E-Mu Classic keys Operation Manual page 97

Waveforms
REFERENCE SECTION
132. B3 Wave 1
133. B3 Wave 2
134. B3 Wave 3
135. B3 Wave 4
136. B3 Wave 5
137. B3 Wave 6
138. B3 Wave 7
139. B3 Wave 8
140. B3 Wave 9
141. B3 Wave 10
142. B3 Wave 11
143. B3 Wave 12
144. B3 Wave 13
145. B3 Wave 14
146. B3 Wave 15
147. B3 Wave 16
148. B3 Wave 17
149. B3 Wave 18
150. ARP Clarinet
151. ARP Bassoon
152. P5 No-Tone
153. Noise Non-X
As an example, this chart shows the harmonics present in the Octave 5 Odd waveform.
Starting from the first octave (fundamen-
tal), the harmonic waveforms contain the
harmonics (odd, even, or all) present in
each octave. In each successive octave the
number of harmonics doubles.
HARMONIC WAVEFORMS
154. Oct 1 (Sine)
155. Oct 2 All
156. Oct 3 All
157. Oct 4 All
158. Oct 5 All
159. Oct 6 All
160. Oct 7 All
161. Oct 2 Odd
162. Oct 3 Odd
163. Oct 4 Odd
164. Oct 5 Odd
165. Oct 6 Odd
166. Oct 7 Odd
167. Oct 2 Even
168. Oct 3 Even
169. Oct 4 Even
170. Oct 5 Even
171. Oct 6 Even
172. Oct 7 Even
173. Low Odds
174. Low Evens
175. Four Octaves
By combining (pri/sec or link) the har-
monic waveforms in various amounts
(volume), and transposing them (coarse/
fine tuning), a wide range of timbres may
be produced.
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