Sony MDR-7506 Service Manual page 7

Mustang Micro has 12 different amplifier models to choose among, encompassing "clean, "
"crunch", "high-gain" and "direct" types. To choose an amp model, press the AMP -/+ buttons
(C) on the side of the unit. AMP LED color indicates amp model in use; LED will illuminate for
10 seconds and then extinguish until any button is pressed.
Amplifier types, models and LED colors are:
AMP TYPE LED COLOR
White
CLEAN
Green
Yellow
CRUNCH Magenta
Turquoise
Orange
Raspberry
HIGH-GAIN
Spring Green
Violet
DIRECT Cyan
All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones
and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsor-
ship, or approval between FMIC and with or by any third party.
SELECTING AN AMPLIFIER MODEL
AMP NAME
'65 Twin + Compressor
Red '65 Deluxe
'57 Twin
Blue '60s British
'65 Deluxe + Greenbox OD
'70s British
'90s American
BB15 HighGain
FBE-100
Metal 2000
Uber
Studio Preamp
AMP DESCRIPTION
Based on the 1965 Fender Twin Reverb
clean-tone favorite—with a low compression setting.
Highly popular mid-'60s Fender with great tone, cranked in count-
less clubs.
Based on a 1957 Twin—an original-era 2x12" Fender tweed classic
prized for clean-to-dirty versatility.
Inspired by the Vox AC30, which powered the British Invasion and
produced remarkable clean and dirty tone.
Same as the '65 Deluxe above, with Greenbox overdrive based on
the Ibanez TS808 Tube Screamer.
Inspired by a late-'60s/early-'70s Marshall Super Lead, the amp that
powered the dawn of hard rock.
Based on the Mesa Dual Rectifier, which featured distinctive distor-
tion that shaped the "nu-metal" sound.
Based on the high-gain structure setting of the Fender Bassbreaker
15.
Inspired by the BE channel of the Friedman BE-100.
Modern high-gain scorch based on the EVH
Ideal for heavy, aggressive music; inspired by the super-high-gain
lead channel of the Bogner Uberschall head.
Direct-to-mixing-desk studio-preamp purity with clean, uncolored-
tonal response. Ideal for bass guitars and acoustic instruments.
4
® —an indispensable mid-'60s
® 5150 III .