Adobe GOLIVE CS2 User Manual page 571

Brightness and Contrast
and 0 decrease the brightness and contrast; values between 0 and 100 increase the brightness and contrast.
Lets you apply two color change effects to a single track. Both effects process the red, green, and blue
Color Style
components of each pixel independently. You can set these options:
Adjusts the color balance of the source track by generating a table of replacement color values from
• Solarization
two parameters. The table values start at zero intensity and increase to the maximum intensity at the peak point.
After that, the values fall back to zero. You can change the Solarize Amount, the intensity of the solarization table,
and the Solarize Point (the peak point of the solarization table).
Reduces the number of colors in an image by replacing all pixels with colors in a consecutive range
•
Posterization
within the middle color from that range. This helps to control color banding. Posterize Amount determines the
number of colors that are grouped and replaced with the mid-range color.
Converts the track to grayscale, and then applies a light and a dark color to the image. The light color
Color Tint
replaces the white in the grayscale image, and the dark color replaces the black. The end result is a tinted duochrome
version of the source image. Tint Type lets you select from a choice of five different tints, including Black and White,
X-Ray, Sepia, Cobalt, and Other. Other enables these options:
Replaces the white or black of the grayscale image.
•
Light or Dark Color
Adjusts the brightness of the source between -255 (all colors replaced with black) and 255 (all colors
•
Brightness
replaced with white).
Adjusts the contrast of the source between -128 (minimum contrast) and 128 (maximum contrast).
•
Contrast
(Mac OS only) Adjusts the color balance of an image to match a specified color sync profile. Typically,
ColorSync
you would use this to adjust the color profile of an image to match the current display device. This option lets you
maintain accurate color representations across devices. You specify both the color sync profile of the source image
and the color sync profile of the destination device the image is displayed on. You can select these options:
Source profile for the source image.
•
• Destination profile for the target device.
Matching Option for adjusting converted colors: Peripheral (photos), Saturation (graphics), Absolute Colorimetic
•
(logos), Relative Colorimetic (logos).
Applies an edge detection convolution to a single track. The performance of the edge detection is
Edge Detection
determined by the convolution kernel, which is a matrix of values applied to each pixel of the source to produce the
resulting image. You can select these options:
Specifies the width of the edges. The larger the value, the thicker the edges in the resulting image.
•
Edge thickness
Colorizes the edges based on the color of the source pixels around them. Deselect this option to
•
Colorize Result
render edges as light gray against a dark gray background.
Applies an emboss convolution to a single track. The higher the value, the heavier the embossing effect.
Emboss
Simulates effects that are seen on aged film stock. Use this option to make a video source appear as if it
Film Noise
has suffered the effects of age and wear. The Film Noise effect offers the options of hairs and scratches: Hairs simulate
hairs lying on the surface of the film, and scratches simulate vertical or near-vertical one-pixel scratch lines. You can
adjust five parameters to control the visual impression:
• Controls the number of hairs that are drawn on each frame and the frequency with which they
Hair Density
appear.
• Specifies the maximum length (in pixels) of the hairs being drawn.
Hair Length
Adjusts the brightness and contrast of the track. The default value is 0. Values between 100
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User Guide