Mackie Onyx 1640i Quick Start Manual page 17

16-channel premium analog mixer with firewire
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SUB 1-4 FADERS
These faders control the levels of the signals sent to
the sub outs. All channels that are assigned to
subgroups, not muted, and not turned fully down will
appear at the sub outs. Unlike the main out, the
subgroup signals do not pass through an insert jack on
the way to the subgroup faders, although effects may
be acquired easily enough. Simply patch from the sub
outs to the effect's input, and from the effect's output to
whatever the fi nal destination may be, typically back in
on one (or more) channel's input jacks.
The subgroup signal is off when the fader is fully
down, the "U" marking is unity gain, and fully up
provides 10 dB additional gain. Remember that if you
are treating two subgroups as a stereo pair, subgroup 1
and 2 for example, make sure that both subgroup faders
"ride" together to maintain the left/right balance.
SUBS 1-4 TO FW 5-8
Engage this button (located just below the sub 2 and
sub 3 fader) and the sub groups can be sent to FireWire
sends 5-8, taking the place of channel direct
outputs 5-8.
This allows the user to combine different channels on
to subgroups and record material to separate tracks on
a DAW. This is particularly useful if FireWire sends 9-14
can not be used because the aux masters have taken
over.
ASSIGN TO FW 15-16
Engage this button (just above the main mix fader)
and the main mix can be sent to your computer via
FireWire. The FireWire output is not affected by the
main mix fader, allowing you to record the main mix
of live performances. The left main mix will appear
on FireWire output signal 15, and the right on signal
16. (When this button is engaged, mixer channels
15-16 are not available to send via FireWire.)
In addition to recording the main mix using FireWire,
you can record individual mixer channels 1-14 using
FireWire (for a total of 16 streams available) for
studio mixing at a later date. See page 19.
RECORDING OUTS
These two DB-25 connectors provide balanced direct
outputs for channels 1-8 and 9-16, respectively.
They are designed to be connected directly to a
recorder's analog inputs, and use the TASCAM
standard pinout for analog signal connections.
The signal at the recording outs comes just after the
input gain control, and before the low-cut switch, insert
jacks, and EQ. This way you can EQ a channel, connect
a compressor or other dynamics processor to the insert
jack, and adjust the channel fader to suit your live mix,
but it has no effect on the signal going to the recorder.
This provides maximum fl exibility for the mixdown
stage.
The recording outputs may also be used in lieu of a
splitter. Picture this: all of the microphones,
instruments, DI's, etc - any input connected to an
Onyx 1640i as a monitor mixer - may then be sent out
from the recording outputs 1-16 directly to the line
inputs of yet another Onyx 1640i used as the front of
house mixer.
1/4" TRS
Main Outputs
16
15
14
INSERT
INSERT
INSERT
LINE
LINE
LINE
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
TALKBACK
XLR
BALANCED
MIC
+48v
R
L
Main
MAIN OUTPUT
+
4dB
LEVEL
MIC
Outputs
POWER
ON
Main Output Level +4dB/Mic
A LT E R N AT E F I R E W I R E A S S I G N M E N T S
1
2
3
LINE
LINE
LINE
FW 1
FW 2
FW 3
48V
48V
48V
48V
75Hz
18dB/OCT
GAIN
GAIN
GAIN
30
30
30
30
U
U
U
U
20
40
20
40
20
40
20
U
60
U
60
U
60
U
-
20dB
+
40dB
-
20dB
+
40dB
-
20dB
+
40dB
-
20dB
+
SEND
SEND
SEND
SEND
PRE
PRE
PRE
POST
POST
POST
U
HIGH
U
HIGH
U
HIGH
U
12kHz
12kHz
12kHz
-15
+15
-15
+15
-15
+15
-15
2k
2k
2k
2k
FREQ
FREQ
FREQ
Assign to
400
8k
400
8k
400
8k
400
U
U
U
U
HIGH
HIGH
HIGH
MID
MID
MID
-15
+15
-15
+15
-15
+15
-15
FW 15-16
400
400
400
400
FREQ
FREQ
FREQ
100
2k
100
2k
100
2k
100
U
U
U
U
LOW
LOW
LOW
MID
MID
MID
-15
+15
-15
+15
-15
+15
-15
U
U
U
U
LOW
LOW
LOW
80Hz
80Hz
80Hz
-15
+15
-15
+15
-15
+15
-15
EQ
OUT
EQ
OUT
EQ
OUT
EQ
IN
IN
IN
SUB ASSIGN
Sub
1
2
3
AUX
AUX
AUX
L
1
L
1
1
L
Assign
O O
MAX
O O
MAX
O O
MAX
O O
MAIN MIX
MAIN MIX
MAIN MIX
2
2
2
Switches
O O
MAX
O O
MAX
O O
MAX
O O
R
R
R
3
3
3
O O
MAX
O O
MAX
O O
MAX
O O
SUB1
SUB2
4
4
SUB3
4
O O
MAX
O O
MAX
O O
MAX
O O
5
5
5
MAX
MAX
MAX
O O
O O
O O
O O
6
6
6
O O
MAX
O O
MAX
O O
MAX
O O
PAN
PAN
PAN
Sub 1-4
L
R
L
R
L
R
L
Faders
MUTE
MUTE
MUTE
MUTE
OL
OL
OL
+
10
+
10
+
10
0
0
0
20
-
-
20
-
20
SUB
SUB
SUB
ASSIGN
ASSIGN
ASSIGN
1-2
1-2
1-2
3-4
3-4
3-4
MAIN
MAIN
MAIN
MIX
MIX
MIX
SOLO
SOLO
SOLO
SOLO
1
2
3
Subs 1-4
to FW 5-8
SUBS 1-4
TO FW 5-8
SUB1
SUB2
SUB3
Quick Start Guide
Tape Out
13
12
11
10
9
8
7
6
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
MAIN OUT
MAIN INSERT
TAPE
CTRL-RM OUT
SUB OUT
BAL/UNBAL
MONO
(TIP=SEND
BAL/UNBAL
BAL/UNBAL
RING=RTN)
3
1
4
IN
OUT
L
L
L
L
L
(MONO)
4
2
R
R
R
R
R
O O
+6
FIREWIRE
Recording Outputs
SUBGROUPS
AUX MASTERS
1
2
3
4
1
2
3
4
5
4
5
6
7
8
9
10
11
12
13
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
FW 4
FW 5
FW 6
FW 7
FW 8
FW 9
FW 10
FW 11
FW 12
FW 13
48V
48V
48V
48V
48V
48V
48V
48V
48V
48V
75Hz
75Hz
75Hz
75Hz
75Hz
75Hz
75Hz
75Hz
75Hz
75Hz
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
18dB/OCT
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
30
30
30
30
30
30
30
30
30
U
U
U
U
U
U
U
U
U
40
20
40
20
40
20
40
20
40
20
40
20
40
20
40
20
40
20
40
20
60
U
60
U
60
U
60
U
60
U
60
U
60
U
60
U
60
U
60
U
40dB
-
20dB
+
40dB
20dB
-
+
40dB
-
20dB
+
40dB
-
20dB
+
40dB
-
20dB
+
40dB
-
20dB
+
40dB
-
20dB
+
40dB
-
20dB
+
40dB
-
20dB
+
40dB
-
20dB
SEND
SEND
SEND
SEND
SEND
SEND
SEND
SEND
SEND
SEND
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
PRE
POST
POST
POST
POST
POST
POST
POST
POST
POST
POST
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
U
HIGH
12kHz
12kHz
12kHz
12kHz
12kHz
12kHz
12kHz
12kHz
12kHz
12kHz
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
2k
2k
2k
2k
2k
2k
2k
2k
2k
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
8k
400
8k
400
8k
400
8k
400
8k
400
8k
400
8k
400
8k
400
8k
400
8k
400
U
U
U
U
U
U
U
U
U
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
400
400
400
400
400
400
400
400
400
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
FREQ
2k
100
2k
100
2k
100
2k
100
2k
100
2k
100
2k
100
2k
100
2k
100
2k
100
U
U
U
U
U
U
U
U
U
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
MID
MID
MID
MID
MID
MID
MID
MID
MID
MID
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
U
U
U
U
U
U
U
U
U
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
OUT
EQ
OUT
EQ
OUT
EQ
OUT
EQ
OUT
EQ
OUT
EQ
OUT
EQ
OUT
EQ
OUT
EQ
OUT
EQ
IN
IN
IN
IN
IN
IN
IN
IN
IN
IN
4
5
6
7
8
9
10
11
12
13
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
1
1
L
1
1
1
1
1
1
1
1
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAIN MIX
ASSIGN TO
2
2
2
2
2
2
2
2
2
2
FW 15-16
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
R
3
3
3
3
3
3
3
3
3
3
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
4
SUB4
4
4
4
4
4
4
4
4
4
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
5
5
5
5
5
5
5
5
5
5
dB
MAX
MAX
MAX
MAX
MAX
MAX
MAX
MAX
MAX
MAX
O O
O O
O O
O O
O O
O O
O O
O O
O O
O O
10
6
6
6
6
6
6
6
6
6
6
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
MAX
O O
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
5
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
U
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
5
OL
OL
OL
OL
OL
OL
OL
OL
OL
OL
10
+
10
+
10
+
10
+
10
+
10
+
10
+
10
+
10
+
10
+
10
0
0
0
0
0
0
0
0
0
0
-
20
-
20
-
20
-
20
-
20
-
20
-
20
-
20
20
-
-
20
20
SUB
SUB
SUB
SUB
SUB
SUB
SUB
SUB
SUB
SUB
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
ASSIGN
1-2
1-2
1-2
1-2
1-2
1-2
1-2
1-2
1-2
1-2
30
3-4
3-4
3-4
3-4
3-4
3-4
3-4
3-4
3-4
3-4
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MAIN
MIX
MIX
MIX
MIX
MIX
40
MIX
MIX
MIX
MIX
MIX
50
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
60
4
5
6
7
8
9
10
11
12
13
O O
Main Mix Fader
MAIN
SUB4
MIX
5
4
3
2
1
INSERT
INSERT
INSERT
INSERT
INSERT
LINE
LINE
LINE
HI-Z
HI-Z
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
AUX RETURN
AUX SEND
BAL/UNBAL
BAL/UNBAL
3
2
1
5
3
1
L
L
L
(MONO)
(MONO)
(MONO)
6
4
2
R
R
R
RECORDING OUTS
POST GAIN PRE INSERT
BALANCED
9-16
1-8
MAIN MIX
6
L
R
14
15
16
LINE
LINE
LINE
FW 14
FW 15
FW 16
48V
48V
PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE
75Hz
75Hz
75Hz
18dB/OCT
18dB/OCT
18dB/OCT
GAIN
GAIN
GAIN
LAMP
30
30
30
U
U
U
12V 0.5A
40
20
40
20
40
60
U
60
U
60
+
40dB
-
20dB
+
40dB
-
20dB
+
40dB
CTRL ROOM/PHONES
SEND
SEND
0dB=0dBu
SOURCE
L
R
PRE
PRE
PRE
POST
POST
POST
20
CLIP
U
HIGH
U
HIGH
U
HIGH
15
12kHz
12kHz
12kHz
10
MAIN MIX
TAPE
6
+15
-15
+15
-15
+15
3
2k
2k
2k
SUB 1-2
SUB 3-4
FREQ
FREQ
FREQ
0
2
8k
400
8k
400
8k
LEVEL
SET
U
U
U
4
HIGH
HIGH
HIGH
FW 1-2
ASSIGN TO
MID
MID
MID
MAIN MIX
7
10
+15
-15
+15
-15
+15
20
400
400
400
FREQ
FREQ
FREQ
30
2k
100
2k
100
2k
O O
MAX
O O
MAX
U
U
U
CONTROL
PHONES
RUDE
LOW
LOW
LOW
MID
MID
MID
ROOM
SOLO
+15
-15
+15
-15
+15
U
U
U
LOW
LOW
LOW
80Hz
80Hz
80Hz
O O
MAX
SOLO
LEVEL
O O
MAX
TAPE TO
+15
-15
+15
-15
+15
MAIN MIX
TAPE IN
OUT
EQ
OUT
EQ
OUT
PFL
IN
IN
IN
AFL
SOLO
MODE
14
15
16
AUX MASTER
SENDS 1-6
TO FW 9-14
AUX
AUX
AUX
SENDS
RETURNS
EFX TO
MON
PRE
POST
1
1
1
1
1
SOLO
MAX
O O
MAX
O O
MAX
O O
+
15
O O
+
10
O O
+
10
TO AUX 5
PRE
POST
2
2
2
2
2
SOLO
MAX
O O
MAX
O O
MAX
O O
+
15
O O
+
10
O O
+
10
TO AUX 6
PRE
POST
3
3
3
3
3
SOLO
SEND
MAX
O O
MAX
O O
MAX
O O
+
15
O O
+
10
TO
PRE
POST
MAIN
4
4
4
4
4
SUBS
SOLO
MAX
O O
MAX
O O
MAX
O O
+
15
O O
+
10
PRE
POST
5
5
5
5
SOLO
MAX
MAX
MAX
15
CR/PHONES
SUBS
O O
O O
O O
+
ONLY
1-2
3-4
PRE
POST
6
6
6
6
SOLO
POWER
MAX
O O
MAX
O O
MAX
O O
+
15
PAN
PAN
PAN
DESTINATION
MIC
PHONES
AUX 1-6
L
R
L
R
L
R
O O
MAX
LEVEL
EXTERNAL
TALKBACK
MIC
SUB ASSIGN
L
L
L
L
MUTE
MUTE
MAIN MIX
MAIN MIX
MAIN MIX
MAIN MIX
ASSIGN TO
FW 15-16
R
R
R
R
SUB1
SUB2
SUB3
SUB4
dB
OL
OL
OL
10
+
10
+
10
+
10
5
0
0
0
U
-
20
-
20
20
-
5
SUB
SUB
SUB
ASSIGN
ASSIGN
ASSIGN
10
1-2
1-2
1-2
20
30
40
3-4
3-4
3-4
50
60
O O
MAIN
MAIN
MAIN
MIX
MIX
MIX
SUBS 1-4
SOLO
SOLO
TO FW 5-8
MAIN
14
15
16
SUB1
SUB2
SUB3
SUB4
MIX
17

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