Talk Page - Yamaha PSR-S975 Reference Manual

 (PSR-S975) PITCH DETECT (selected by [E] button)
Determines how this instrument detects or recognizes the pitch of the microphone sound you input during
performance.
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TALK Page

The settings here are for your speech or announcements (NOT your singing performance), and are active
when the [F] (TALK) button is set to ON. All indications and parameters (with the exception of TALK
MIXING below) are the same as in the MIC/GUITAR page. However, the settings are independent from
those in the MIC/GUITAR page.
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 TALK MIXING (selected by [E] button)
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PSR-S975/S775 Reference Manual
VOCAL TYPE Set this to obtain the most natural vocal harmony, depending on your
voice.
LOW: Setting for lower voices. This setting is also appropriate for growl-
ing and shouting.
MID: Setting for mid-range voices.
HIGH: Setting for higher voices. This setting is also appropriate for sing-
ing close to the microphone.
FULL: Setting for vocalists having a wide range, from low to high.
BACKGROUND THRU, 200Hz, 300Hz, 400Hz, 500Hz
NOISE CUT This allows you to filter out low noises that would interfere with the Vocal
Harmony effect. A setting of "THRU" turns the noise filter off.
SPEED 1 (SLOW) – 4 (NORMAL) – 15 (FAST)
Adjusts the response of the Vocal Harmony effect, or how quickly harmo-
nies are generated in response to your voice.
When the Vocal Harmony's Pitch Detect Speed of one or both parts of Lead and Harm. are set to "as
Mic Setting" in the DETAIL tab
the Vocal Harmony's Pitch Detect Speed is effective.
VOLUME Determines the output volume of the microphone sound.
PAN Determines the stereo pan position of the microphone sound.
REVERB Determines the depth of the reverb effects applied to the microphone
DEPTH sound.
CHORUS Determines the depth of the chorus effects applied to the microphone
DEPTH sound.
REDUCTION Determines the amount of reduction to be applied to the overall sound
LEVEL (excepting the microphone input)—allowing you to effectively adjust the
balance between your voice and the overall instrument sound.
(page 99), this parameter is effective. In other settings, the setting of