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No.
NAME
This distortion sound, which uses Squeak to stand out, is suitable for leads. Use the delay as you like.
1
RAT Drive
This chorus setting has a sharp edge and is perfect for cutting through the mix.
2
ClearCho
This setting uses T Scream directly in the chain. Turn the stages before it ON instead of a booster when soloing.
3
W Screamer
This auto-wah setting is perfect for cutting through. A little reverb is the secret ingredient.
4
Funky Wah
This phaser setting is in the style of the MXR Phase100.
5
Phaser100
This setting combines a little bit of flanger with a dotted eighth-note synchronized delay. Put distortion in front of it to
6
FlangeDly
bring the flanger effect out even more.
This is a great metal sound for playing riffs. Turn on the Analog Dly and you can use it for lead parts too.
7
MetalDist
This is a natural-sounding compression setting that is useful in every circumstance.
8
NaturalCMP
Using Analog Dly, this setting is great for creating a galloping sound. You can combine it with any overdrive sound you like.
9
ShortDly
This hall reverb setting has a beautiful edge and is great for arpeggios and long tones.
10
RitchHall
This sequenced filter synchronizes with the tempo.
11
SEQ Wah
The delay sound is modulated in this slightly distorted delay setting.
12
ModDelay
This practical overdrive sound can be boosted using Z Clean. Use spring reverb and delay with it as you like.
13
Blues OD
This fuzz sound brings back the late sixties. Turn The Vibe ON to give it a psychedelic sheen.
14
SilverHaze
This phantasmal ambient sound is fine for both chords and single notes.
15
AMB KING
With distortion added to a 4th up pitch shift, this distortion patch is perfect for leads.
16
PitchDist
Delay is the secret ingredient in this synthesizer sound. How the filter opens can be controlled with the guitar volume.
17
Star Synth
This patch is inspired by the sounds of ethnic instruments from Southeast Asia.
18
AsiaPalace
Overdrive Tone with Delay, Perfect for Classic Rock Solos or Rhythm.
19
RK"1"
Lush Clean Tone with Tremolo and Low end boost.
20
RK"2"
Whip Clean is modeled after my Roland JC 120.
21
Whip Clean
Whip Lead is modeled after my Bogner Fish preamp (brown sound).
22
Whip Lead
This crunch sound is based on a British combo amp.
23
castles
This distortion sound combines Marshall 1959 and T Scream.
24
just_got_p
Combines multiple reverbs, delays and chorus for a lush string sound. Volume pedal attack included.
25
Dbl V wet
Great for big chords and orchestral scapes.
This is a small boxy sound. I use this when the instrumentation is dense and I want to stand out.
26
Dbl V box
This patch features a slightly overdriven and very natural sounding "blues" lead tone. The voicing
features equal amounts of top-end bite. beefy midrange, and bottom, and will sound crunchy and
27
PureBlues
well-balanced on any of a Strats' pickup selections.
It features slight compression, as well as some "detune" effect, ideal for obtaining a punchy, funk rhythm
28
FunkStrat
guitar sound.
Clean all around tone, but great fit funky rhythms.
29
LM R&B Luv
Funky parliament flavor turn on and off the octave pedal for fresh low end funkiness.
30
LM M Funk
*Patches 31-50 are empty by default.
Manufacturer names and product names mentioned in this patch memory list are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION.
COMMENT
All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.
MS-50G Patch Memory List
Richie
Kotzen
Michael
Wilton
Zach Myers
Vinny
Valentino
Steve
Briody
Larry
Mitchell
MS-50G Patch List E-1
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