Mic Mixing; Reverberation; Use Of The Dubbing And Monitor Switches - Kenwood Super Eleven Instruction Manual

MIC
MIXING
The MIC input
signal
can be mixed
with the
source
selected
with the
SELECTOR switch.
MIC and SOURCE mixing
1.
Plug
a
microphone
into the MIC
jack.
2. To mix the mic
sound
with AM
or
FM
broadcasts,
depress
the
AM or
FM switch
and
tune in the
desired
broadcast station.
3.
To mix
with
a
phono
source, depress
the PHONO switch
and play a
record.
4.
Use
the
microphone
and adjust
the MIC
MIXING
control
to
the desired mixing ratio.
5. Turn
the
PANPOT
control
to the right or left from
the
zero position to
place
the mic
sound
in
any
desired
position between the right
and
left
speakers.
6.
Use
the VOLUME control
to
adjust the overall volume
level. This
will
not
change
the
ratio
of the
mixed
microphone and source
levels.
Microphone
only
Turn
the MIC
MIXING
control fully to the right
(MlC
position).
Only the microphone sound
will
then be
heard.
Use
the
VOLUME
control to
adjust
the output level.
Use
this
method
for public address purposes.
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A
howling sound
may
be
caused
if the microphone is brought too
close
to
the speakers
when volume
is
at a high level.
Ouickly turn
the
volume
control
counterclockwise
in
such
a
case.
REVERBERATION
Echo
effect
1.
Set
the
MODE switch
to
MIC
or
MlC.
SOU
if
the
reverberation effect is
to be given
to
the MIC only
or
MIC and
SOURCE
sounds respectively.
2.
Turn
the
DEPTH
control clockwise and set
it to
"5".
3. Turn
the
DELAY
TIME control clockwise and
set
the
reverberation
for your
preference.
4. Adjust
the
DEPTH
control again
to
the
required
reverberation
level.
5.
Use
the volume
control for
overall
output adjustment
so
that the reverberation ratio
to
the original sound
is not
changed.
When
the
DEPTH
control is set
to
"0",
fully
counterclockwise, the
original sound
is not
affected
by reverberation, regardless
of
the
OELAY
TIME control
setting.
Duet effect
1.
Set the
MODE switch
to
MIC
or
MlC.
SOU
if
the
reverberation
effect is
to
be given
to the
MIC only
or
MIC
and SOURCE
sounds
respectively.
2.
Set
the
DELAY
TIME control
to
the extrem
left
"O".
3. Adiust the
DEPTH
control
for your
preference while
hearing
the
microphone
sound.
4.
Use the
volume control for overall
output adiustment
so
that the
reverberation ratio
to
the original sound is not
changed.
USE OF THE DUBBING AND
MONITOR SWITCHES
Recording
without
signal
processing
MONITOR
Switch
M.A.C.
&
REVERB REC
A
Source
Signal
With the
DUBBING switch set
to
SOURCE
at
the
12
o'clock
position,
recording,
without signal processing,
with
two
tape decks
is
available
when
two
tape decks
are
incorporated
into your system.
The MONITOR
switch
can
be
used as
follows:
SOU
-
The
source
signal
is
heard.
A
-
The signal being recorded
or
the signal
immediately
after being recorded on TAPE
A
is
heard.
B
-
The signal being
recorded
or
the signal immediately
after being recorded
on TAPE
B is
heard.
Dubbing
(A
>
B)
M.A.C.
&
REVERB REC
TAPE A
TAPE
B
To record
a
copy on
TAPE B from a tape
played
on
TAPE
A,
set
the
DUBBING
switch
to A > B
marked
clockwise. The MONITOR
switch
can be used
as follows:
SOU - The source
signal is heard from the
speakers
while
tape dubbing from TAPE
A to TAPE B is in progress.
A
-
The tape playback on
TAPE
A
is
heard.
B
-
The recording
a
copy
on
TAPE B
from
a
tape played on
TAPE
A or the copy immediately after being recorded
on TAPE B
is
heard.
DUBBING
SOURCE
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SOURCE
SOURCE
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M.A.C.
REVERBERATION
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