Controls, Indicators And Connectors - Kenwood Super Eleven Instruction Manual

CONTROLS, INDICATORS
AND
CONNECTORS
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SPEAKERS
A -
Activates
speakers
connected
to
the
SPEAKERS A
terminals on the rear
panel.
B
-
Activates
speakers connected
to
the
SPEAKERS
B
terminals on
the
rear panel.
C
-
Activates speakers connected
to the
SPEAKERS
C
terminals
on the rear panel.
For private listening
through headphones, release
all
the
SPEAKERS switches.
O
POWER switch
ON
- Turns
the receiver
on.
OFF
-
Turns
the
receiver
off.
@
PHoNES jacks
lnsert stereo headphone
plugs
into
these
jacks.
@
ftUen
control and indicator
The Super
Eleven
is
equipped
with
a TIMER control which
enables
the set
to
be
switched
off
automatically
at
any
predetermined
time within two
hours
from the time
of
setting.
The indicator is
flickering
while the
TIMER
is
in
operation.
lf
the
predetermined time
is
set
wrong
unintentionally,
for
example,
it
has been set
at
12O
instead
of
6O,
correction can be made by turning
the TIMER control
counterclockwise
to the
required
time of
60.
The TIMER
control requires more force
to
turn
counterclockwise
than
clockwise.
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When the TIMER control is set to
OFF,
the AC power
remains off,
regardless
of
the setting of the
POWER
switch.
Therefore,
the
TIMER control must
be set
to
RESET
to
operate
the receiver.
The
AC
convenience
butlet on the rear panel marked
SWITCHED
2OOW
is
switched by the
POWER
switch
and TIMER.
M.A.C. switch
-
With the switch in this
position,
the
MULTIPLE
ACOUSTIC COMPENSATOR is
activated.
OFF
-
With the switch in this
position, the
frequency
response
is
absolutely
flat,
and
the
M.A.C. circuit
is
bypassed.
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MULTTPLE
Acousrrc
coMPENSAToR
With the
M.A.C.
switch
in
the
ON position, these
controls
can
be
used
to
give flexible control over tone
allow
adjustments
to
be
made simultaneously
at a
number of
different frequencies. The
audio spectrum
is
divided into
narrow
bands
with
center frequencies
of 60
Hz,
160
Hz,
4OO
Hz,
1
kHz,2.5
kHz,
6
kHz, and
1
5 kHz and each band
can be boosted or
attenuated. Slide faders
are employed
for
adjustment and
the
response
is flat
when
all
sliders are
in
their
central
positions.
O
BALANCE
controt
This control permits
balancing
of left
and
right
channels
when
an imbalance exists in the sound source. or to correct
an acoustic imbalance due
to
room
conditions.
Turn it to the
left, from the
zero position, to
boost
the left
channel;
turn it
to the
right
from
zero to
raise
the level for the right
channel.
@ volurrlE
control
This control adjusts left-
and
right-channel
volume
simultaneously. Set
it
for the
desired listening
level.
O
DUBBING switch
This
six-position
switch
has
two
groups of settings:
one
group
is
SOURCE,
A
>
B,
and
B
>
A
marked clockwise from
12 o'clock; the other
group is the three positions
marked
counterclockwise.
To record a source or copy tape without
signal
processing,
use
the former group of
settings.
To
record a source
or
copy tape
with
signal processing
by
M.A.C.. REVERBERATION, and MIC circuits,
use
the
latter
group
of settings.
For
further details refer to pages 9
and
10.
@
naOrutrOR switch
Switch positions and functions are as
follows:
SOU
-
The source signal
is
heard.
A
- For
monitoring a recording or for playback
on
a tape
deck connected
to the
TAPE
A jacks.
B
- For monitoring a
recording or for
playback on a
tape
deck connected
to
the TAPE B jacks.
o
ON
Suoer
Eleven
(U)
5