Arturia Prophet V User Manual
Hide thumbs Also See for Prophet V:
Table of Contents

Advertisement

Quick Links

USER MANUAL
ARTURIA – Prophet V – USER MANUAL
1

Advertisement

Table of Contents
loading

Summary of Contents for Arturia Prophet V

  • Page 1 USER MANUAL ARTURIA – Prophet V – USER MANUAL...
  • Page 2 Dennis Hurwitz Daniel Saban Clif Johnston Carlos Tejeda, Koshdukai Scot Todd-Coate Joop van der Linden © ARTURIA S.A. – 1999-2016 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – Prophet V – USER MANUAL...
  • Page 3: Table Of Contents

    2.2.1 Audio and MIDI settings: Windows ....................13 2.2.2 Audio and MIDI settings: Mac OS X ....................15 2.2.3 Using Prophet V in plug-in mode ....................16 USER INTERFACE ......................17 The virtual keyboard ..........................17 Toolbar ..............................17 3.2.1 Save Preset .............................
  • Page 4 Low Pass Filter 24dB /octave slope (LP Filter)..................... 48 4.2.4.2 High Pass Filter (HP Filter) ............................49 4.2.4.3 Band Pass Filter (BP Filter) ............................49 4.2.4.4 Notch ..................................50 4.2.5 Filter Envelope ..........................50 4.2.6 Amplifier/Pan ..........................51 ARTURIA – Prophet V – USER MANUAL...
  • Page 5 Choose the placement of the five points defining the path of the joystick ........ 89 6.4.2 Mixer envelope ..........................90 6.4.3 Modulation Matrix .......................... 90 6.4.4 Playing mode in Unison ........................92 Preset using the Prophet 5 and the Prophet VS ................93 ARTURIA – Prophet V – USER MANUAL...
  • Page 6 6.5.1 Audio Matrix............................ 93 6.5.2 Editing sound on the Prophet VS....................94 END USER LICENSE AGREEMENT .................. 99 ARTURIA – Prophet V – USER MANUAL...
  • Page 7: Introduction

    INTRODUCTION Arturia would like to thank you for purchasing our synthesizer model: the Prophet V. We are confident it will prove to be an extremely valuable addition to your music production studio. If you’ve purchased our products before, you know we pride ourselves in faithfully recreating the sound and feel of the original instruments, down to the smallest detail.
  • Page 8: Prophet Vs

    VCF/VCA chain. It was an extension of the instruments like the PPG and Fairlight that could scan in one dimension along a table of wave shapes or between two different wave shapes. ARTURIA – Prophet V – USER MANUAL...
  • Page 9: Arturia's Secret Ingredient: Tae

    ’s software algorithms result in spot-on emulation of analog hardware. This is ® why Prophet V offers an unparalleled quality of sound, as do all of Arturia’s virtual synthesizers. combines three major advances in the domain of synthesis: ®...
  • Page 10: A Better Reproduction Of Analog Oscillator Waveforms

    ® software. Below is the analysis of a waveform from one of the five original instruments Arturia’s software emulates, followed by one made by TAE®. They are both equally deformed by the low-pass and high-pass filtering.
  • Page 11: Direct Filter Circuit Modeling

    Due to advances in computer processing power, TAE® can now employ direct filter modeling techniques to achieve unprecedented accuracy in the emulation of a hardware synthesizer’s filter. By modeling the operation of the individual hardware ARTURIA – Prophet V – USER MANUAL...
  • Page 12 So here’s the bottom line: when you bring together a bunch of music lovers who also have a deep understanding of the characteristics of electronic circuits, you wind up with Arturia. And Arturia now offers you our most impressive software model yet, the Prophet V.
  • Page 13: Activation And First Start

    Register and Activate Prophet V works on computers equipped with Windows 7 or later and Mac OS X 10.8 or later. You can use the stand-alone version or use Prophet V as an Audio Units, AAX, VST2 or VST3 instrument.
  • Page 14 Windows and Mac OS X, although the names of the devices available to you will depend on the hardware you are using. Audio and MIDI settings window Starting from the top you have the following options: ARTURIA – Prophet V – USER MANUAL...
  • Page 15: Audio And Midi Settings: Mac Os X

    MIDI from the device you want to use to trigger the instrument. In standalone mode, Prophet V listens for all MIDI channels so there’s no need to specify a channel. You can specify more than one MIDI device at once.
  • Page 16: Using Prophet V In Plug-In Mode

    2.2.3 Using Prophet V in plug-in mode Prophet V comes in VST, AU and AAX plug-in formats for use in all major DAW software such as Cubase, Logic, Pro Tools and so on. You can load it as a plug-in instrument and its interface and settings work the same way as in standalone mode, with a couple of differences.
  • Page 17: User Interface

    Let’s look at them in detail. The first seven of these options can be found by clicking on the Prophet V section at the very top left hand corner of the instrument window.
  • Page 18: Save Preset As

    3.2.5 Export bank This option can be used to export an entire bank of sounds from the instrument, which is useful for backing up or sharing presets. ARTURIA – Prophet V – USER MANUAL...
  • Page 19: Resize Window Options

    3.2.6 Resize window options The Prophet V window can be resized from 60% to 200% of its original size without any visual artifacts. On a smaller screen such as a laptop you might want to reduce the interface size so it doesn’t dominate the display. On a larger screen or a second monitor you can increase the size to get a better view of the controls.
  • Page 20: Switching Between Prophet 5, Prophet Vs And Hybrid

    ARTURIA – Prophet V – USER MANUAL...
  • Page 21: Assigning / Unassigning Controls

    30% or higher than 90%, no matter how far you turned it. This is very useful for making sure you can’t accidentally make the sound too quiet or too loud when performing. ARTURIA – Prophet V – USER MANUAL...
  • Page 22: Relative Control Option

     Ctrl Omni Mode On (CC #125)  Ctrl Poly Mode Off (CC #126)  Ctrl Poly Mode On (CC #127) All other MIDI CC numbers may be used to control any assignable parameter in Prophet V. ARTURIA – Prophet V – USER MANUAL...
  • Page 23: Midi Controller Configuration

    You can copy the current MIDI assignment setup or delete it, import a configuration file or export the currently active one. This is a quick way to set up different hardware MIDI keyboards or controllers with Prophet V without having to build all the assignments from scratch each time you swap hardware.
  • Page 24: Midi Channel Setting

    The CPU meter is used to monitor how much of your computer’s CPU is being used by the instrument. 3.2.12.4 Sustain mode Define if the sustain is cut or maintained if a note is re-trigged while being already in sustain phase. ARTURIA – Prophet V – USER MANUAL...
  • Page 25: Play Mode

    By clicking this button, you will be able to adjust the upper limit for the number of voices played the Prophet V. It can be set from 1 to 32. Having lower setting will result in less CPU being used. Setting the number too low can create situation where the voices cut off and create unnatural sustains.
  • Page 26: The Preset Browser

    The Preset Browser The preset browser is how you search, load and manage sounds in Prophet V. It has a couple of different views but they all access the same banks of presets. To access the search view, click on the browser button (the icon looks a bit like books on a library shelf).
  • Page 27: The Preset Info Section

    However, if you want to alter the information for a Factory preset you must first use the Save As command to re-save it as a User preset. After this the Info section will gain Edit and Delete buttons at the bottom of the window. ARTURIA – Prophet V – USER MANUAL...
  • Page 28: Preset Selection: Other Methods

    “Love” in the main search area, the results of that search will appear here. Similarly, if you previously selected a Type in the Search field you would see the results of that search in this area instead. ARTURIA – Prophet V – USER MANUAL...
  • Page 29 Selecting the All Types option in the pull-down menu will bypass the Search criteria and show the entire list of presets. The Categories below the line also ignore the Search criteria and display the presets based on their Type. ARTURIA – Prophet V – USER MANUAL...
  • Page 30: Selecting A Preset By Its Type

    You can use all of the options in the Search window to locate the presets you want to have in your playlist. Once you have found the right preset, click and drag it onto the playlist name. ARTURIA – Prophet V – USER MANUAL...
  • Page 31: Re-Order The Presets

    To access the different interfaces, click one of the three shortcut buttons “Prophet 5”, “Prophet VS”, or “Hybrid” located in the tool bar:  The “Prophet 5” shortcut gives you access to just the Prophet 5 synthesizer. ARTURIA – Prophet V – USER MANUAL...
  • Page 32: Brief Tour Of The "Prophet 5

     4 oscillators that are chosen in a bank of 96 waveform samples.  A mixer to mix the signals coming from the 4 oscillators.  A multi-mode resonant filter with 24 dB/octave slope.  Two LFOs allowing 5 waveforms ARTURIA – Prophet V – USER MANUAL...
  • Page 33: The Hybrid Interface

    It permits you to create a large variety of sounds never before heard thanks to the mix of subtractive synthesis of the Prophet 5 and the wave- table synthesis of the Prophet VS. ARTURIA – Prophet V – USER MANUAL...
  • Page 34: The Effects Section

    Set the “Dry/Wet” knob of the chorus in order to balance the “raw” sound and the return of the effect. Turn the “Rate” knob of the Chorus to set the speed of the oscillations. ARTURIA – Prophet V – USER MANUAL...
  • Page 35: The Delay

    Turn the two “Time” knobs to set the speed of the repetitions: Time Right and Time Left. It is also possible to set the number of repetitions for each side (“Feedb. Right” and “Feedb. Left”) ARTURIA – Prophet V – USER MANUAL...
  • Page 36: The Modules In Details

     1 mixer for the volume of the 2 oscillators and the white noise module  1 low pass resonant filter 24dB/oct  1 amplifier  2 envelopes dedicated to filter modulations and amplitude ARTURIA – Prophet V – USER MANUAL...
  • Page 37: Oscillators

    SYNC: Button which activates the synchronization of the A and B oscillators 4.1.1.2 Oscillator B FREQ: Tuning knob for semitones on approximately two octaves FINE: Fine tuning knob on approximately 1 semitone SHAPE: Selection buttons of three waveforms: Saw tooth, Triangle, Square. ARTURIA – Prophet V – USER MANUAL...
  • Page 38 A weaker oscillation frequency will allow you to use it as an LFO for modulating oscillator A or the filter in the “POLY MOD” section. Here are the representations of the different waveforms used by the oscillators of the Prophet 5: Saw tooth Square Triangle ARTURIA – Prophet V – USER MANUAL...
  • Page 39: Mixer

    ENV AMT: Manual setting for the amount of modulation by the filter envelope. Notice: To set the conventional keyboard following (in relation to the tempered scale) place the knob at its middle value (1.00). ARTURIA – Prophet V – USER MANUAL...
  • Page 40: Low Pass Filter 24Db/Octave Slope

    Low pass resonant filter 4.1.4 Amplifier The amplifier is the last step in sound creation. It allows you to set the general volume of the Prophet 5. Amplifier VOLUME: General volume control of the synthesizer ARTURIA – Prophet V – USER MANUAL...
  • Page 41: Envelopes

    (when the LFO modulates the oscillator frequency) or “wahwah” effect (when it modulates the cut-off frequency). RATE: Setting parameter for LFO frequency SHAPE: Connection buttons for the audio output of the three wave forms: Saw tooth, Triangle, Square ARTURIA – Prophet V – USER MANUAL...
  • Page 42: Wheel Mod

    SOURCE AMOUNT: Setting for the modulation rate of: • The filter envelope (“FILT ENV”) • Oscillator B (“OSC B”) DESTINATION: Selection buttons for modulation destinations: • Frequency of oscillator A (“FREQ A”) • Squared width of oscillator A (“PW A”) ARTURIA – Prophet V – USER MANUAL...
  • Page 43: Section Modes For The Keyboard

    Glide Modes: The various modes for the glide (“OFF/ ON/ LEGATO”) Playing Mode section CAREFUL! Only the volume envelope will be taken into account by the HOLD function. This permits you to make the sound “lively” while keeping the envelope available ARTURIA – Prophet V – USER MANUAL...
  • Page 44: General Parameters Section

    Attention! None of the modulation made by the LFO will be audible if the Mod Wheel is positioned at 0 (at the bottom). Also notice that the position of the wheel is stored in a preset. ARTURIA – Prophet V – USER MANUAL...
  • Page 45: Prophet Vs

    VS use sample wave forms from diverse sources: acoustic instruments, voice, and assorted sound effects. These wave forms give you access to a sound palette much greater than that of most analog synthesizers. ARTURIA – Prophet V – USER MANUAL...
  • Page 46: Mixer Joystick

    The mixer lets you mix the four oscillators in order to enrich and develop the sound. This mix is done with a joystick moving between four points (A, B, C, and D) representing the maximum volume of each of the oscillators. ARTURIA – Prophet V – USER MANUAL...
  • Page 47: Mixer Envelope

    0>3; 1>3; 2>3 or 0<>3; 1<>3; 2<>3). When the key is released, the loop is interrupted and the movement cycle of the joystick is finished. REPEAT: The “REPEAT” function repeats the movement cycle of the joystick (OFF, de 1 to 6 and indefinitely – C-) ARTURIA – Prophet V – USER MANUAL...
  • Page 48: Types Of Filters

    RESO: Knob setting the filter resonance Filter Module 4.2.4.1 Low Pass Filter 24dB /octave slope (LP Filter) The low pass filter 24 dB native to the Prophet VS. It eliminates the frequencies found above the cut-off frequency. ARTURIA – Prophet V – USER MANUAL...
  • Page 49: High Pass Filter (Hp Filter)

    Use it to make a certain band of frequencies that you wish to emphasize appear. This will make the sound more “pinched”. ARTURIA – Prophet V – USER MANUAL...
  • Page 50: Notch

    The filter envelope is composed of 5 points ranging from 0 (initial level) to 4 (end of the release). A single parameter is offered for point 0 (Level). Points 1 to 4 allow you to set the “Level” and the “Time” between two points set from 0.00 to 10000ms. ARTURIA – Prophet V – USER MANUAL...
  • Page 51: Amplifier/Pan

    Use “All” to set the pan of all voices simultaneously. VOLUME: Setting for the volume of the Prophet VS’ output signal PAN: Panoramic setting of the selected voice VOICE: Selection screen for the voice ARTURIA – Prophet V – USER MANUAL...
  • Page 52: Amplifier Envelope

    LOOP: The loop function allows you to define a loop between two of the envelope points (OFF, 0>3: 1>3; 2>3 or 0<>3; 1<>3; 2<>3). REPEAT: The repeat function repeats the loop a certain number of times (OFF, de 1 to 6 and indefinitely – C-). ARTURIA – Prophet V – USER MANUAL...
  • Page 53: Low Frequency Oscillator (Lfo)

    LCD screen (right-hand side of Prophet VS). Select the modulation tab. RATE: Knob setting the LFO rate WAVE: Screen for choosing the 5 wave forms: Triangle, Square, Saw Tooth, Inversed Saw tooth, Random The LFOs ARTURIA – Prophet V – USER MANUAL...
  • Page 54: Modulation Matrix

    PANORAMIC Modulation connections are made by clicking on the white points placed at the intersections between a source and a destination. An orange insert appears in their place when the connection is made. ARTURIA – Prophet V – USER MANUAL...
  • Page 55: Chorus And Delay Effects

    RATE: Setting knob for the chorus frequency DEPTH : Setting for the modulation of depth DRY/WET: Balance between the sound with and without effect TYPE: Selection buttons for the three types of chorus The chorus ARTURIA – Prophet V – USER MANUAL...
  • Page 56: The Delay

    V. DETUNE: Setting to detune the polyphonic voices HOLD: Button to start the hold mode LEGATO: Allows one to play in a legato style (can be activated only in the monophonic playing mode) ARTURIA – Prophet V – USER MANUAL...
  • Page 57: Wheels

    You will find all the parameters included on both of the synthesizers and described in the paragraphs below. In this chapter, we will concentrate primarily on the additional parameters. These are found on the LCD screen found to the right of the Prophet VS interface. ARTURIA – Prophet V – USER MANUAL...
  • Page 58: Audio Connection Matrix

    4.3.1.1 Types of oscillators To select the oscillators, click on the panel corresponding to one of the four sources – A, B, C, and D – to make the menu offering oscillator choices appear. ARTURIA – Prophet V – USER MANUAL...
  • Page 59: Connection Of The Two Types Of Filters

    These connections can be used without an active oscillator (with only auto filters oscillating as a sonic source, for example, generating a sinusoidal wave form). It is possible to connect the filters of the two synthesizers together or the two in a series. ARTURIA – Prophet V – USER MANUAL...
  • Page 60: Modulation Matrix

    FREQ PRO 5 OSC A • FREQ PRO 5 OSC B • VOL PRO 5 OSC A • VOL PRO 5 OSC B • PW A PROPHET 5 • PW B PROPHET 5 ARTURIA – Prophet V – USER MANUAL...
  • Page 61 Prophet 5 alone to the “5 +VS”. When it returns, you will find the parameters of the Prophet VS that you left still intact in the Hybrid Interface. The modulation Matrix of the Hybrid interface ARTURIA – Prophet V – USER MANUAL...
  • Page 62: The Basics Of Subtractive Synthesis

    It will generate the initial sound signal. We can think of the oscillator like a violin string that once stroked or plucked, vibrates to create its sound. ARTURIA – Prophet V – USER MANUAL...
  • Page 63 The saw tooth presents the richest audio signal of the 3 waveforms (it contains all of the harmonics at decreasing volume levels in high frequencies). Its sound is ideal for brass sounds, percussive bass sounds or rich accompaniments. ARTURIA – Prophet V – USER MANUAL...
  • Page 64 The triangle can be considered like a very filtered (and soft) square signal. It is very low in harmonics (odd only) and will be very useful for creating sub basses, flute sounds, etc.… ARTURIA – Prophet V – USER MANUAL...
  • Page 65 (this signifies that it is not tuned to the same tonality!) The more you tune oscillator2 upwards, the more you will encounter composite waveforms. ARTURIA – Prophet V – USER MANUAL...
  • Page 66: The Noise Module

    The noise signal spectrum has all frequencies at an equal volume level, often referred to as “white noise”. For this reason, the noise module is used to create different noises like the imitation of wind or special effects. White noise is the richest ARTURIA – Prophet V – USER MANUAL...
  • Page 67: The Mixer

    The Prophet VS mixer can also be automated by a four parameter envelope (see chap. 4 “Modules/ Mixer Envelope”) or by other modulation sources which can be connected in the modulation matrix (see chap. 4 “Modulation Matrix”). ARTURIA – Prophet V – USER MANUAL...
  • Page 68: The Filter Or Vcf

    (the cut-off frequency) and allows the sound below the cut-off to pass through unchanged. Depending on the setting we will hear the sound becoming more or less “brilliant”, more or less “dampened”. ARTURIA – Prophet V – USER MANUAL...
  • Page 69: High Pass Filter (Hp Filter)

    Use it to make a certain band of frequencies that you wish to emphasize appear. This will make the sound more “pinched”. ARTURIA – Prophet V – USER MANUAL...
  • Page 70: Notch Filter

    On the Prophet V2V, you can increase the rate of resonance through the “emphasis” knob. When you increase the resonance, the filter becomes more selective, the cut-off frequency is amplified, and the sound begins to “whistle”. ARTURIA – Prophet V – USER MANUAL...
  • Page 71: The Amplifier Or Vca

    (or directly from the oscillator if it is not being filtered) to be adjusted before the volume is sent to the speakers. The Prophet 5 VCA In conclusion, here is a diagram that should help you to understand the composition of a basic sound: ARTURIA – Prophet V – USER MANUAL...
  • Page 72: Other Modules

    The Sustain (hold) is the maximum volume level that the sound will reach after the decay is complete. • The Release is the time that the sound will take to diminish once the key has been released. ARTURIA – Prophet V – USER MANUAL...
  • Page 73 The Release corresponds to point 4. Points 1 through 4 contain two parameters (filter envelope only): the LEVEL and the RATE. Point 0 only has the LEVEL parameter. ADSR envelope of the Prophet 5 The Prophet VS envelope ARTURIA – Prophet V – USER MANUAL...
  • Page 74: The Low Frequency Oscillator

    With an LFO sinusoid wave modulating the cut-off frequency of a lightly resonant low-pass filter, you will obtain a “wah wah” effect. The LFO in tremolo mode The LFO module of the Prophet 5 ARTURIA – Prophet V – USER MANUAL...
  • Page 75: Complements To Wavetable Synthesis

    • 4 envelopes (two for the Prophet 5 and two for the Prophet VS) • 3 LFO (one for the Prophet 5 and two fro the Prophet VS) • Modulation Matrix (Prophet VS) ARTURIA – Prophet V – USER MANUAL...
  • Page 76: Few Elements Of Sound Design

    A FEW ELEMENTS OF SOUND DESIGN Here are 5 examples meant to guide you with your sound design in the Prophet V. These sounds are classed from the simplest to the most complex, and are organized in three parts: The First section will help you understand the synthesis of the Prophet 5. By starting with a basic preset you will develop a polyphonic brass sound.
  • Page 77 Give a name to the bank (for example “brass”) then to the preset (“brass1”). You can also simply add a new preset in the current “Pro5” bank and sub-bank “Brass”. Then just rename your preset using the option “New Preset”. ARTURIA – Prophet V – USER MANUAL...
  • Page 78: Pad Sound With The Frequency Modulation Using The Prophet 5

    On oscillator A, choose the square wave form. Choose the same form for oscillator B Click on the “LO FREQ” button in order to place oscillator B in the low frequency position. Click on the “LO FREQ” button ARTURIA – Prophet V – USER MANUAL...
  • Page 79 (and inversely, the sharper the note the faster the oscillation). If you do not wish to have this variation, deactivate the keyboard following by clicking on the button “KBD”. ARTURIA – Prophet V – USER MANUAL...
  • Page 80 Set the speed of the modulation with the “RATE” knob of the LFO. Choose a value around 3.00Hz. LFO Settings If you wish to give space to your sound, add a chorus effect. To do turn on the chorus effect with the switch. ARTURIA – Prophet V – USER MANUAL...
  • Page 81: Basic Preset With The Prophet Vs (Sweet Pad)

    VS. This section is thus an initiation to wave-table synthesis – the objective being to create a pad sound using the different timbres of the 4 oscillators. Open the Prophet VS interface by clicking on the “VS” button found in the utility bar. ARTURIA – Prophet V – USER MANUAL...
  • Page 82 In order to better hear the difference between the timbres produced, you can move the joystick between points A, B, C, and D. This will give you a good perception of the richness of wave table synthesis. ARTURIA – Prophet V – USER MANUAL...
  • Page 83 Let’s look at the settings of the envelopes. These settings will bring the sound of your preset to life by modifying the cutoff frequency of the filter and the volume of the amplifier. To edit the filter envelope, click on the Filter envelope tab in the screen display. ARTURIA – Prophet V – USER MANUAL...
  • Page 84 RATE to about 1400ms. The cutoff frequency will softly evolve creating a brighter sound after three seconds. The phase between points “0” and “1” corresponds to the ATTACK of the ADSR envelope. ARTURIA – Prophet V – USER MANUAL...
  • Page 85 Set point “3” by increasing the LEVEL to 70 and the RATE to about 3000ms. Points 2 and 3 correspond to the level of stabilization of the cutoff frequency during the time a note is held. This is called the SUSTAIN of the ADSR envelop. Set point “3” ARTURIA – Prophet V – USER MANUAL...
  • Page 86 Click on the Amplifier Envelope tab Point “0” must be set at the maximum initial level (Value = 1) to have a maximum volume at the beginning of the note. Set the point “0” ARTURIA – Prophet V – USER MANUAL...
  • Page 87 Finally, adjust the setting of point 4: the LEVEL remains at the 0 value. Set the RATE to about 1300ms. The sound volume is going to fall progressively at the note release. Adjust the setting of point 4 ARTURIA – Prophet V – USER MANUAL...
  • Page 88: Preset Using The Modulation Matrix And The Dynamic Mixing

    Set the frequency knob of oscillator A on “+12 semi-tons”. This oscillator will play an octave higher than the other 3. Leave the cutoff frequency on its maximum position and the sound will be brighter. ARTURIA – Prophet V – USER MANUAL...
  • Page 89: Choose The Placement Of The Five Points Defining The Path Of The Joystick

    Point 3 (Osc A= 12%, Osc B= 16%, Osc C= 39%, Osc D= 30%) • Point 4 (Osc A= 23%, Osc B= 28%, Osc C= 25%, Osc D= 22%) Positioning of the four points of the mixer ARTURIA – Prophet V – USER MANUAL...
  • Page 90: Mixer Envelope

    The loop settings 6.4.3 Modulation Matrix In this section we will see how to use the modulation matrix. It is with this matrix that the different modulations to enrich your sound can be programmed. ARTURIA – Prophet V – USER MANUAL...
  • Page 91 Connect the modulation wheel (source “MOD WHEEL”) to the modulation rate of the LFO1 (destination “LFO1 AMNT”). This allows you to make the LFO activity appear progressively by increasing the modulation wheel. Set the rate of this modulation at 50. ARTURIA – Prophet V – USER MANUAL...
  • Page 92: Playing Mode In Unison

    Detune the different voices to give “fatness” to your sound. This manipulation will produce an effect similar to that of a chorus! For this, turn the “V. DETUNE” knob to Settings of Unison Mode ARTURIA – Prophet V – USER MANUAL...
  • Page 93: Preset Using The Prophet 5 And The Prophet Vs

    (“SOURCE MIXER”) and of the VS filter (“FILTER VS”). The switch will release and become blue to confirm the connection. ARTURIA – Prophet V – USER MANUAL...
  • Page 94 The sound of the Prophet 5 remains unchanged on this preset so we will go on directly to editing the Prophet VS: Begin by changing the type of filter. Choose the BAND PASS to better complement the low pass filter of the Prophet 5. ARTURIA – Prophet V – USER MANUAL...
  • Page 95 Set point “3” with a LEVEL a bit lower (about 0.30) and a RATE a bit longer (479). The cutoff frequency falls again towards the intermediate point before coming to the “SUSTAIN” phase. ARTURIA – Prophet V – USER MANUAL...
  • Page 96 At this point, the Prophet VS will load the attack of your sound, with a timbre close to the sound of a sitar. The “body” of the sound is composed principally of the Prophet 5 which carries all the warmth and roundness of analog. ARTURIA – Prophet V – USER MANUAL...
  • Page 97 Next, turn the 2 “Speed” knobs to set the speed of the repetitions on the right (Time Right) and left (Time Left). It is also possible to set the number of repetitions for each side (“Feedb. Right” and “Feedb. Left”). Delay Effect ARTURIA – Prophet V – USER MANUAL...
  • Page 98 Prophet V2V offer. Don’t hesitate to experiment on your own; it is in this way that you will make the most progression and that you will create the most original of sounds. ARTURIA – Prophet V – USER MANUAL...
  • Page 99 The Licensee must register the Product to Arturia to get access to client support, and to activate his Product. (An internet connection is required to register and activate the Product, either on the computer on which the Product is installed, either on another device able to exchange files with the computer on which the Product is installed).
  • Page 100 The Licensee must register the Product to Arturia to get access to client support, and to activate his Product. (An internet connection is required to register and activate the Product, either on the computer on which the Product is installed, either on another device able to exchange files with the computer on which the Product is installed).
  • Page 101 Privacy Policy at www.arturia.com/privacy. 7. Limited Warranty Arturia warrants that the physical media on which the software is provided is free from defects in materials and workmanship under normal use for a period of thirty (30) days from the date of purchase.

Table of Contents