Operating Modes (Configurations); Selecting A Configuration; Application (Example) - Behringer X V-AMP LX1-X User Manual

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X V-AMP LX1-X User Manual
(22) AC IN. Connect the enclosed power supply to the AC IN connector.
As soon as you plug the power supply into the mains, your X V-AMP
is automatically "on". More information on the power supply can be
found in chapter 9 "Specifications".

3. Operating Modes (Configurations)

An outstanding characteristic of the entire V-AMP product line is the freedom
to personally select which signal segments (according to your own needs and
desires) will be fed to the outputs. To optimally adjust your X V-AMP to various
studio and live situations, you can select one of the 9 possible configurations.
These configurations assign where individual signals for line outputs and
headphone outputs are coming from—and all this independent from the
settings stored in the presets.

3.1 Selecting a CONFIGURATION

When you press NOISE GATE (3) and COMPRESSOR (5) at the same time,
CONFIGURATION mode is activated or deactivated. The key LEDs are blinking as
long as you are in CONFIGURATION mode.
Dialing up individual configurations in CONFIGURATION mode is done by using
NOISE G. (3) and COMPR. (5) . A table with the respective configurations is
shown below.
EUROPOWER EP2000
Lo Input
V-TONE GMX212
Fig. 3.1: Standard application (example)
Main Out Stereo Line Inputs
Tape Out
Stereo
Line/Phones
XENYX1204FX
Out
Mono
Amp Out
ADJUST
1
2
3
4
GAIN / VOLUME
PHONES
STORE AMP + FX
FX ONLY
COPY TUNER
CONFIGURE
BASS EQ PRESENCE
NOISE G.
COMPR.
MODUL.
BYPASS/TUNER
X V-AMP
Volume is adjustable globally by using the ADJUST control.
Input gain can be adjusted using ADJUST + TAP, so that you can adjust your
X V-AMP globally to instruments with varying output signal levels, whereby the
following goes: a higher setting is for quieter instruments, and a lower setting is
for louder instruments.
OPERATING MODE X V-AMP CONFIGURATION
P1 FLAT: Neutral EQ
PHONES (with all
speaker and amp P2 LOUDNESS: Increasing bass and highs
simulations)
P3 PRESENCE: Accentuation of upper mids, lowering of bass tones
A1 FLAT: Neutral EQ
AMP + FX
(without speaker A2 LOUDNESS: Increasing bass and highs
simulations)
A3 PRESENCE: Accentuation of upper mids, lowering of bass tones
F1 FLAT: Neutral EQ
only FX (without
speaker and amp F2 LOUDNESS: Increasing bass and highs
simulations)
F3 PRESENCE: Accentuation of upper mids, lowering of bass tones
Tab. 3.1: Operating modes (CONFIGURATIONS)

3.2 Application (example)

Our example shows a typical X V-AMP application: Connection to a guitar amp
(BEHRINGER V-TONE GMX212) using operating modes A1-F3 (without speaker
simulation). The V-TONE GMX212 features a stereo aux input, while many other
amps have only a mono instrument input. For jam sessions at your own pad,
connect a set of high-quality headphones (e.g. our BEHRINGER HPS3000) to the
LINE OUT/PHONES connector.
Rec Out
Instrument In
SPEED
EFFECT TAP
VOLUME
WAH 2 ND FUNCTION
PEDAL
REVERB
DELAY
AC In
EUROLIVE B1220
HPS3000
Electric guitar