Lexicon LXP-15-II Owner's Manual page 64

Preset
# Name
17 Stage Reflex Pch/Dly
18 No Room Dly/Rvb
19 Tall Room Pch/Dly
20 Smako! Pch/Dly
21 Warehouse Dly/Rvb
22 MediumDlyRoom Dly/Rvb
23 DarkDlyRoom Dly/Rvb
24 Verb Panner Dly/Rvb
25 Splattered Pch/Dly
26 Slap Vocal Dly/Rvb
27 Vocal Plate
28 Big Plate
29 Small Plate
30 Long Plate
31 Drum Plate
32 Rusty Plate
33 Snare & Toms
34 Small Gate
Alg Patch
none
none
none
InLevel
none
none
none
LFO, InLvl
none
none
Plate none
Plate none
Plate none
Plate none
Plate none
Plate none
Gate none
Gate none
Description
This is a real punchy effect. Lots of delay relections and a
bright 90 foot stage. Vary RvbMix for more less ambience on
voices or punctuated percussion tracks.
Simulates microphones in the upper corners of a small room.
Compress this reverb and throw on some drums.
Contains reflection elements which steer towards the center
of the stereo output. Good for any type of sound input. Mix
heavy for a strong but unobtrusive reverb effect.
Adds dynamic reverb to any punctuated sound source.
Off the back wall with a rebound — open and expansive. Use
Delay2 to closely tweak the fill to tempo.
Smaller version of the warehouse theme.
Round-sounding room. Great for sharp, transient keyboards.
This preset modulates the position of the stereo reverb
output. The input level dictates the speed of the pan. Input
level also drives the glide delay, adding a slight chorusing
effect. Long fade sources like sustained key pads.
Small space great for extra definition in a mix. Similar to
reflective living room.
Similar size to Vocal Hall but with a back wall slap 131ms after
the initial sound source. Adjust glide delay to match tempo.
Bright and very diffuse. Will brighten up any vocal track. Lower
reverb times for fast paced tempos.
This preset is great for adding extra energy to "one-shot"
sounds such as accent hand claps or vocal hits.
Adds a nice "sparkle" to to any track.
Extremely long reverb time. Apply for a three-second music
sting ring out.
Dense and bright. Throw it on individual drums or the entire
drum submix.
Not so diffuse and a bit "chattery." Needs oil, but gives good
color to any sound source.
Similar to Small Gate with extra predelay and less diffusion.
For snare and toms.
Very short and abrupt reverb effect. Adjust predelay to sepa-
rate the effect from the source. Electronic and sampled drums
have traditionally been used as sources but don't exclude
other percussive sources.
The Presets
5-3