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Mackie 1642-VLZ Pro Specifications

16-channel mic/line mixer
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Introduction
The 1642-VLZ PRO is perfect for applications where
more line-level inputs (and fewer mic preamps) are
needed.
Channels 1–8 are essentially the same as our
1604-VLZ PRO with mono line-level input and our
new ultra-high-quality XDR™ (Extended Dynamic
Range) mic preamps with the best RFI rejection of
any compact mixer design on the market and maxi-
mum freedom from ground loops.
Channels 9/10 and 11/12 (two physical chan-
nel strips) each have a stereo pair of line-level
inputs and a mono XDR™ mic preamp.
Channels 13/14 and 15/16 (also in two phys-
ical channel strips) each have a stereo pair of
line-level inputs only with fixed four-band equal-
ization at points that are especially beneficial to
line-level inputs such as keyboards.
Like all of Mackie Designs' mixers, the 1642-VLZ
PRO is designed for rugged, 24-hour-a-day use. It is
a supremely flexible mixer, not just because of its
multiple input/output configurations, but because
of its true 4-bus architecture, 4 aux sends, and
extensive routing capabilities.
Built like a tank, the 1642-VLZ PRO is a team player
that can stand up to vigorous use, day in and day out, any
place it is installed. Its sturdy-yet-light steel monocoque
construction houses rugged, double-sided through-hole-
plated fiberglass circuit boards, and 60mm faders with
ultra-tight lip seals for keeping out dust and other con-
taminants. Impact-resistant knobs are mounted so they
"ride" just above the steel chassis—they absorb impact
without trouble. They're designed to last, too, thanks to
co-molded potentiometers that don't get brittle and crack
up. Then we use metal stand-offs at regular intervals to
mount thick fiberglass circuit boards inside the mixer.
RM1642 Rack-Mount Brackets, 12-inch and 18-inch
RunningLight™ Gooseneck Lamps. 1202-VLZ PRO
12-Channel Mic/Line Mixer, 1402-VLZ PRO 14-Channel
Mic/Line Mixer, 1604-VLZ PRO 16-Channel Mic/Line
Mixer, SRM450 Active 2-Way SR Loudspeakers, C300
passive 2-way SR Loudspeakers, M•800/M•1400i/
M•1400/M•2600 Power Amplifiers
Continued on Page 3
16-Channel Mic/Line Mixer
Features
Unique hybrid configuration: 8 mic/line mono
chs., 2 mic/stereo line chs., 2 stereo line chs.
10 XDR™ (Extended Dynamic Range) XLR mic inputs
with the best RFI rejection of any compact mixer
design and maximum freedom from ground loops.
8 balanced/unbalanced mono line inputs
4 pairs of bal./unbal. stereo line inputs
True 4-bus design
Inserts and Direct Outs on Channels 1–8
3-band EQ with sweepable mid on Channels 1–8
4-band fixed EQ on Channels 9/10, 11/12,
13/14, and 15/16.
75Hz, 18dB/oct. Low Cut filters on Channels
1–8, 9/10 and 11/12
PFL/AFL (Solo In-Place) on every channel (global)
VLZ™ (Very Low Impedance) architecture
Control Room/Phones source matrix
4 aux sends, 2 with master level controls
XLR and 1/4" balanced main outputs plus mono
main output with level control
Balanced inputs and outputs (except RCAs,
phones & inserts)
Level set LED and marker
Applications
Live sound mixing for churches, clubs, schools,
conference centers, boardrooms, trade shows,
presentations
Keyboards, drum machines and DJ mixing
Multitrack studio, field recording
A/V presentations, video post-production, CD
authoring, multimedia
Live broadcast remotes, ENG, ad production

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Summary of Contents for Mackie 1642-VLZ Pro

  • Page 1 4-bus architecture, 4 aux sends, and extensive routing capabilities. Built like a tank, the 1642-VLZ PRO is a team player that can stand up to vigorous use, day in and day out, any place it is installed. Its sturdy-yet-light steel monocoque...
  • Page 2: Specifications

    Specifications Mic Preamp Equivalent Input Noise (20Hz–20kHz): 150Ω 50Ω 0Ω Frequency Response: –1dB –3dB IM Distortion (4 to 1 ratio SMPTE) 35dB gain Harmonic Distortion (20Hz–20kHz) 35dB gain Gain Max Input Input Impedance Common Mode Rejection Common Mode Rejection Ratio Main Mix Noise Main Mix fader unity, ch.
  • Page 3 Radio frequency interference from TV/radio sta- tions and cellular phone users is virtually eliminated, thanks to Mackie’s new XDR mic preamp design. The mixer’s built-in power supply is beefy enough to handle major power consumption without breaking up. And there’s no bulky “wall wart” to be kicked out of place or to cover up extra outlets.
  • Page 4: Stereo Aux Return

    TRIM TRIM +15dB -45dB +15dB -45dB LOW CUT LOW CUT 75 Hz 75 Hz 18dB/OCT 18dB/OCT FREQ 800Hz 80Hz 80Hz - 15 - 15 11-12 MUTE MUTE SOLO SOLO TRACK TRIM AUX SEND SOLO SOLO PHAN PHONES CONTROL ROOM TAPE –...
  • Page 5 (with its own gain control) for another zone, like a cry room, lobby, or other such place. The 1642-VLZ PRO’s mono main out also has its own level control, so a mono mix can be sent to another zone and adjusted accordingly.
  • Page 7: Mixer Inputs

    Architect & Engineering Specifications 1. GENERAL CONFIGURATION. The mixer shall consist of 8 mono channels accommodating line and/or microphone signals (Channels 1–8), two hybrid channels accomodating stereo line and/or mono microphone signals (Channels 9/10 & 11/12) and two stereo channels accomodating stereo line inputs (Channels 13/14 &15/16);...
  • Page 8 ©1999-2000 Mackie Designs Inc. All rights Reserved. The “Mackie.” logo and the “Running Man” figure are registered trademarks of Mackie Designs Inc. VLZ, VLZ PRO and XDR are trademarks of Mackie Designs Inc. Part No. 091-297-00.