R-250 Stoplist - Allen Organ Company Renaissance 230 Owner's Manual

Contre Violone 32'
Diapason 16'
Bourdon 16'
Lieblichgedackt 16'
(Swell expression)
Octave 8'
Flûte 8'
Choralbass 4'
Mixture III
Posaune 16'
Tromba 8'
Great to Pedal
Swell to Pedal
MIDI on Pedal
R-230, -250, -270

R-250 STOPLIST

PEDAL ORGAN
String tone at 32' pitch.
The 16' member of the Pedal principal chorus.
Strongest pedal flue stop.
Stopped flute tone of weight and solidity.
Softer stopped flute of delicacy and definition.
Useful where a soft 16' pitch is required.
8' member of the Pedal principal chorus.
Stopped flute tone of 8' pitch, useful in adding clarity to a pedal
line in combination with the Bourdon 16' or Lieblichgedackt
16'.
Pedal 4' principal tone.
Compound stop of principal tones. One pedal produces three
distinct pitches at octave and fifth relationships to the pedal
being pressed. Used to crown the Pedal principal chorus.
Sixteen foot reed that lends strength and "snarl" to the Pedal
line.
Harmonically full, more like trombone tone than trumpet tone.
Excellent reed chorus voice. Works very well as a solo reed
voice of medium brightness.
Connects all Great stops to the Pedal.
Connects all Swell stops to the Pedal.
Opens MIDI channel to the Pedal.
9 SECTION II