Sony MDR-7506 Service Manual page 8

Mustang Micro has 12 different effects models to choose among (including combined effects).
To choose an effect, use the EFFECTS -/+ buttons (E) on the side of the unit. EFFECTS LED color
indicates effect model in use; LED will illuminate for 10 seconds and then extinguish until any
button is pressed.
Effects models and LED colors are:
LED COLOR
White
Red
Green
Blue
Yellow
Magenta
Turquoise
Orange
Raspberry
Spring Green
Violet
Cyan
All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones
and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsor-
ship, or approval between FMIC and with or by any third party.
SELECTING AN EFFECTS MODEL
EFFECT NAME
Large Hall Reverb
'65 Spring Reverb
Modulated Large Hall Reverb
Sine Chorus/Large Room
Reverb
Triangle Flanger/Large Room
Reverb
Vintage Tremolo/Spring
Reverb
Vibratone/Large Room Reverb
Harmonic Tremolo/Large
Room Reverb
Slapback Delay/Large Room
Reverb
Tape Delay/Small Room
Reverb
Sine Chorus/Mono Delay/
Large Hall Reverb
2290 Delay/Large Room
Reverb
EFFECT DESCRIPTION
Simulates the kind of bright reverb often heard in halls the size of
movie theaters.
Fender reverb effect built into classic mid-'60s Fender amps.
Strong, bright reverb simulating the size of a major performance
hall, with lush modulation added to internal reverb structure.
Smoothly rounded chorus that uses sine-wave modulation, combined
with warm-sounding reverb of larger rooms such as nightclubs.
Distinctive flanging effect that uses triangle-wave modulation, com-
bined with warm-sounding reverb of larger rooms such as nightclubs.
Classic Fender "stuttering" photoresistor tremolo, combined with
classic early-to-mid-1960s spring reverb.
Classic late-'60s/early-'70s Fender rotating speaker baffle effect, com-
bined with warm-sounding reverb of larger rooms such as nightclubs.
Based on distinctive tremolo of certain early-'60s Fender amps, com-
bined with warm-sounding reverb of larger rooms such as nightclubs.
Classic slapback delay combined with warm-sounding reverb of
larger rooms such as nightclubs.
Based on a classic analog tape echo unit with imperfections that
created distinctive "wow" and "flutter", combined with warmer, less
echo-y reverb typical of smaller spaces and classic echo chambers.
Smoothly rounded chorus that uses sine-wave modulation, combined
with clean, simple delay and strong, bright-sounding reverb of large halls.
Inspired by the 1980s TC Electronic TC 2290 digital delay—prized for
its crisp repeats and versatile panning/modulation options—com-
bined with warm-sounding reverb of larger rooms such as nightclubs.
5