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No.
Patch name
Versatile sound that fits almost any playing style. Modeled on the Fender Bassman 100 that is the realization of
A0
Rock Out
every bassist's dream.
A1
Groovy Ass Funk
Auto Wah lets you get into that seventies Disco groove. Play funky bass lines in the style of the dance band Chic.
This patch gives you bass sound with just the right edge for punk. Sling your bass low and bolster your band's
A2
Punk Trash
sound with driving phrases as in "I Wanna Be Sedated" by The Ramones.
Old-style overdrive sound with many uses. Sometimes even a conservative bass player will want to let loose with
A3
Tapper's Delight
some dramatically distorted solos. That's when this patch comes in handy.
A4
Blow your speaker!!! Mighty octaver sound that will make your speakers wail. You can control the octave mixing ratio with the pedal.
This patch produces a wide, transparent bass sound using the Ensemble effect. Try it with moody solos and
A5
ENSEMBLE
arpeggio phrases.
This simulation is great for playing a jazzy walking bass. Turn your instrument into a fretless bass at the flick of a
A6
Fretless Maximus
switch.
Synth bass sound mainly based on MONO SYN, with Resonance Filter and Mono Pitch thrown in for good
A7
Syn Fifths
measure. Choose it to play lead bass or to get that intense synthesizer sound.
A8
SLOW
Slow Attack sound which gives a bow playing effect. The pedal lets you freely adjust the rise time.
This Mono Pitch effect simulates unison playing of electric guitar and bass. Create great unison phrases even
A9
Bass + Guitar
without a guitarist.
Simulates the Fender Bassman 100 made famous by Paul McCartney. Use a Rickenbacker or violin bass and enjoy
b0
Big Bassman
that special Beatles sound.
Simulation of the Sansamp Bass Driver DI, highly popular among bass players. The tight and polished sound is
b1
SansAmp
ideal for recording.
Simulates the Fuzz Face famous for its unique look. The aggressive fuzz sound will give your bass play that extra
b2
Buzz Drive
bite.
Simulation of Hartke HA3500 head amp combined with aluminum-cone cabinet 4.5XL. Note the characteristically
b3
HARTKE
transparent and responsive sound of aluminum.
This patch is modeled on the all-tube Ampeg SVT, known as the ultimate rock bass amp. The gutsy sound of tube
b4
SVT Saturation
saturation creates a solid bottom end.
Simulation of the MXR Bass D.I.+ distortion channel, great for playing dirty solos. By moving the pedal, you can
b5
Dirty Job
control the Delay mix.
b6
TUBE
Simulates a high-class tube preamp such as used in recording studios. The fat and creamy sound suits every genre.
Simulation of the Boss Overdrive ODB-3 for bass guitar. Combination with the Phaser effect results in a brisk and
b7
Drivin' Over
pleasing drive sound.
Simulates the combination of the Acoustic 360 head amp and 301 cabinet. Subdued high range and firm midrange
b8
True Grit
produce an appealing vintage style tone.
Simulates the SWR sound as produced by the SM-900 head amp together with the Goliath cabinet. Rich low end
b9
SWR
and sharp highs are great for slap playing.
The bass sound of Jaco Pastorius with strong chorus. Place your finger on the rear pickup of a Jazz Bass and try out
C0
Jaco
those cool phrases from "Three Views Of A Secret."
This patch is inspired by the legendary Motown bass player James Jamerson. Every fan of sixties Motown sound
C1
Tribute
will be thrilled.
Rock sound with Auto Wah as used by Flea of the Red Hot Chili Peppers. Try some flashy slap play and turn up the
C2
Chili Wah
volume.
Simulates the sound of that ultimate bass virtuoso, Victor Wooten, as heard on his first album "Show of hands."
C3
Victor Wooten
Select this and explore the boundaries of the bass universe.
The distorted bass sound used for solos by Mr.Big bassist Billy Sheehan is programmed into this patch. When not
C4
Billy Sheehan
using the patch for a solo, you can adjust the mixing balance between original sound and distortion with the pedal.
Sound in the style of Stanley Clarke who plays electric and acoustic bass with equal finesse. Brush up on your jazz
C5
Stanley Clarke
sense.
Simulates the sound of one of New York's top session bass players, Will Lee. The fat tone has a strong fusion
C6
Will Lee
character. Combination with Detune produces an expansive sound with moderate amounts of modulation.
Famous for his work with King Crimson, Tony Levin played the kind of tricky inventive phrases that are the
C7
Tony Levin
hallmark of progressive rock. This patch produces just the right tone for this kind of play.
Simulates the sound of bassist Geezer Butler as heard on seminal Black Sabbath hits such as "Electric Funeral" and
C8
Geezer
"N.I.B."
C9
Mr. Bruce
Rediscover the sound created by Cream bassist Jack Bruce on "Badge" and "Sunshine of Your Love."
Great patch for playing those pumping Reggae phrases. The tone is also suitable for groovy bass lines using the
d0
Big Bottom Rez
Resonance Filter.
Mysterious, space-like sound using the Step effect. Startle your audience with this effective patch to create a special
d1
Attack from Mars!
moment.
Clean sound with strong compression. Provides a sharply etched attack but keeps the volume even when playing
d2
HEAVY COMP
slap phrases.
HPS (Harmonized Pitch Shifter) sound. G major scale harmonies bring the bass clearly to the foreground. The
d3
Happy disaster
pedal serves to adjust the HPS mix.
Unique sound imitating a muted trumpet. Great to grab the listener's attention. Controlling the volume with the
d4
HornSolo
pedal further enhances the realism.
Combination of Auto Wah and Delay. Adjust the Delay mix with the pedal and change the ambient feeling while
d5
Aguabass
playing. This adds a twist to slap and finger playing.
d6
Vibe
Vibrato creates a beautiful tone that is well matched to phrases with long held notes.
Synth bass sound defined by a slight Phaser component. Suitable for lead bass and obtaining intense synth sound
d7
Phased
during a live performance.
Octave sound that can be used for lead solo. Lets you create an earth-shaking bass sound that will hold its own even
d8
Dark Octave
against a down-tuned guitar.
Combination of Flanger and Delay results in a dreamy sound that tends to linger on. An excellent choice for
d9
Dreamscape
melodious solo phrases and intros.
• The preset area of banks 0 – 3 contains the same patches as A – d.
• The ZNR value may need to be adjusted depending on the bass guitar
and amplifier.
Patch List
Description
Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective
owners and do not indicate any affiliation with ZOOM CORPORATION. All product and artist names are intended only to
illustrate sonic characteristics that were used as reference in the development of this product.
Main effect Pedal setting
BASSMAN
VOLUME
AUTO WAH
Auto Wah
SENSE
TS9
VOLUME
ODB-3
VOLUME
Octave
OCTAVE MIX
Ensemble
ENSEMBLE MIX
Defret
VOLUME
RESONANCE
MONO SYN
FILTER SENSE
SLOW ATTACK
Slow Attack
TIME
MONO PITCH
Mono Pitch
MIX
BASSMAN
VOLUME
SANSAMP
VOLUME
PITCH BEND
FUZZFACE
PEDAL POSITION
HARTKE
VOLUME
AMPEG
VOLUME
MXR BASS DI
DELAY MIX
TUBE PRE
VOLUME
ODB-3
PHASER RATE
ACOUSTIC
VOLUME
SWR
VOLUME
Chorus
ROOM MIX
AMPEG
VOLUME
AUTO WAH
Auto Wah
SENSE
Room
ROOM MIX
ODB-3
DRIVE BALANCE
TUBE PRE
VOLUME
Detune
DETUNE MIX
Defret
VOLUME
Room
DRIVE BALANCE
SUPER BASS
VOLUME
Auto Wah
VOLUME
Step
STEP RATE
Compressor
VOLUME
HPS
HPS MIX
Resonance Filter
VOLUME
Delay
DELAY MIX
Vibrato
VOLUME
MONO SYN
PHASER RATE
Octave
OCTAVE MIX
Flanger
DELAY MIX
B1/B1X-PatchList-E-1
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