Mackie ONYX 1640i Quick Start Manual page 17

16-channel premium analog mixer with firewire
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4
SUB 1-4 FADERS
1
2
8
9
10
LINE
LINE
LINE
FW 8
These faders control the levels of the signals sent to
FW 9
FW 10
48V
48V
48V
48V
the sub outs. All channels that are assigned to sub-
75Hz
75Hz
75Hz
18dB/OCT
18dB/OCT
18dB/OCT
groups, not muted, and not turned fully down will ap-
GAIN
GAIN
GAIN
30
30
30
pear at the sub outs. Unlike the main out, the subgroup
U
U
U
20
40
20
40
20
40
20
signals do not pass through an insert jack on the way to
U
60
U
60
U
60
U
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
+
+
+
SEND
SEND
SEND
SEND
the subgroup faders, although effects may be acquired
PRE
PRE
PRE
POST
POST
POST
easily enough. Simply patch from the sub outs to the
U
U
U
HIGH
HIGH
HIGH
12kHz
12kHz
12kHz
effect's input, and from the effect's output to whatever
-15
+15
-15
+15
-15
+15
the final destination may be, typically back in on one (or
2k
2k
2k
FREQ
FREQ
FREQ
more) channel's input jacks.
400
8k
400
8k
400
8k
400
U
U
U
HIGH
HIGH
HIGH
MID
MID
MID
The subgroup signal is off when the fader is fully
-15
+15
-15
+15
-15
+15
down, the "U" marking is unity gain, and fully up
400
400
400
FREQ
FREQ
FREQ
provides 10 dB additional gain. Remember that if you
100
2k
100
2k
100
2k
100
are treating two subgroups as a stereo pair, subgroup 1
U
U
U
LOW
LOW
LOW
MID
MID
MID
and 2 for example, make sure that both subgroup faders
-15
+15
-15
+15
-15
+15
U
U
U
LOW
LOW
LOW
"ride" together to maintain the left/right balance.
80Hz
80Hz
80Hz
-15
+15
-15
+15
-15
+15
EQ
OUT
EQ
OUT
EQ
OUT
EQ
SUBS 1-4 TO FW 5-8
IN
IN
IN
8
9
10
Engage this button (located just below the sub 2 and
AUX
AUX
AUX
sub 3 fader) and the sub groups can be sent to FireWire
1
1
1
sends 5-8, taking the place of channel direct outputs
MAX
MAX
MAX
O O
O O
O O
O O
5-8.
2
2
2
This allows the user to combine different channels on
O O
MAX
O O
MAX
O O
MAX
O O
to subgroups and record material to separate tracks on
3
3
3
a DAW. This is particularly useful if FireWire sends 9-14
O O
MAX
O O
MAX
O O
MAX
O O
can not be used because the aux masters have taken
4
4
4
over.
MAX
MAX
MAX
O O
O O
O O
O O
5
5
5
ASSIGN TO FW 15-16
MAX
MAX
MAX
O O
O O
O O
O O
Engage this button (just above the main mix fader)
6
6
6
and the main mix can be sent to your computer via
O O
MAX
O O
MAX
O O
MAX
O O
PAN
PAN
PAN
FireWire. The FireWire output is not affected by the
main mix fader, allowing you to record the main mix
L
R
L
R
L
R
of live performances. The left main mix will appear
on FireWire output signal 15, and the right on signal
16. (When this button is engaged, mixer channels
15-16 are not available to send via FireWire.)
MUTE
MUTE
MUTE
MUTE
In addition to recording the main mix using FireWire,
you can record individual mixer channels 1-14 using
OL
OL
OL
10
10
10
FireWire (for a total of 16 streams available) for
+
+
+
0
0
0
studio mixing at a later date. See page 19.
20
20
20
-
-
-
SUB
SUB
SUB
ASSIGN
ASSIGN
ASSIGN
RECORDING OUTS
1 - 2
1 - 2
1 - 2
These two DB-25 connectors provide balanced direct
3 - 4
3 - 4
3 - 4
outputs for channels 1-8 and 9-16, respectively.
MAIN
MAIN
MAIN
They are designed to be connected directly to a
MIX
MIX
MIX
recorder's analog inputs, and use the TASCAM
SOLO
SOLO
SOLO
SOLO
standard pinout for analog signal connections.
8
9
10
AUX MASTERS
3
4
5
11
12
13
LINE
LINE
LINE
FW 11
FW 12
FW 13
48V
48V
48V
75Hz
75Hz
75Hz
18dB/OCT
18dB/OCT
18dB/OCT
GAIN
GAIN
GAIN
30
30
30
U
U
U
U
40
20
40
20
40
20
60
U
60
U
60
U
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
+
+
+
SEND
SEND
SEND
PRE
PRE
PRE
POST
POST
POST
U
U
U
HIGH
HIGH
HIGH
12kHz
12kHz
12kHz
-15
+15
-15
+15
-15
+15
-15
2k
2k
2k
FREQ
FREQ
FREQ
8k
400
8k
400
8k
400
U
U
U
HIGH
HIGH
HIGH
MID
MID
MID
-15
+15
-15
+15
-15
+15
-15
400
400
400
FREQ
FREQ
FREQ
2k
100
2k
100
2k
100
U
U
U
LOW
LOW
LOW
MID
MID
MID
-15
+15
-15
+15
-15
+15
-15
U
U
U
LOW
LOW
LOW
80Hz
80Hz
80Hz
-15
+15
-15
+15
-15
+15
-15
OUT
EQ
OUT
EQ
OUT
EQ
IN
IN
IN
11
12
13
AUX
AUX
AUX
1
1
1
MAX
MAX
MAX
O O
O O
O O
2
2
2
MAX
O O
MAX
O O
MAX
O O
3
3
3
MAX
O O
MAX
O O
MAX
O O
4
4
4
MAX
MAX
MAX
O O
O O
O O
5
5
5
MAX
MAX
MAX
O O
O O
O O
6
6
6
MAX
O O
MAX
O O
MAX
O O
PAN
PAN
PAN
L
R
L
R
L
R
L
MUTE
MUTE
MUTE
OL
OL
OL
10
10
10
+
+
+
0
0
0
20
20
20
-
-
-
SUB
SUB
SUB
ASSIGN
ASSIGN
ASSIGN
1 - 2
1 - 2
1 - 2
3 - 4
3 - 4
3 - 4
MAIN
MAIN
MAIN
MIX
MIX
MIX
SOLO
SOLO
SOLO
11
12
13
MAIN MIX
6
L
R
The signal at the recording outs comes just after the
14
15
16
input gain control, and before the low-cut switch, insert
LINE
LINE
LINE
FW 14
FW 15
FW 16
jacks, and EQ. This way you can EQ a channel, connect
48V
48V
a compressor or other dynamics processor to the insert
75Hz
75Hz
75Hz
18dB/OCT
18dB/OCT
18dB/OCT
GAIN
GAIN
GAIN
jack, and adjust the channel fader to suit your live mix,
30
30
30
U
U
40
20
40
20
40
but it has no effect on the signal going to the recorder.
60
U
60
U
60
40dB
-
20dB
40dB
-
20dB
40dB
This provides maximum flexibility for the mixdown
+
+
+
CTRL ROOM/PHONES
SEND
SEND
stage.
PRE
PRE
PRE
POST
POST
POST
U
U
U
HIGH
HIGH
HIGH
12kHz
12kHz
12kHz
The recording outputs may also be used in lieu of a
+15
-15
+15
-15
+15
splitter. Picture this: all of the microphones, instru-
2k
2k
2k
FREQ
FREQ
FREQ
ments, DI's, etc - any input connected to an Onyx 1640i
8k
400
8k
400
8k
as a monitor mixer - may then be sent out from the
U
U
U
HIGH
HIGH
HIGH
MID
MID
MID
recording outputs 1-16 directly to the line inputs of yet
+15
-15
+15
-15
+15
400
400
400
another Onyx 1640i used as the front of house mixer.
FREQ
FREQ
FREQ
2k
100
2k
100
2k
O O
U
U
U
CONTROL
LOW
LOW
LOW
MID
MID
MID
+15
-15
+15
-15
+15
U
U
U
LOW
LOW
LOW
80Hz
80Hz
80Hz
O O
+15
-15
+15
-15
+15
TAPE IN
OUT
EQ
OUT
EQ
OUT
IN
IN
IN
14
15
16
SENDS 1-6
TO FW 9-14
AUX
AUX
AUX
SENDS
1
1
1
MAX
MAX
MAX
O O
O O
O O
2
2
2
MAX
O O
MAX
O O
MAX
O O
3
3
3
XLR
MAX
O O
MAX
O O
MAX
O O
Main
Outputs
4
4
4
MAX
MAX
MAX
O O
O O
O O
Main Output Level +4dB/Mic
5
5
5
MAX
MAX
MAX
O O
O O
O O
6
6
6
MAX
O O
MAX
O O
MAX
O O
PAN
PAN
PAN
DESTINATION
Assign to
PHONES
FW 15-16
R
L
R
L
R
Sub
Assign
MUTE
MUTE
MAIN MIX
Switches
SUB1
OL
OL
OL
10
10
10
+
+
+
Sub 1-4
0
0
0
Faders
20
20
20
-
-
-
SUB
SUB
SUB
ASSIGN
ASSIGN
ASSIGN
1 - 2
1 - 2
1 - 2
3 - 4
3 - 4
3 - 4
Subs 1-4
MAIN
MAIN
MAIN
MIX
MIX
MIX
to FW 5-8
SOLO
SOLO
14
15
16
SUB1
Quick Start Guide
PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE
LAMP
12V 0.5A
0dB=0dBu
SOURCE
L
R
20
CLIP
15
10
MAIN MIX
TAPE
6
3
SUB 1 - 2
SUB 3 - 4
0
2
LEVEL
SET
4
FW 1-2
ASSIGN TO
MAIN MIX
7
10
20
30
MAX
O O
MAX
PHONES
RUDE
SOLO
ROOM
MAX
O O
SOLO
LEVEL
TAPE TO
MAX
MAIN MIX
PFL
AFL
16
15
14
13
12
SOLO
11
10
MODE
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
AUX MASTER
LINE
LINE
LINE
LINE
LINE
LINE
LINE
EFX TO
RETURNS
MON
1/4" TRS
PRE
POST
1
1
TALKBACK
MAIN OUT
MAIN INSERT
TAPE
Main Outputs
BALANCED
BAL/UNBAL
MONO
(TIP=SEND
Tape Out
MIC
RING=RTN)
+48v
R
L
IN
OUT
L
SOLO
L
L
15
10
10
+
O O
+
O O
+
TO AUX 5
R
R
R
16
15
14
13
12
+6
11
10
+
PRE
FIREWIRE
POWER
POST
ON
2
2
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
SOLO
LINE
LINE
LINE
LINE
LINE
LINE
LINE
+
15
O O
+
10
O O
+
10
TO AUX 6
PRE
POST
3
3
TALKBACK
MAIN OUT
MAIN INSERT
TAPE
MIC
BALANCED
BAL/UNBAL
MONO
(TIP=SEND
+48v
R
L
RING=RTN)
IN
OUT
SOLO
L
L
L
SEND
15
O O
10
+
+
TO
R
R
R
+6
+
PRE
FIREWIRE
POWER
POST
ON
MAIN
4
4
SUBS
SOLO
15
10
+
O O
+
PRE
POST
5
SOLO
15
CR/PHONES
SUBS
+
SUBGROUPS
ONLY
1-2
A LT E R N AT E F I R E W I R E A S S I G N M E N T S
1
2
3
4
1
3-4
1
2
3
4
5
6
7
8
9
PRE
48V
48V
48V
48V
48V
48V
48V
48V
48V
POST
6
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
30
30
30
30
30
30
30
30
30
POWER
20
40
20
SOLO
40
20
40
20
40
20
40
20
40
20
40
20
40
20
40
15
U
60
U
60
U
60
U
60
U
60
U
60
U
60
U
60
U
60
+
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
20dB
-
40dB
-
20dB
40dB
20dB
-
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
SEND
SEND
SEND
SEND
SEND
SEND
SEND
SEND
SEND
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
MIC
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
MID
AUX 1-6
MID
MID
MID
MID
MID
MID
MID
MID
SUBGROUPS
A LT E R N AT E F I R E W I R E A S S I G N M E N T S
1
2
3
MAX
4
1
O O
1
2
3
4
5
6
LEVEL
7
8
9
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
MID
MID
MID
MID
MID
MID
MID
MID
MID
48V
48V
48V
48V
48V
48V
48V
48V
48V
U
U
U
U
U
U
U
U
U
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
EXTERNAL
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
TALKBACK
30
30
30
30
30
30
30
30
30
20
40
20
40
20
40
20
40
20
MIC
40
20
40
20
40
20
40
20
40
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
U
60
U
60
U
60
U
60
U
60
U
60
U
60
U
60
U
60
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
SUB ASSIGN
SEND
SEND
SEND
SEND
SEND
SEND
SEND
SEND
SEND
1
2
3
4
5
6
7
8
9
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
U
U
U
U
U
U
U
U
U
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
L
L
L
L
1
1
1
1
1
1
1
1
1
MAIN MIX
MAIN MIX
MAIN MIX
ASSIGN TO
2
2
2
2
2
2
2
2
2
U
U
U
U
U
U
U
FW 15-16
U
U
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
MID
MID
MID
MID
MID
MID
MID
MID
MID
R
R
R
R
3
3
3
3
3
3
3
3
3
SUB2
U
LOW
U
LOW
SUB3
U
LOW
U
LOW
SUB4
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
4
4
4
4
4
4
4
4
4
MID
MID
MID
MID
MID
MID
MID
MID
MID
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
5
5
5
5
5
5
5
5
5
dB
10
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
6
6
6
6
6
6
6
6
6
1
2
3
4
5
6
7
8
9
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
5
AUX
1
1
1
1
1
1
1
1
1
U
2
2
2
2
2
2
2
2
2
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
5
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
10
OL
OL
OL
OL
OL
OL
OL
OL
OL
10
10
10
10
10
10
10
10
10
0
0
0
0
0
0
0
0
0
5
5
5
5
5
5
5
5
5
20
20
20
20
20
20
20
20
20
20
SUB
SUB
SUB
SUB
SUB
SUB
SUB
SUB
SUB
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
1-2
1-2
1-2
1-2
1-2
1-2
1-2
1-2
1-2
6
6
6
6
6
6
6
6
6
30
PAN
3-4
PAN
3-4
PAN
3-4
PAN
3-4
PAN
3-4
PAN
3-4
PAN
3-4
PAN
3-4
PAN
3-4
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
40
MIX
MIX
MIX
MIX
MIX
MIX
MIX
MIX
MIX
50
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
60
1
2
3
4
5
6
7
8
9
O O
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
OL
OL
OL
OL
OL
OL
OL
OL
OL
10
10
10
10
10
10
10
10
10
0
0
0
0
0
0
0
0
0
20
20
20
20
20
20
20
20
20
SUB
SUB
SUB
SUB
SUB
SUB
SUB
SUB
SUB
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
SUBS 1-4
1-2
1-2
1-2
1-2
1-2
1-2
1-2
1-2
1-2
TO FW 5-8
3-4
3-4
3-4
3-4
3-4
3-4
3-4
3-4
3-4
MAIN
SUB2
SUB3
SUB4
MIX
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MIX
MIX
MIX
MIX
MIX
MIX
MIX
MIX
MIX
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
1
2
3
4
5
6
7
8
9
9
8
7
6
5
4
3
2
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
LINE
LINE
LINE
LINE
LINE
LINE
LINE
HI-Z
CTRL-RM OUT
SUB OUT
AUX RETURN
AUX SEND
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
3
1
4
3
2
1
5
3
L
L
L
L
L
4
2
6
4
R
R
R
R
R
9
8
7
6
5
4
3
2
RECORDING OUTS
POST GAIN PRE INSERT
9-16
BALANCED
1-8
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
LINE
LINE
LINE
LINE
LINE
LINE
LINE
HI-Z
CTRL-RM OUT
SUB OUT
AUX RETURN
AUX SEND
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
3
1
4
3
2
1
5
3
L
L
L
L
L
4
2
6
4
R
R
R
R
R
RECORDING OUTS
POST GAIN PRE INSERT
9-16
BALANCED
1-8
Recording Outputs
AUX MASTERS
MAIN MIX
2
3
4
5
6
L
R
10
11
12
13
14
15
16
48V
48V
48V
48V
48V
48V
48V
PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
LAMP
30
30
30
30
30
30
30
20
40
20
40
20
40
20
40
20
40
20
40
20
40
U
60
U
60
U
60
U
60
U
60
U
60
U
60
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
20dB
-
40dB
-
20dB
40dB
CTRL ROOM/PHONES
0dB=0dBu
SEND
SEND
SEND
SEND
SEND
SEND
SEND
SOURCE
L
20
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
15
10
MAIN MIX
TAPE
SUB 1-2
SUB 3-4
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
MID
MID
MID
MID
MID
MID
MID
FW 1-2
ASSIGN TO
MAIN MIX
AUX MASTERS
MAIN MIX
10
20
2
3
4
5
6
L
R
30
10
11
12
13
14
15
16
RUDE
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
CONTROL
PHONES
MID
MID
MID
MID
MID
MID
MID
ROOM
SOLO
48V
48V
48V
48V
48V
48V
48V
PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE
U
U
U
U
U
U
U
LOW
LOW
LOW
LOW
LOW
LOW
LOW
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
LAMP
SOLO
30
30
30
30
30
30
30
LEVEL
20
40
20
40
20
40
20
40
20
40
20
40
20
40
TAPE TO
MAIN MIX
TAPE IN
EQ
EQ
EQ
EQ
EQ
EQ
EQ
U
60
U
60
U
60
U
60
U
60
U
60
U
60
-
20dB
40dB
-
20dB
40dB
-
20dB
40dB
20dB
-
40dB
-
20dB
40dB
20dB
-
40dB
-
20dB
40dB
SOLO
CTRL ROOM/PHONES
0dB=0dBu
SEND
SEND
SEND
SEND
SEND
SEND
SEND
MODE
SOURCE
L
10
11
12
13
14
15
16
AUX MASTER
SENDS 1-6
20
TO FW 9-14
AUX
AUX
AUX
AUX
AUX
AUX
AUX
U
U
U
U
U
U
U
SENDS
RETURNS
15
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
10
1
1
1
1
1
1
1
MAIN MIX
TAPE
1
1
SOLO
SUB 1-2
SUB 3-4
2
2
2
2
2
2
2
2
2
U
U
U
U
U
U
U
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
SOLO
FW 1-2
ASSIGN TO
MID
MID
MID
MID
MID
MID
MID
MAIN MIX
10
3
3
3
3
3
3
3
3
3
20
SOLO
30
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
CONTROL
PHONES
RUDE
4
4
4
4
4
4
4
4
4
MID
MID
MID
MID
MID
MID
MID
SOLO
ROOM
SOLO
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
U
LOW
5
5
5
5
5
5
5
5
SOLO
SOLO
LEVEL
CR/PHONES
TAPE TO
ONLY
MAIN MIX
TAPE IN
EQ
EQ
EQ
EQ
EQ
EQ
EQ
6
6
6
6
6
6
6
6
SOLO
MODE
SOLO
POWER
10
11
12
13
14
15
16
AUX MASTER
PAN
PAN
PAN
PAN
PAN
PAN
PAN
SENDS 1-6
TO FW 9-14
DESTINATION
MIC
AUX
AUX
AUX
AUX
AUX
AUX
AUX
SENDS
RETURNS
PHONES
1
1
1
1
1
1
1
1
AUX 1-6
1
SOLO
EXTERNAL
TALKBACK
2
2
2
2
2
2
2
2
MIC
2
SUB ASSIGN
SOLO
L
L
L
L
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MAIN MIX
MAIN MIX
MAIN MIX
MAIN MIX
ASSIGN TO
3
3
3
3
3
3
3
3
3
R
R
R
R
SOLO
SUB1
SUB2
SUB3
SUB4
4
4
4
4
4
4
4
4
4
OL
OL
OL
OL
OL
OL
OL
SOLO
10
10
10
10
10
10
10
0
0
0
0
0
0
0
5
5
5
5
5
5
5
5
20
20
20
20
20
20
20
SOLO
SUB
SUB
SUB
SUB
SUB
SUB
SUB
CR/PHONES
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ONLY
1-2
1-2
1-2
1-2
1-2
1-2
1-2
6
6
6
6
6
6
6
6
SOLO
POWER
PAN
3-4
PAN
3-4
PAN
3-4
PAN
3-4
PAN
3-4
PAN
3-4
PAN
3-4
DESTINATION
MIC
PHONES
AUX 1-6
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MIX
MIX
MIX
MIX
MIX
MIX
MIX
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SUBS 1-4
EXTERNAL
TALKBACK
TO FW 5-8
MIC
10
11
12
13
14
15
16
SUB1
SUB2
SUB ASSIGN
SUB3
SUB4
L
L
L
L
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MAIN MIX
MAIN MIX
MAIN MIX
MAIN MIX
ASSIGN TO
R
R
R
R
SUB1
SUB2
SUB3
SUB4
OL
OL
OL
OL
OL
OL
OL
10
10
10
10
10
10
10
Main Mix Fader
0
0
0
0
0
0
0
20
20
20
20
20
20
20
SUB
SUB
SUB
SUB
SUB
SUB
SUB
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
1-2
1-2
1-2
1-2
1-2
1-2
1-2
3-4
3-4
3-4
3-4
3-4
3-4
3-4
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MIX
MIX
MIX
MIX
MIX
MIX
MIX
SUBS 1-4
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
TO FW 5-8
10
11
12
13
14
15
16
SUB1
SUB2
SUB3
SUB4
17
1
INSERT
HI-Z
1
2
1
INSERT
HI-Z
1
2
R
6
3
0
2
4
7
R
EFX TO
MON
6
3
TO AUX 5
0
2
4
TO AUX 6
7
SEND
TO
MAIN
SUBS
SUBS
1-2
3-4
EFX TO
MON
LEVEL
TO AUX 5
TO AUX 6
FW 15-16
SEND
TO
dB
MAIN
10
SUBS
5
U
5
SUBS
1-2
10
3-4
20
30
40
50
60
LEVEL
MAIN
MIX
FW 15-16
dB
10
5
U
5
10
20
30
40
50
60
MAIN
MIX

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