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Panasonic
DMC-TZ330
®
Claudio Di Veroli® User Manual
v.1.2
August 2016
1. ABRIDGED FUNCTIONS OF BUTTONS AND DIALS

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Summary of Contents for Panasonic DMC-TZ330

  • Page 1 Panasonic DMC-TZ330 ® Claudio Di Veroli® User Manual v.1.2 August 2016 1. ABRIDGED FUNCTIONS OF BUTTONS AND DIALS...
  • Page 2 2. BASIC INFORMATION AND PREPARATIONS...
  • Page 4: Battery Power

    Arrows, Q.Menu, Menus Colours in this Manual: Exposure, Focus, Shutter     4K : Buttons around MENU/SET button. Press the MENU/SET button    Rotate the Side Dial.   Rotate the Rear (Top) Dial.   ...
  • Page 5: Recording Modes

    4. RECORDING – MODES Intelligent Auto+  Automatically activ ates STABILIZER, AF LAMP, iISO, SCENE and FACE DETECTION, iEXPOSURE, RED-EY E CORR., BACKLIGHT COMPENSATION, iFLASH and MULTI METERING.   SCENE DETECTION: If optimum scene identif ied, blue icon f or 2 sec., then stay s in red. If none of the abov e scenes is detected, standard settings are set and the icon stay s as ...
  • Page 6: Flash Modes

    5. RECORDING – Q.MENU: Style, Metering, Flash, Burst, Shutter, Stab.     Q.MENU: selects f eature, selects setting, memorize with or exit with Q.MENU. There is a default Q.MENU with a some items, but we show below the items as per our Customised Q.MENU. The latter omits redundant items (such as ISO Sensitivity and White Balance, available with their dedicated buttons).
  • Page 9: Focus Area

    Click F5-WiFi: broadcasts WiFi network FZ300-980E9B . The upper blue light is on  Phone: Download and install the Panasonic Image App.  Run the app: controls main FZ300 f unctions v ia onscreen buttons and menu.  Touch camera icon: metres, f ocuses and takes picture.
  • Page 10: Recording Movies

    7. PLAYBACK  SWITCH ON IN PLAY BACK MODE: Press while turning the camera ON.  ENTER PLAY BACK MODE: Press   EXIT PLAY BACK MODE: Press either or SH or Filtering Playback   Playback , p.1/4, Playback Mode: Normal (all), Picture Only, VIdeo Only, 4K Photo, Post Focus, Category Play (by Scene type).

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