßashed the second time. 2. Wait for the display to show P P P P L L L L C C C C then press the Row Select button once. -
Page 67: Player Control Diagnostic
Troubleshooting Diagnostics Player Control Diagnostic The Player Control diagnostic is most likely to be of interest to the user. It displays the response of every user control to being played, moved, pressed, whateverÑexactly as the internal computer sees it. If a control does not respond correctly for the diagnostic, then it will not respond appropriately during normal playing. -
Page 68: Testing The Buttons And Leds
Troubleshooting Diagnostics Testing the Buttons and LEDs When pressed, any button should show a unique number on the display. The number should appear immediately when the button clicks down and should disappear immediately when released. Flickering while down may indicate a problem with the switch while a sluggish release is likely to be an alignment problem between the button and the front panel hole. -
Page 69: Burnin Test ( B B B B U U U U R R R R )
Troubleshooting Diagnostics Burnin Test ( b u u u r r This runs the above diagnostics in a continuous loop for reliability veriÞcation. A cable between MIDI Out and MIDI In must be installed before running it. After each run of the diagnostics, the pass count will be displayed brießy. -
Page 70: Delay Ram Test ( D D D D R R R R M M M M )
Troubleshooting Diagnostics Delay RAM Test ( d r r r m m This tests the memory used for the effects. Sine Wave Test ( s i i i n n This test produces a 1KHz sine wave until either select button is pressed. The Volume/ Controller slider will very the volume from full scale (3.15Vrms) down to -127dB below that (1.4uV) in steps of 1dB. -
Page 71: Chapter 8 Reference
Chapter 8 Reference Display Characters The 3-character display is often used to communicate nonnumeric information. As it has only 7 display segments, letters are not always well formed. Below is a list of all possible characters the display may be called upon to show. a a a a b b b b c c c... -
Page 72: Factory Default Internal Voices Setup
Reference Factory Default Internal Voices Setup Factory Default Internal Voices Setup The Internal Voices Setup deÞnes the MIDI characteristics of Internal Voices mode. You also set the effects parameters for each of the 32 sounds while editing the Internal Voices Setup. Internal Voices Parameters Below is a list of the parameters and default values for the Internal Voices setup. -
Page 73: The Internal Voices
Reference Factory Default Internal Voices Setup The Internal Voices Below is a list of the 32 sounds (voices) available from the internal sound module. The list includes the factory default effects setting for each sound. Sound Name Sound Name Grand Piano 1 Tremolo Digital E. -
Page 74: Factory Default Midi Setups
Reference Factory Default MIDI Setups Factory Default MIDI Setups The 32 factory-default MIDI Setups are all the same except for the Internal Sound parameter which is set to be the same as the setup number. MIDI parameter settings are also similar to the Internal Voices Setup. In particular, only the Left Zone is enabled. -
Page 75: Factory Default Global Parameters
Reference Factory Default Global Parameters Factory Default Global Parameters Parameter Default Value Comments Local Set Local to On for standalone use Stereo Stereo Requires stereo sound system or phones Touch Normal keyboard touch and dynamic range Effect Sound’s effect settings have priority MIDI In MIDI In is not resent to MIDI Out Set Chg Chan... -
Page 76: Midi Implementation Chart
Reference MIDI Implementation Chart MIDI Implementation Chart Model: K2500 Manufacturer: Date: 8/1/99 Young Chang Version 1.0 Digital Synthesizers Function Transmitted Recognized Remarks 1, 2 Default Basic Channel 1–16 Changed Multi Poly Default Mode Messages Altered 0–127 12–108 Transmitted SP76: 28–103 Note Number 0–127 12–108... -
Page 77: Default Midi Controller Assignments
Reference Default MIDI Controller Assignments Default MIDI Controller Assignments Transmit Receive Default Destination B Ribbon, Upper Control Pedal Volume / Control Slider B ribbon, Lower Right Switch Pedal Left Switch Pedal Effect Selection Reverb Wet / Dry Mix Chorus Wet / Dry Mix Panic Sequence Only Panic Sequence Only... -
Page 78: Specifications
Reference Specifications Specifications Controllers Standard Keyboard (weighted 76 or 88 keys) One pitch ribbon Two modulation ribbons One control/volume slider One switch pedal Optional Dual switch pedal Control pedal User Interface Display 3 character, LED, 7-segment plus dot 10 editing LEDs (single color) 16 selection LEDs (dual color) Buttons 4 editing buttons... -
Page 79: Electrical Requirements
Reference Specifications Electrical Requirements Input Voltage 12 Volts DC nominal, 16 volts maximum Current Consumption 0.5 Amp maximum Environment Operating Temperature 5*C to 40*C (40*F to 105*F) Humidity 5% to 95% noncondensing Storage Temperature -20*C to 70*C (-4*F to 158*F) Humidity 5% to 95% noncondensing Physical Dimensions... -
Page 81: Index
The Kurzweil Stage Piano User’s Guide Index Index 2-14, 3-4, 3-8, 5-4, 6-4 Cancel button 3-2, 3-5, 4-6, 8-2, 8-4, 8-5 chorus 2-5, 2-12, 3-2, 3-7, 5-1, Col Select button 3-5, 4-6, 8-2, 8-4 A ribbon 2-12, 3-7, 8-4 columns, parameter... - Page 82 The Kurzweil Stage Piano User’s Guide Index 3-7, 5-1 decrement edit mode decrement/increment editing entering 1-2, 2-4, 2-5, 2-8, 3-3, 3-9, 4-3 default values exiting 3-5, 4-6, 4-7, 5-1, 5-2, 5-3 editing global parameters direct numerical Internal Voices Setup effects...
- Page 83 The Kurzweil Stage Piano User’s Guide Index 8-2, 8-4, 8-5 1-3, 2-3, 2-5 factory defaults jacks restoring font, display keyboard range 3-7, 5-1, 8-5 1-3, 2-12, 4-11 global parameters split testing transposition keyboard response adjusting 1-3, 2-3, 2-6 headphones hold...
- Page 84 The Kurzweil Stage Piano User’s Guide Index MIDI Setups mode 3-2, 4-8, 4-10 maintenance 1-3, 2-2, 3-7 mode 1-3, 2-3 memory edit reloading Internal Voices saving MIDI Setups 5-3, 6-3 merge 2-12 mode LEDs 4-12 messages, paired 1-2, 3-5, 4-7, 4-8...
- Page 85 The Kurzweil Stage Piano User’s Guide Index power problems 4-12 paired messages 4-10 pressure problems, MIDI 2-13, 3-3, 7-6 Panic buttons program 2-12, 3-7, 8-4 parameter columns 3-4, 4-4 bank 2-12 parameter display 4-11, 5-3, 6-6 change 2-12 parameter rows...
- Page 86 The Kurzweil Stage Piano User’s Guide Index saving taper 3-3, 3-8 effects testing 3-8, 5-4 global parameters see diagnostics Internal Voices Setups touch 3-8, 4-3 MIDI Setups transmit 3-5, 4-5, 4-11 setup memory transposition to different setup number tune selecting...
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