Additional Information - Fosgate Audionics FAP T1 User Manual

7.1 channel preamp/processor
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D A
Text
Name
PLII-C
Pro Logic II Cinema
PLII-M
Pro Logic II Music
DOLBY PL
Pro Logic Emulation
Pro Logic II Cinema
PLIIC CR
with Cirrus EX Surr
Pro Logic II Music
PLIIM CR
with Cirrus EX Surr
NEO: 6C
DTS NEO:6 Cinema
NEO: 6M
DTS NEO:6 Music
5 STEREO
5-Channel Stereo
7 STEREO
7-Channel Stereo
DOLBY D
Dolby Digital
Dolby Digital
DOLBY EX
Surround EX
Dolby Digital with
DD CR-C
Cirrus EX Surr Cinema
Dolby Digital with
DD CR-M
Cirrus EX Surr Music
DTS
DTS
DTS Extended
DTS-ES
Surround
Dolby Digital Surround EX
Film soundtracks encoded with Dolby Digital Surround EX
technology contain an extra channel, added to the soundtrack
during mixing, called Surround Back, which places audio behind
the listener in addition to the existing front left, front center, front
right, surround left, sur-round right, and subwoofer channels. This
additional channel provides more detailed imaging behind the
listener creating more depth, spacious ambience and sound
localization than before.
A list of movies created using Dolby Digital Surround EX can be
found on the Dolby web site at www.dolby.com
NOTE:Surround EX mode can also be engaged during the playback
of 5.1 channel material that is not Dolby Digital Surround
EX or DTS-ES Matrix or Discrete encoded. When used this
way, signals from the left and right surrounds are used to
synthesize the surround back channel. Results using this
method will vary depending on the source material.
Dolby Pro Logic II
Dolby Pro Logic II, designed by Jim Fosgate, is a major enhancement
to surround sound systems. In addition to the full range surrounds,
Pro Logic II allows optimum playback of cinema and music
soundtracks. There are three user adjustable options (found in the
menu) that may be adjusted in Pro Logic II Music mode. In addition,
when the Cirrus Extra Surround processing option is engaged for a
7.1 channel playback, these options remain engaged.
Panorama extends the front stereo image to the surround channels.
It is particularly useful when the source material has a narrow
stereo mix.
Dimension allows the front sound-stage to be more coherently
matched with the surround sound-field, particularly to compensate
for differences between the front and surround speakers, and
speaker location. Personal preference becomes the deciding factor
as to how much Dimension to "dial in".
Description
Use for surround enhanced film soundtrack
playback from any 2-Channel source such as VCR
For surround enhanced playback of 2-Channel
(stereo) music
Equivilant to original Pro Logic surround
processing with mono surround
Adds Cirrus Extra Surround processing of rear
channels to Pro Logic II Cinema
Adds Cirrus Extra Surround processing of rear
channels to Pro Logic II Music
Creates 6.1 channel surround from any
movie-based source
Creates 6.1 channel surround from any
music-based source
Creates a 5-Channel program (L/C/R/LS/RS)
from any stereo source
Creates a 7-Channel program (L/C/R/LS/RS/
LSB/LSR) from any stereo source
5.1 channel processing for all Dolby Digital
encoded sources
6.1 channel processing for soundtrack
encoded with Dolby EX
Adds Cirrus Extra Surround post processing to
Dolby Digital. Creates a rear surround channel
Adds Cirrus Extra Surround post processing to
Dolby Digital. Creates a rear surround channel
5.1 channel processing for all DTS
encoded sources
5.1 channel processing for all sources encoded
with DTS-ES
Center Width allows blending of center front channel information
into the front left and right channels. This is particularly useful to
compensate when the center speaker is a different type or design
from that of the left and right speakers. When Center Width is used
to the fullest extent, a phantom center is created.
NOTE:In the Pro Logic II Music Mode time delay is disengaged.
Additionally, Panorama, Dimension and Center Width are
not available in the Pro Logic II Cinema mode. Because the
steering logic dynamics of Pro Logic II Cinema and Music
are identical, many listeners often use the Music mode for
both music and cinema playback.
DTS
This compressed digital data format is similar to Dolby Digital, but
uses a higher data rate. DTS also provides a maximum of 5.1 channel
surround channels and is available on compact disc, DVD and Laser
Discs. Audio-only DTS discs may be used with any CD, LD or DVD
player with a digital audio output, but DVD discs with DTS audio
must be used on players with the "DTS Digital Out" logo.
DTS-ES
DTS-ES is an extension of the original DTS format that adds an
additional sixth, or center surround, channel to a soundtrack.
DTS-ES Matrix titles provide the sixth channel by a matrix process,
while DTS-ES Discrete media deliver a true discrete center
surround channel. Both DTS-ES formats are backwards compatible
with the original DTS process, and will deliver a 5.1 channel
output when no center or back surround speakers are available.
The FAP T1 will automatically sense the availability of either
DTS-ES format and automatically switch the processing mode when
required.
DTS NEO:6
This processing mode can create up to 6 full bandwidth channels
from any matrix-encoded 2-channel source. Additionally, this mode
can produce the rear surround information from a 5.1 source.
In Music Mode it can expand stereo music material, such as from a
CD, into a multichannel surround experience.
Cirrus Extra Surround
This unique decoding algorithm creates 6.1 or 7.1 output from
either matrix-encoded or discrete audio signals. When Cirrus Extra
Surround is selected using either the remote or the front panel
controls the display will show the primary selected mode plus a
CR identifier-such as PL2C-CR. To determine what mode is best for
any specific program material it will be necessary to experiment to
decide what suits your systems and personal taste best.
Stereo
This mode provides conventional 2 channel signals to the left and
right front speakers only.

Additional Information

More detailed information about the various surround processing
options contained in the FAP T1 can be found on the following
websites:
www.dolby.com
www.dtsonline.com
www.cirrus.com
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