Arturia ARP 2600V User Manual
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Arturia ARP 2600V User Manual

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USER MANUAL
ARTURIA – ARP 2600 V – USER MANUAL
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  • Page 1 USER MANUAL ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 2 Dennis Hurwitz Daniel Saban Clif Johnston Carlos Tejeda, Koshdukai Scot Todd-Coate Joop van der Linden © ARTURIA S.A. – 1999-2016 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE http://www.arturia.com ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 3: Table Of Contents

    The Preset Info section .......................... 29 3.3.4 Preset selection: other methods ......................30 3.3.4.1 Selecting a preset by its Type ........................31 3.3.5 Playlists ..............................31 3.3.5.1 Add a playlist ..............................31 ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 4 Chorus and delay effects ........................59 4.1.15 Control voltages (CV control) ......................60 Keyboard interface (Model 3620) ....................61 Low frequency oscillator (LFO) ......................61 The ARP sequencer ..........................62 THE BASICS OF SUBTRACTIVE SYNTHESIS ..............66 ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 5 Special effects patch with the help of the tracking generator ..........90 Patch using the sequencer to create a melody ................93 Patch using the sequencer to create a modulation sequence ..........95 END USER LICENSE AGREEMENT................98 ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 6: Introduction

    INTRODUCTION Arturia would like to thank you for purchasing our synthesizer model: the ARP 2600 V. We are confident it will prove to be an extremely valuable addition to your music production studio. If you’ve purchased our products before, you know we pride ourselves in faithfully recreating the sound and feel of the original instruments, down to the smallest detail.
  • Page 7 But in 1981, ARP was finally bought out by CBS. The following year, CBS with part of the ARP development team would produce the Chroma, a programmable polyphonic synthesizer, and in 1984 the Chroma Polaris, a simplified and MIDI- capable version of the Chroma. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 8: Arturia's Secret Ingredient: Tae

    ’s software algorithms result in spot-on emulation of analog hardware. This is ® why ARP 2600 V offers an unparalleled quality of sound, as do all of Arturia’s virtual synthesizers. combines three major advances in the domain of synthesis: ®...

  • Page 9: A Better Reproduction Of Analog Oscillator Waveforms

    ® software. Below is the analysis of a waveform from one of the five original instruments Arturia’s software emulates, followed by one made by TAE®. They are both equally deformed by the low-pass and high-pass filtering.

  • Page 10: Direct Filter Circuit Modeling

    But you’ll notice there are two lines on the graph: Those are the superimposed frequency domain plots for both one of Arturia's virtual instruments and the hardware filter being emulated. They are practically indistinguishable, both on the graph and to the human ear.
  • Page 11 So here’s the bottom line: when you bring together a bunch of music lovers who also have a deep understanding of the characteristics of electronic circuits, you wind up with Arturia. And Arturia now offers you our most impressive software model yet, the ARP 2600 V.

  • Page 12: Activation And First Start

    In order to proceed, go to this web page and follow the instructions: http://www.arturia.com/register Note: If you don’t have an Arturia account yet, you will need to create one. The process is quick, but it does require that you can access your email address during the registration process.
  • Page 13 You will then see the Audio MIDI settings window. This works in the same way on both Windows and Mac OS X, although the names of the devices available to you will depend on the hardware you are using. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 14 48kHz which is perfectly fine. Higher sample rates use more CPU power so unless you have a good reason to ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 15: Audio And Midi Settings: Mac Os X

    Cubase, Logic, Pro Tools and so on. You can load it as a plug- in instrument and its interface and settings work the same way as in standalone mode, with a couple of differences. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 16  You can use more than one instance of ARP 2600 V in a DAW project. In standalone mode you can only use one at once.  You can route ARP 2600 V’s audio outputs more creatively inside your DAW using the DAW’s own audio routing system. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 17: User Interface

    In this chapter we will give an overview of the features available to you with ARP 2600 V. As with every Arturia product, we have gone to great lengths to make the use of this software instrument as simple and as much fun as possible, while also striving to make sure you never run out of new things to do with it as your knowledge expands.

  • Page 18: Save Preset As

    Both types are stored in the .arpx format. After selecting this option, the default path to these files will appear in the window, but you can navigate to whichever folder you are using. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 19: Export Preset

    The controls work the same at any zoom level but the smaller ones can be harder to see at the smaller magnification values. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 20: Audio Settings

    The Preset browser is invoked by clicking the toolbar button that has four vertical lines. See section 3.3 of the manual for full details on this. The Filter, name field and left / right arrows in the toolbar all assist with preset selection. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 21: Midi Learn Assignment

    A typical example might be to map a real expression pedal to the virtual volume pedal, or buttons on a controller to the effect switches so you can change the sound from your hardware keyboard. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 22: Assigning / Unassigning Controls

    There’s a popup window that displays which two things are being linked and a button to unassign the two from each other. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 23: Min / Max Value Sliders

    MIDI assignments. When configured this way, movements of the physical control (usually a knob) will change the software parameter by starting at its current setting, rather than ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 24: Reserved Midi Cc Numbers

    This is a quick way to set up different hardware MIDI keyboards or controllers with ARP 2600 V without having to build all the assignments from scratch each time you swap hardware. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 25: The Lower Toolbar

    It will also display the current value of a parameter without editing it: just hover the cursor over the related control and the value will appear as pictured below. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 26: Midi Channel Setting

    CPU being used. Setting the number too low can create situation where the voices cut off and create unnatural sustains. The key is to find a balance that you and your computer can both live with. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 27: The Preset Browser

    The Results column is updated to show the results of your search. Press the X button in the search field to clear the search. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 28: Using Tags As A Filter

    Deselect any tag in any area to remove that criteria and widen the search without having to go back and start again. Using “Ctrl + click” (Windows) or “Cmd + click” (Mac) will allow you to select multiple elements in the same area. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 29: The Preset Info Section

    Bank or Type. You can even add new Characteristics by clicking the + sign at the end of that list. Click Save when you are done. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 30: Preset Selection: Other Methods

    Selecting the All Types option in the pull-down menu will bypass the Search criteria and show the entire list of presets. The Categories below the line also ignore the Search criteria and display the presets based on their Type. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 31: Selecting A Preset By Its Type

    3.3.5.1 Add a playlist To create a playlist, click the plus sign at the bottom: ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 32: Add A Preset

    Presets may be reorganized within a playlist. For example, to move a preset from slot 2 to slot 4, drag and drop the preset to the desired location. This will move the preset into the new location. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 33: Remove A Preset

    Click the X to remove a preset from a playlist 3.3.5.5 Delete a playlist To delete a playlist, click the x directly to the right of the playlist name. Click the X to delete a playlist. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 34: Overview Of The 3 Sections Of The Arp2600 V

    Overview of the 3 sections of the ARP2600 V The ARP 2600V offers three main sections separated into flight cases: From top to bottom: The synthesizer section The Sequencer / LFO / General settings section ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 35: Overview Of The Synthesizer Section

     An amplifier (VCA) allowing the amplification of the signal coming from the filter and its direction towards the stereo output.  Two envelopes (ADSR and AR) modulating the low–pass filters and amplifier. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 36: The Effects

    To open it, click on the “open” button under this grid. Open the effects grid 3.5.2.1 Chorus Chorus is used to copy your sound, and slightly detune the copy, to give it more depth. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 37: Delay

    LFO waves. It is located behind the grid in the bottom-right corner of the synthesizer section. You can make it appear by using the open button below the grid. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 38: Overview Of The Sequencer / Lfo / General Settings Section

    16-step line (by putting two 8-step lines in a series). It is also possible to modulate any parameter of synthesis through one of the two sequencer outputs. The ARP sequencer The ARP sequencer contains 3 parts: ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 39  The oscillator sets the speed of the sequencer as well as the start and stop. Set the oscillator speed  The “Quantizer” quantifies the values for the 16 steps by semi-tone. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 40: The Lfo

    For example: the LFO is “pre-cabled” to obtain a vibrato (simultaneous frequency modulation) of the two oscillators. Simply raise the linear potentiometer “Vibrato Depth”, situated on the LFO module, to create this effect. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 41 Lower the cut-off frequency to hear the result more clearly. The brightness of the sound will vary in a cyclic fashion, to the rhythm of the LFO. Modulate the filter frequency (“Cutoff Frequency”) with the LFO ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 42: The Modules

     1 sample and hold  2 mixers (on the filter and the VCA)  1 electronic switch  A tracking generator module  mixer / lag module  2 effects (chorus / delay) ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 43: The Oscillators (Vco)

    These 3 oscillators, tuned separately and providing mixed waveforms, quickly give us very rich sounds. The tone can also be easily modified with modulation inputs. The 3 oscillators settings ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 44: Oscillator 1

    Square oscillator 1: pre-cabled for the manual setting of modulation by the square waveform of oscillator1 (VCO1 square) • Noise: pre-cabled for the manual setting of modulation of the impulse width of the square by the noise (PWM _ noise out) ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 45: Oscillator 3

    For example: the frequency of oscillator 1 can be modulated, from the left to the right, by the key follow, the sample and hold, the ADSR envelope and the oscillator 2 sine. In low frequency position (LF), the oscillators ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 46 For a conventional key follow setting (in relation to the scale) place the potentiometer completely to the top. Here are graphical representations of the different waveforms used by ARP 2600V oscillators: Sawtooth Square Triangle ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 47: The Filter (Vcf)

    The filter settings As with the oscillators, the filter possesses audio connections (a mixer) and internal modulation inputs allowing the simplification of its use. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 48 Only the cut-off frequency can be dynamically modulated by one of the 3 modulation inputs. For a conventional key follow setting (in relation to the scale) place the potentiometer completely to the top. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 49: The Filter Types

    • The high pass (HP 12) The high pass filter is the opposite of the low pass filter. It eliminates the frequencies above the cut-off frequency. The high pass filter ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 50: The Envelopes

    When the trigger input moves to active state (triggering of a note), the envelope performs the sequences “Attack” followed by “Decay” and remains in the “hold” state (Sustain) as long as the input trigger remains active. When it ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 51: Adsr

    Sample and Hold clock) “Gate” output type (Gate): Output connection for a “gate” type signal: for every note played on the keyboard, the signal remains active as long as the note is held down. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 52: Output Amplifiers (Voltage Control Amplifier - Vca)

    Modulation inputs (Control): Modulation input connection jacks (pre-cabled on the AR and ADSR envelopes). 4.1.6 Noise Generator The noise generator generates white noise or colored noise. It possesses a low pass filter to dampen high pitched frequencies. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 53: Voltage Processor (Mixer / Inverter / Lag Generator)

    4 balance (mix): Sets the balance between the two input signals 4 inverters (inverter): Inverts the input signal 4 lag generators: Smoothes the input signal 4 signal outputs (output): Audio or modulation signal output connection jacks ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 54: Sample And Hold Generator

    4.1.9 The “electronic switch” module (Electronic switch) The “Electronic switch” module allows you to alternate the two sources connected to inputs A and B depending on the speed of the clock connected ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 55: Envelope Follower

    (or internal) source of audio signal. The (Pre amp.) volume parameter sets the fineness of the envelope follow. The lower it is, the more closely the variations of the input signal will be followed. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 56: Ring Modulator

    Gate out (gate out): Trigger signal output connection jacks 4.1.11 Ring modulator The ring modulator is a module which allows you to multiply two signals in order to generate non-harmonic frequency components. It is useful for creating metallic sounds. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 57: Tracking" Generator

    LFO waves. The tracking generator’s main interface 4.1.12.1 Main interface: 4 audio inputs: Audio input signal connection jacks. 4 modulation inputs: Modulation input signal connection jacks ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 58: Edit Interface

    Drag (without releasing) to draw the curve. • Click and drag up or down to set the amplitude. • Click once again to validate this curve. 4.1.13 Reverberation This module lets us add reverberation to the sound. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 59: Chorus And Delay Effects

    4.1.14 Chorus and delay effects Chorus has three potentiometers, “Rate” “Depth” and “Dry/Wet” which allow us to respectively set the speed, the depth and the relation between the original and modified signals. The chorus effect ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 60: Control Voltages (Cv Control)

    Velocity (Velocity): Output connection jack for velocity control. After Touch: Output connection jack for After Touch control. Key follow outputs x1 and x4 (KYBD CV output): Output connection jacks for key follow x1 (tempered key follow) and x4 ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 61: Keyboard Interface (Model 3620)

    Even though three oscillators can be used at very low frequencies, there is a specific module for this, allowing you to dedicate the oscillators to generation in the audible domain. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 62: The Arp Sequencer

    With this module, you will create melodic sequences or step by step variations applied to synthesizer parameters (a sequence line applied to the opening of the frequency of a filter can be very effective, for example). ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 63 Bus inputs 1, 2 and 3 (inputs Gate bus 1, 2, 3): Input jacks for bus 1, 2 or 3 Position: Position input jacks Sequencer clock output (Clocked gate out): Sequencer clock output jack ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 64 (initially connected to the “gate” input) Impulse modulation (Pulse width): Sets the rate of modulation for the signal impulse width. PW input (PWM): Jack input for the modulation of the impulse width of the signal. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 65 Quantized inputs A and B (Quantized inputs A/B): Input jacks A and B for the signal quantization. Non quantized outputs A and B (Sequencer outputs A/B): Output jacks A and B non-quantized (continuous values to +/- 4 octaves) ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 66: The Basics Of Subtractive Synthesis

    It will generate the initial sound signal. We can think of the oscillator like a violin string that once stroked or plucked, vibrates to create its sound. The oscillator settings on the ARP2600 V ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 67 (the square oscillator is often set an octave below that of the saw tooth), wood sounds (clarinet, if the square signal is a little filtered), etc. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 68 “damped” sound. It can be used to reinforce the low frequencies of a bass sound or as a frequency modulator in order to create harmonics that don’t exist in the original waveforms. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 69 (this signifies that it is not tuned to the same tonality!) The more you tune oscillator2 upwards, the more you will encounter composite waveforms. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 70 Also note that the audio output of noise can also be used as a modulation signal (especially when strongly filtered) to create random cyclic variations. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 71: The Filter Or Vcf

    This filtering slope is expressed in decibels per octave (or dB/Oct). The filters used in classic analog synthesizers have 24 dB/Oct or 12 dB/Oct slopes. The ARP2600 V filter module ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 72 The high-pass (high-pass filter or HPF), as opposed to the low-pass, eliminates low frequencies and only allows high frequencies past. The sound will thus become “thinner”. It is very useful for removing redundant low frequencies. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 73 LFO on this same parameter). You will thus obtain a sound close to a “phasing” effect. These four types of filtering are often used on analog synthesizers. A second setting to compliment the cut-off frequency: the resonance. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 74 At this stage, the use of a key follow is very important as you can create a melody by tuning the cut-off frequency of the filter along with the frequency of the oscillators. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 75: The Amplifier Or Vca

    In fact, the oscillator delivers a continuous signal (the audio output of a waveform) of a fixed pitch. The only means of stopping this sound that quickly becomes unsupportable is by ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 76: The Envelope Generators

    The envelope generator, connected to the amplifier, is used to “sculpt” the form of a sound during a cycle, which begins when we press a note on the keyboard, and ends when we release. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 77 The ARP 2600 V also offers a second simplified envelope (Attack, Release). The envelope generator can also be used to modulate other settings, like the filter cut-off frequency or the frequency of an oscillator for example. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 78: The Low Frequency Oscillator

    • Finally, try to connect an LFO output to the modulation input of a lightly resonant low-pass filter and you will obtain a “wah wah” effect. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 79: The Ring Modulator

    The ring modulator is a module which multiplies two signals (generally two oscillators) so as to generate non-harmonic frequential components. We can thus easily obtain metallic sounds. The ring modulator of the ARP2600 V ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 80: Sample And Hold

    (mix of the 3 VCO, noise and ring modulator towards the filter and the VCA) • 1 filter (VCF) • 1 amplifier (VCA, can be placed in stereo space with the pan potentiometers) • 1 ADSR envelope • 1 AR envelope ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 81 ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 82: Few Elements Of Sound Design

    Figure 1 shows the different potentiometer positions: To begin, choose the preset “Temp/ Blank” in the “Template” / “Temp_Synth” bank. You will notice that no sound is heard when you play a note. Don’t worry, ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 83 Raise the “VCO1” potentiometer on the filter module To give it more life, still on the same module, raise the “ADSR” potentiometer corresponding to the envelope of the same name. Raise the “ADSR” potentiometer ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 84 Decay a bit as well. (set a value aroud 100ms). The duration of the sound becomes shorter. Lower the Decay potentiometer Now raise the volume of “VCO2” on the VCF mixer (“VCO2”). You will hear the 2 oscillators play in unison. Raise the volume of VCO2 ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 85 Set the VCO2 an octave lower: set the “Range” octave selector to “16’”. Set the “Range” octave selector to “16’” Finally, lightly raise the filter resonance. This will give you a typical 70’s bass sound! Raise the filter resonance ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 86: Polyphonic Patch With Cabling

    For this click on the VCO1 “Saw” output and direct the mouse to the “VCO1 square” audio input on the VCF mixer. Direct the “Saw” output to the “VCO1 square” audio input on the VCF mixer ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 87 “LFO” module (on the left of the “ARP sequencer”) to the “control VCO2 sin” modulation input on the VCF. Raise the volume potentiometer for this modulation. The filter cut-off frequency will vary in a cyclic manner. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 88 Raise the Attack time (“A” around 2000 ms) and the Release (“R” around 750ms) of the AR envelope. At last, raise fully the Decay time (“D”) of the ADSR envelope. These types of envelopes go better with accompaniment sounds. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 89 (For exemple, choose “6” voices) Polyphonic mode At this stage, you can also enrich your chords by dedicating a third oscillator to sevenths (“+7 semi-tones”) - or fifths (“+5 semi-tones”). Set the third oscillator to sevenths ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 90: Special Effects Patch With The Help Of The Tracking Generator

    “open tracking” button under this grid to open it. Then, connect the output of the first tracking line ( “out”) to the “VCO2 Sin” modulation input of the filter. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 91 Raise the potentiometer above the modulation input jack. This is the modulation rate. The modulation rate Next click in the central part. A secondary window appears. It will allow you to graphically draw the waveform that will modulate the cut-off frequency. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 92 The modification is directly taken into account as soon as you click on the edit screen. Nothing stops you from creating several types of curves (freehand, curve, sinus, square, noise…) on a single line. To do this, just use the appropriate tool. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 93: Patch Using The Sequencer To Create A Melody

    The “CV input” is connected directly to the key follow which allows is to trigger a sequence tuned to the note played. The sequencer will automatically start when you play a note. ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 94 16 notes of identical pitch, this is normal. Set each of these 16 potentiometers representing 16 sequence steps to a different value. This will be the melody played in a loop. 16 sequence steps to a different value ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 95: Patch Using The Sequencer To Create A Modulation Sequence

    This will be very useful, notably for special effects such as a “techno” sequence. Reuse the previous example as a template for this exercise (if you have not created it, go directly to the next step). ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 96 (ADSR). Raise the potentiometer of the same name to increase the depth of this modulation. Connect the sequencer B output to the second modulation input of the filter..and raise the modulation potentiometer ARTURIA – ARP 2600 V – USER MANUAL...
  • Page 97 ARP2600V2. But don’t hesitate in making your own attempts at programming; this is the best way to progress and find certain originality. ARTURIA – ARP 2600 V – USER MANUAL...

  • Page 98: End User License Agreement

    1.4 If you do not approve these terms and conditions, please return the complete Product (including all written matter, packaging and similar material) to the dealer from whom it was originally bought within 14 (fourteen) days after the day of purchase. For purchases from the Arturia Online Store, please contact...
  • Page 99 The Licensee must register the Product to Arturia to get access to client support, and to activate his Product. (An internet connection is required to register and activate the...
  • Page 100 The provided samples, instruments and presets can be used for commercial or non-commercial music and audio Productions without the prior permission from Arturia under the terms of this Agreement. The usage of this Product (in particular samples, instruments and presets) for the creation of a sound library or as a sound library for any kind of synthesizer, virtual instrument, sample library, sample-based Product or other musical instrument is strictly prohibited.
  • Page 101 Arturia was previously advised of the possibility of such damages. Some states do not allow limitations on the length of an implied warranty or the exclusion or limitation of incidental or consequential damages, so the above limitation or exclusions may not apply to the Licensee in this case.

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