Tascam SX-1 Reference Manual
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Part I – Manuals & Conventions

Manual Descriptions

There are two different manuals shipped with the
SX-1: a Quick Start Guide and an Owner's Manual
(this manual). If you are missing either of these man-
Owner's Manual
The Owner's Manual covers all of the SX-1's many
features, controls, and parameters in detail. Its expla-
nations assume that you have a certain knowledge
base about recording and MIDI. If you find yourself
confused by the subjects and terms presented in this
Quick Start Guide
This guide covers all the basics on setting up your
SX-1: unpacking, connecting speakers, listening to
the demo, getting recording levels, and hooking up
MIDI. If you are not familiar with setting up record-

Manual Organization

The Owner's Manual is divided into sections called
Parts, and each Part is divided into chapters. The
Parts are designated by Roman numerals (I, II, II, IV,
etc.) while the chapters are designated by Arabic
numerals (1, 2, 3, 4, etc.). For example, Part II, Chap-
ter 4, is written as, II-4. Each chapter contains rele-
vant figures of the SX-1's front panel and screen
shots of the LCD and SVGA displays. For added ref-
erencing ease, Appendix 1 has labeled illustrations of
the SX-1's front, top, and rear panels.
Each Part covers a specific portion of the SX-1 (for
example, the Mixer or the MIDI Sequencer). The
chapters address individual features (such as mixer
automation or editing MIDI data). So learning about
a specific section of the SX-1's functionality is as
simple as reading the appropriate Part.
There are a total of ten Parts. The following is a brief
description of what you can expect to find in each
Part.
Part I — Manuals & Conventions
ductory Part explains the organization and documen-
tation conventions of the Owner's Manual. It also
covers the SX-1's general operating conventions for
all three control interfaces: the front panel, onboard
LCD screen, and a connected SVGA display.
Chapter 1 – The Manuals
This intro-
uals, you should contact the authorized TASCAM
dealer where you purchased your SX-1. The contents
and purpose of each manual are described below.
manual, you should refer to a beginning recording
engineering handbook. This manual does not explain
how to set up and begin using the SX-1, for that you
should refer to the Quick Start Guide.
ing equipment (and even if you are) beginning with
the Quick Start Guide is a good idea. For more
detailed explanations on individual features and
functions, refer to the Owner's Manual.
Part II — Monitoring Signals & Selecting
Screens
There are lots of ways to monitor signals
on the SX-1. The front panel meters and LED indica-
tors are one way, and many of the display screens
also provide comprehensive metering. This Part cov-
ers the SX-1's many meters and indicators and
explains how to recall the different display screens.
Part III — Locate, Transport, &
Surround
Understanding how to navigate your
project quickly and efficiently is key to getting the
most out of your SX-1. This Part explains the SX-1's
transport and locate controls as well as its recording
conventions.
Part IV — Mixer Controls
featured mixer with a host of powerful features.
Routing for the mixer is available pre and post the
mixer channels, the channels themselves have built-
in EQ and dynamics, the buss and return architecture
is extremely flexible, and practically every parameter
can be automated and archived. This section explains
the mixer's structure and operations.
Part V — Effects
Each onboard effect has is own
unique set of parameters. This Part explains these
parameters for all the currently available effect
algorithms.
TASCAM SX-1 Reference Manual
The SX-1 has a full-
1

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Summary of Contents for Tascam SX-1

  • Page 1: Chapter 1 - The Manuals

    This manual does not explain nations assume that you have a certain knowledge how to set up and begin using the SX-1, for that you base about recording and MIDI. If you find yourself should refer to the Quick Start Guide.
  • Page 2: Documentation Conventions

    Part X — Appendices All the specifications you Part covers all of the MIDI sequencer‘s features and need to know about the SX-1 are found in this Part: addresses working with and editing MIDI note and reference diagrams, PS/2 key commands and short- continuous controller data.
  • Page 3: Chapter 2 - Operating Conventions

    Keypad’s navigation keys (the up/down and left/ After entering a letter, the cursor will, after a small right arrows) let you move the cursor between text delay, autoadvance to the next space. TASCAM SX-1 Reference Manual...
  • Page 4: Ancillary Keys

    LED illuminated, or Depending on their currently selected mode an AUX send that is full open will have all of its (accessed by the PAN/ VIRTUAL CHANNEL LEDs lit. keys), these controls serve as a channel's pan pot, TASCAM SX-1 Reference Manual...
  • Page 5: Lcd Display

    Part I –Manuals & Conventions Fader Banks It’s important to remember that the SX-1’s faders called “fader banks”, are accessed by the keys in the control more than just one group of levels. Besides section on the SX-1’s slanted front...
  • Page 6: Common Soft-Knobs & Keys

    A Main Menu Bar at the top of the software GUI like using a regular computer because the same allows access to all of the SX-1’s screens and many mouse and PS/2 keyboard rules apply. For example, primary functions. Just like with a wholly computer...
  • Page 7: Tracks Display

    Part I –Manuals & Conventions based computer device, the SX-1 also gives you real world hardware control of its software right from its front panel. Tracks Display The SX-1 has many different SVGA screens that you tasks including: creating audio and MIDI tracks, will use over the course of a project.
  • Page 8: Main Menu Items

    And, left clicking to the left or right of the gray bar Main Menu Bar Elements Transport & Record Keys These keys mirror the SX-1’s hardware Transport They can be used in place of their hardware counter- and Record Keys.
  • Page 9 (using the “Tempo Change” Edit Operation) from the tab (pg. Event List This key turns MIDI merge on and off. 149). When the key is depressed, the project’s tempo follows the Conductor track. When the key is up, TASCAM SX-1 Reference Manual...
  • Page 10: Project & Mix Menus

    Project & Mix Menus The top field displays the name of your current shows the name of your current Mix (the SX-1 project. If you click the arrow in this field you can allows multiple mix files to be associated with a display the remaining record time (for the drive that project).
  • Page 11: Chapter 3 - Monitoring Audio

    Output Control Monitor Section This section houses controls for the Control Room and Studio monitor outputs (these connections are on the SX-1’s top panel). CONTROL ROOM This section provides controls for the Control Room When the LED is on, the <AUX 5/6>...
  • Page 12: Monitor Level

    TALKBACK Select key engages the Talkback mic key is of a latching type. TALKBACK TALKBACK located on the left side of the SX-1’s slanted front Talkback Level knob adjusts the TB LEVEL panel. Use the Talkback mic to communicate with volume of the Talkback mic.
  • Page 13 This section contains controls for the mixer’s Solo key lets you choose MODE function. Pressing the key on the Master Fader SOLO how the SX-1's solo function will operate. There are engages the solo mode for the Channel Strip’s MUTE three options: keys. <PRE- FADER>...
  • Page 14 MIDI sequencer. Sequencer) of your studio with a single button press. EXTERNAL Press EXTERNAL to hear an external device that is slaved and has its audio outputs con- nected to the SX-1. TASCAM SX-1 Reference Manual...
  • Page 15: Chapter 4 - Metering & Indicators

    FRAMES BARS BEATS TICKS incoming MIDI Time Code (MTC). However, it can display any of the SX-1’s time code Indicates that the SX-1 is locked to <LOCKED> formats, including feet:frames and samples. incoming time code. Changing the Time Code Display’s readout can be CLOCK These LED indicators reflect the SX-1’s...
  • Page 16 Part II — Monitoring Signals and Selecting Screens Indicates that the digital input con- Indicates that the SX-1 is set to record at <DIGITAL IN> <24 -BIT> nected to one of the rear digital input ports (SPDIF) 24-bit resolution. is the master clock source.
  • Page 17: Chapter 5 - Selecting Screens

    Chapter 5 – Selecting Screens Screen Controls You have a choice of using the onboard LCD or a connected SVGA display as your main screen. Main Display Key key selects between the SX-1’s When the LED is on, MAIN DISPLAY <EXTERNAL>...
  • Page 18: View Menu

    EFFECTS key recalls the EFFECTS EFFECTS and a number key on a connected PS/2 keyboard. This screen, where plug-ins are assigned to the SX-1’s option is available regardless of the MAIN DISPLAY four effect quadrants. key’s setting. ROUTING key recalls the...
  • Page 19 WAVEFORM The controls in this section recall GUI screens for the key recalls the WAVEFORM SX-1’s LCD display. Many of these screens reflect screen, where a selected channel’s sample- Waveform the tabs of the SVGA screens (for example, the accurate waveforms can be viewed and edited on the Track screen’s tabs).
  • Page 20: Lcd Contrast

    LCD screen. the soft-keys’ on and off. ACTIVE MENU Soft-Keys Soft-Knobs The functions of these keys change The functions of these knobs change according to the current LCD screen. according to the current LCD screen. TASCAM SX-1 Reference Manual...
  • Page 21 Part II — Monitoring Signals and Selecting Screens TASCAM SX-1 Reference Manual...
  • Page 22: Chapter 6 - Transport, Loop, Auto Punch

    JUMP locate the playhead to the end of the last event in the settings are made in the LCD screen (pic- TRANSPORT project (this is how the TASCAM MX2424 works). tured below). ABSOLUTE With this setting selected, the JUMP JUMP Forward...
  • Page 23 Keys are available in the SVGA screens’ Main Mixdown Mode is enabled. LCD Transport A variety of external devices can have their trans- “Cancel” from the tab that appears at the right of the ports controlled directly from the SX-1’s Transport screen. Keys. SMPTE/TIMECODE OFFSET This parameter...
  • Page 24 No time code is generated or device. Generic transport, jog/shuttle recognized. wheel and track arming is available. With Auto Detect on, the SX-1 will sense from the P2 connec- LTC MASTER Specifies that the SX-1 tion what kind of device is present, and should will generate Longitudinal Time Code.
  • Page 25 OUT/EDIT OUT After using to grab a CAPTURE enables All SHIFT REHEARSAL/ AUTO MON time value, use the key to store the OUT/ EDIT OUT Input monitoring during an autopunch when the Rehearsal mode is active. TASCAM SX-1 Reference Manual...
  • Page 26: Chapter 7 - Locate Points

    Press one of these keys and the cap- tured point will be assigned to that register. Create a Locate Point Cue the SX-1 to the spot where you want to Press a number on the Numeric Keypad in capture a locate point.
  • Page 27: Svga Locate Control

    Auto Punch Rehearsal Turns the Loop function on. With Places the Auto Punch Loop enabled, the SX-1 will play from the function in Rehearsal mode. In this mode, the SX-1 Loop From point to the point continuously. will simulate an Auto Punch action (by switching to...
  • Page 28: Lcd Locate Control

    LCD ACCESS , then press the soft-key next to SELECT PARAM TRANSPORT Moves the cursor between the to recall this screen. REGISTER different location fields. CHANGE FIELD Changes the value of the selected field. TASCAM SX-1 Reference Manual...
  • Page 29: Chapter 8 - Surround

    Part III — Locate, Transport, & Surround Chapter 8 – Surround Setting Up Surround The SX-1 has full surround mix capabilities. Switch- parameters. This chapter details these changes and ing from the default stereo mode of operation to a explains how to select the surround mix mode that’s surround mode changes a number of screens and right for your project and setup.
  • Page 30: Understanding The Changes

    Boom dB ments for 5.1 Surround mode include the surround the subwoofer or LFE (Low Frequency Extension). output, boom, and cue. In the channels, this slider resides immediately Mixer below the Surround Panner control. TASCAM SX-1 Reference Manual...
  • Page 31: Routing Surround Busses

    Fader Bank Mixer Buss screen appears in 5.1 mode (notice there are 6 busses where there were previously 8 in stereo mode). The surround busses are also reflected on the LCD screen TASCAM SX-1 Reference Manual...
  • Page 32: Chapter 9 - Channel Control

    <AUTO> This LED indicator glows solid red to (the Master Fader key is described below). SOLO show Write automation ready for the Master Fader. It blinks red when writing automation data for the Mas- ter Fader. TASCAM SX-1 Reference Manual...
  • Page 33: Virtual Channel

    10/26 11/27 12/28 13/29 14/30 15/31 16/32 send levels, and each channel’s associated virtual pot key enables each Channel Strip to controls the cue mix pannings. control its respective channel’s cue mix. When is illuminated, the faders control the channels’ cue TASCAM SX-1 Reference Manual...
  • Page 34 Press this key to toggle the order of the selected channel’s EQ and dynamics setup. The Channel Select Click on the next to the choices are EQ pre or post the dynamics processing. channel name (top left corner) to access a pop-up TASCAM SX-1 Reference Manual...
  • Page 35 (aux send, dynamics, EQ, faders, trim/delay, stereo pan, and cue pan). FX INSERT Use this key to enable or disable one of the SX-1’s eight inserts. Use the mouse to right click on the key’s arrow to select or configure an insert source. Main This onscreen fader mirrors the selected chan- nel’s physical fader.
  • Page 36 ) to select the processor you want COMP GATE Curve Key For each EQ band, you have a choice to use. of Parametric, Notch, Low Pass, High Pass, Low Shelf, and High Shelf curves. Click on the keys TASCAM SX-1 Reference Manual...
  • Page 37: Compressor & Expander

    –60 dB. window currently shows the EQ Library, LIBRARY Hold ms Determines the duration that the gate will pressing this key will override that display and recall remain open without being re-triggered. the Dynamics Library instead. TASCAM SX-1 Reference Manual...
  • Page 38 Safe mode (for example, to pre- behave). The selections are: Self, Side, or Both. vent writing over recorded data). Use this key to turn off automation for the selected channel. TASCAM SX-1 Reference Manual...
  • Page 39: "Trim/Ch Delay" Screen

    Turns the Aux Sends link feature input trim controls found on the top of the SX-1. on and off. These trim controls allow you to adjust the actual mixer channel’s level from –20 to +20 dB before it Turns the Dynamics link feature reaches the fader.
  • Page 40 Channel keys in the LIBRARY LCD via the section (on the front panel). “DYNAMICS LIBRARY” From the LIBRARY section, press the key to recall the DYNAMICS LCD screen. This screen’s function parallels LIBRARY TASCAM SX-1 Reference Manual...
  • Page 41 “TRANS TIME” The amount of time it takes for current project. parameters to move from their current state to the set- tings of a library preset that has just been recalled. TASCAM SX-1 Reference Manual...
  • Page 42: Chapter 10 - Routing & Bussing

    SVGA screen. time, or to remind yourself of devices that were con- ROUTING ROUTING nected to the SX-1 when returning to a previous mix. Panel Routing To reach this tab, first press the Destination Selects the input’s routing destina-...
  • Page 43 Then click on the tab. This is where HDR Routing ter L/R buss. the SX-1’s Hard Disk Recorder tracks are patched and routed (along with the actual slots on the Track screen). HDR Inputs and outputs are handled from this tab.
  • Page 44 Channel CONTROL Mixer directly on a channel in the screen. Mixer Bus Assign Keys These are the bus assign keys from the module of the screen. They CONTROL Channel TASCAM SX-1 Reference Manual...
  • Page 45: Bus Masters

    LED is on. Then press <PRESET> BUSS/AUX reach this screen. LCD Bus Controls From this screen you can assign the mixer channels along with the Cue and L/R busses. and effects returns to any of the eight stereo busses, TASCAM SX-1 Reference Manual...
  • Page 46: Aux Sends & Returns

    Master L/R output. Aux Sends & Returns The mixer features 6 Aux Sends and 8 Returns. The external jack using the SX-1’s flexible routing). The Aux Send controls are available from the surface, the Returns can accept input from nearly any source, SVGA, and the LCD screens.
  • Page 47 MIXER CHANNEL MAIN on the screen. section. Use the beypad’s arrow DISPLAY MODE MIXER CHANNEL keys to scroll to the Aux Send field you want to adjust. Then use the soft-knobs to adjust the Aux Sends. TASCAM SX-1 Reference Manual...
  • Page 48: Svga Aux Return Masters

    A Library feature is available for saving your custom ters). Dedicated LCD and SVGA screens are avail- routing configurations (such that making a library able for accessing these features. routing entry saves all configurable routing parame- TASCAM SX-1 Reference Manual...
  • Page 49 CANCEL done, the name can be changed. Type in a new name COMPARE and press [ENTER] from a PS/2 keyboard. Compares the SX-1’s current routing state to the last loaded (or saved) routing library preset. LCD Routing Library Display IMPORT...
  • Page 50: Chapter 11 - Fader Links, Groups, & Banks

    From this screen you can turn links on and also works for the channels in the “Mixer” screens. off and control which parameters (such as, EQ, aux LCD Fader Links sends, and pan) of each channel are actually linked. TASCAM SX-1 Reference Manual...
  • Page 51 Fader link. channel to mono. TR/DL Makes or breaks the selected channel’s Trim and Delay link. Makes or breaks the selected channel’s Cue link. CHAN/LINK Turns the Link function on and off for the selected channel. TASCAM SX-1 Reference Manual...
  • Page 52 Allows you to jump between a project’s dif- ferent fader groups. EDIT NAME Allows you to name your Fader Groups. This feature is unique to the LCD GUI and is not reflected in the SVGA’s module. GROUPS TASCAM SX-1 Reference Manual...
  • Page 53: Understanding Group Masters

    The 16 mixer faders allow level control over all of All the different types of channels can be recalled to the SX-1’s audio and MIDI channels. The faders the actual faders in “banks” of 16 at a time. These themselves are not hardwired to a particular channel, banks are called “fader banks”...
  • Page 54: Bank Mode

    LED is lit (if not, press the BANK> BANK MODE to the HDR. For example, even if the direct out from key). channel 1 feeds HDR In 1, that channel’s level can still be controlled by the HDR Bank. TASCAM SX-1 Reference Manual...
  • Page 55: Svga Fader Banks

    1 - 16 /HDR IN screen (showing mixer channels 1-16). Before pressing any FADER BANK keys, when you first press MIXER/ USER BANKS, it recalls this screen. Otherwise, the SVGA screen always follows the selected bank. Mixer TASCAM SX-1 Reference Manual...
  • Page 56 BANK MODE key is set to <USER>. Then right-click on the arrow at the bottom of a channel to select the type of channel you want to assign to that display strip. TASCAM SX-1 Reference Manual...
  • Page 57 ASSIGN SEL CHAN Selects a channel to be edited. Note the PS/2 keyboard commands after the menu items. Use the PS/2 keyboard as another alternative to pressing FADER BANK keys. TASCAM SX-1 Reference Manual...
  • Page 58: Channel Overview Screens

    These screens show all the signals running through the mixer at a glance. SVGA Bus Overview Screen The returns, mix busses, aux sends, and Master L/R bus are displayed in this overview. TASCAM SX-1 Reference Manual...
  • Page 59: Lcd Bus Overview Screen

    MAIN DISPLAY MODE section, then press the soft-key. of the mixer’s input channels and cue sends. Mute MIXER switches and trim are shown for the mixer channels as well. Aux send levels are also displayed here. TASCAM SX-1 Reference Manual...
  • Page 60: Svga Input Overview Screen

    All 32 of the mixer channel inputs are displayed in this overview. The meters of the SX-1’s SVGA screens are able to dis- play three signal weights at once: Peak, Average, and Current. The white dot to the right of the meter (when...
  • Page 61: Chapter 12 - Automation

    Part IV — Mixer Controls Chapter 12 – Automation Understanding Modes & States The SX-1 can write automation moves to any of the State is Off, which is still a State). For example, a mixer’s controls, including: faders, mute, pan, sur-...
  • Page 62: Global Modes

    Global Trim Mode. The diagram below illustrates how Trim will affect the pre-existing auto- mation data when the conroller’s State is in Auto. Before Trim After Trim Revert time TASCAM SX-1 Reference Manual...
  • Page 63 In the case of keys and knobs, before the first dynamic move written, Init Edit is pressing a key while in Initial Edit will change its Ini- used. tial Status to reflect its new setting. The illustration TASCAM SX-1 Reference Manual...
  • Page 64: Rehearse Functionality

    8 sec Dynamic Data Initial Status Rehearse Functionality Rehearse without actually writing them. It works with all the This is a special automation setting that Global Modes. allows you to practice or experiment with mix moves TASCAM SX-1 Reference Manual...
  • Page 65: Automation Controls

    All the automation modes can be entered from the Use the WRITE/ INIT EDIT SX-1’s front panel as well as through associated to enable writing automation data. The Write mode LCD and SVGA screens. However, the front panel must be enabled (as indicated by the...
  • Page 66: Svga Automation Screen

    Part IV — Mixer Controls SVGA Automation Screen From the MAIN DISPLAY MODE section, press the These screens provide control of all the SX-1’s auto- key to reach the Automation screens. mation parameters. AUTOMATION Working with data in the screen is very sim-...
  • Page 67: Edit Operation

    “Smooth Events” edit on such a region will and where the recall event will be inserted. You can “smooth” out the rough spots. also select a different transition time for each auto- mated recall. TASCAM SX-1 Reference Manual...
  • Page 68: Global Controls

    The saved mix is added to the project’s mix change the initial start position of a fader before the files. You manage these files from the first automation move. (explained on pg. QQQ) of the SVGA’s Automation screen. TASCAM SX-1 Reference Manual...
  • Page 69: Lcd "Global" Screen

    This is used for con- move to return to its original value. trols that are not touch-sensitive. From the last recorded event, the SX-1 will wait the duration of the Write To End (for Write mode): Checking (see below) and then revert.
  • Page 70: Operations Examples

    Part IV — Mixer Controls Operations Examples The following examples and explanations are brief explanation is given on how the SX-1’s automa- intended to help you better understand the SX-1’s tion engine will respond. automation protocols. In each case of an operation, a...
  • Page 71 6 sec 7 sec 8 sec 4 sec Mix Move 1 sec 2 sec 3 sec 4 sec 5 sec 6 sec 7 sec 8 sec Control Revert Sense Time Timeout POD Movement Move POD Release POD TASCAM SX-1 Reference Manual...
  • Page 72 REVERT/ AUTO is pressed or play stops. by pressing the key. In this FADE REVERT/ AUTO FADE TASCAM SX-1 Reference Manual...
  • Page 73 8 sec 4 sec Mix Move 1 sec 2 sec 3 sec 5 sec 6 sec 7 sec 8 sec 4 sec Revert Time Fader Movement Touch Fader Release Fader Press REVERT or stop Time Code TASCAM SX-1 Reference Manual...
  • Page 74: Writing Switch Events

    Once a switch event has been AUTOMATION With the SX-1 in play, press the desired key or keys written to a control, the automation system automati- to write the switch event at the desired locations.
  • Page 75 When writing (or Trim) enabled, the automation system stops writ- new switch events over previous ones, the SX-1 auto- ing switch events automatically on a per control basis mation system provides you with a high degree of without the need to end writing manually.
  • Page 76: Trimming Mix Moves

    In the case of the touch-sensitive faders, trimming AUTOMATION Perform your desired Trim operation. begins when a fader is touched. In the case of keys and knobs, trimming begins when the control is moved. TASCAM SX-1 Reference Manual...
  • Page 77 TRIM is simultaneously when enabled allows you to manually stop trimming mix REVERT/ AUTO FADE pressed or play stops. moves by stopping play code or by pressing the REVERT/ AUTO FADE key. In this situation, all con- TASCAM SX-1 Reference Manual...
  • Page 78: Automating Library Recall

    Release Fader Press REVERT Automating Library Recall The SX-1 automation system is capable of including back by the automation system, below are some library recall events as part of an automated mix. important things to keep in mind in order to avoid These are treated by the automation system as Switch unexpected behavior.
  • Page 79: Automating Groups

    Mix Displays The SX-1 has the ability to save multiple discrete used, how the effects are set up, where things are “Mix” files for a single project. These files contain a routed, and where automation has been recorded.
  • Page 80: Automation Events & History Screens

    Dynamics) an individual preset is recalled from, for the EQ processor that allows editing of its indi- and where the recall event will be inserted. You can vidual parameters. also select a different transition time for each auto- mated recall. TASCAM SX-1 Reference Manual...
  • Page 81: Automation Scenes

    In this window, you can see the scenes that RECALL to remove the scene from the list. are associated with your current project. Highlight a DELETE TASCAM SX-1 Reference Manual...
  • Page 82: Trans Time

    Select a mounted storage drive from which to view a project’s associated scenes. SELECT PROJECT Select a project from which to import scenes. From the section, press the key, LIBRARY SCENE and then the soft-key. LIBRARY TASCAM SX-1 Reference Manual...
  • Page 83: Chapter 13 - Library Overview

    Before saving a library preset, you must first press one patches. of the top five keys. This tells the SX-1 what type of STORE With the screen open to the type of LIBRARY library preset you want to save.
  • Page 84: Chapter 14 - Working With Effects

    Part V — Effects Chapter 14 – Working with Effects Understanding the Architecture The SX-1 has a host of native, stereo effects plug-ins. effects can be assigned to aux sends, inserts, channel These plug-ins can be assigned to any one of the direct outs, or a variety of other outputs and returned mixer’s four effect engines (or quadrants).
  • Page 85: Routing Effects Screens

    Pressing the ” soft- LOAD PLUGIN From the MAIN DISPLAY MODES section, press key opens a dialog where you select from a menu of EFFECTS effects algorithms. PREV SLOT Skips back to select the previous effects slot. TASCAM SX-1 Reference Manual...
  • Page 86: Effects Controls Displays

    Since the LCD has limited space, all effect parameters can’t always appear on the screen at the same time. The s let you FX Parms Page skip forward and back through the selected effect plug-in’s controls. TASCAM SX-1 Reference Manual...
  • Page 87: Effects Library Displays

    Or, if you only want to see the patches associated with a particular effect plug-in (such as Tascam Chorus, as in the screenshot above), select to filter out all other plug-in presets. The recall of effects presets can be automated. See “Automating Library Recall”...
  • Page 88: Routing Effect Examples

    From the pull down menu for Insert Routing Insert Send tab. In the field for 1, select Effect/TC Reverb Left In. Insert Preset User Name Insert 1 type in the name . Use your PS/2 key- Reverb TASCAM SX-1 Reference Manual...
  • Page 89: Effects Monitoring

    The Overview screens can also be recalled from the View menu on the SVGA screen’s Main Menu Bar. Effects Overview Screen Use this screen to view all the signals running in and out of the SX-1’s four effect quadrants. TASCAM SX-1 Reference Manual...
  • Page 90: Chapter 15 - Examples Of Effect Algorithms

    Part V — Effects Chapter 15 – Examples of Effect Algorithms Categories The SX-1 comes stock with over 15 native plug-in • Antares Speaker Modeler effects (and many more are planned for the future). Modulation Below is a list of these effects grouped by category: •...
  • Page 91: Antares Mic Modeler

    Input For setting the input level of the audio to be SX-1. With this plug-in assigned to one of the SX-1’s processed. four effect quadrants (and properly routed), you can Source Mic...
  • Page 92 Proximity chose in the Modeled Mic section. control will be disabled. Low-Cut Menu If the mic you select in the Source menu is equipped with a user-selectable low-cut TASCAM SX-1 Reference Manual...
  • Page 93 A secondary effect of mic-to-source distance is the extent to which environmental ambience is picked up by a mic. For example, as a mic is moved away from the source, the proximity effect decreases, but the amount TASCAM SX-1 Reference Manual...
  • Page 94: Preserve Source

    (But instead of teristics are allowed through unchanged while the the usual ugly digital clipping, they are distorted the treble characteristics are neutralized. Then, at the same way the tube pre-amp would distort the sound.) TASCAM SX-1 Reference Manual...
  • Page 95: Antares Speaker Modeler

    Speaker Modeler entire mix). plug-in (which is, we’re proud to say, being debuted in the SX-1). This plug-in lets you sonically morph one type of studio monitor into a completely different speaker. For example, let’s say you want an audio track to sound like it is coming out of a car stereo;...
  • Page 96: Tascam Exciter (Stereo)

    Type In this field there are three choices: , or Truncate Bypass This setting uses the TASCAM/Nemesys high-definition dithering algorithm to improve the low amplitude fidelity of your digital signal. Truncate This setting cuts off the bottom least sig- nificant bits in your digital recording. This might...
  • Page 97: Stereo Width

    TAIL BALANCE With this fader you can set the alike. The early reflection is actually the part of the left/right balance of the Reverb Tail. reverberation process that defines the room charac- teristics. TASCAM SX-1 Reference Manual...
  • Page 98 0.25 and 64 seconds. The sliders to the right of the window adjust each band’s decay time. The two slid- ers at the bottom of the window set the 2 crossover points between the 3 frequency-ranges. TASCAM SX-1 Reference Manual...
  • Page 99 This is broken into two components, the reverb’s 100 ms from this initial first predelay. early reflection (I) and it’s decay curve (R). The indi- vidual start times and levels of both components are TASCAM SX-1 Reference Manual...

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