Shure MUSIC EDUCATORS Manual page 26

Don't be afraid to use equalization. Judicial use of high frequency boost can help
brighten a mic covered by clothing or positioned in the hair line. Low frequency cut
reduces cable noise, breath pops, and wind noise.
Keep spare mics on hand at all times. Many professional theater companies
consider lavalier microphones a disposable item. Condenser microphones especially
can be easily destroyed in such an abusive environment. Sweat, make-up, and
constant tugging on cables and connectors can quickly wear out even the highest-
quality microphone. Try to inspect your mics on a regular basis by plugging them in
and listening for any odd noises and crackling, or degradation of frequency response.
Wiggle the cables and connectors to check for loose connections.
Take the headworn approach. More and more, actors in Broadway musicals use
headworn microphones. The mic placement is always consistent, and right in front of
the mouth for best sound quality and better gain before feedback. Headworn mics
also give you that "hip, 21st century" look!
Recommended models:
• Lavalier – WL93, WL50, or WL51
• Headworn – WH30 or WBH53
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