8-2: Insert Fx; 8-3: Ifx 1; Off, And Make Chain Settings - Korg Triton Studio Parameter Manual

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8–2: Insert FX
Here you can select the type of each insert effect, turn it on/
off, and make chain settings etc.
8–2a
8–2a: IFX1, 2, 3, 4, 5
IFX1, 5
IFX2, 3, 4
IFX1, 2, 3, 4, 5 On/Off
Chain
Pan(CC#8) (Post IFX PanCC#8)
BUS Sel. (BUS Select)
[L/R, 1, 2, 3, 4, 1/2, 3/4, Off]
Send1
Send2
These parameters are the same as in Program mode. ( Pro-
gram 8–2a)
However, unlike the case in Program mode, the "Ctrl Ch"
(8–3a – 7a) MIDI channel is used to control dynamic modu-
lation (Dmod), "Pan (CC#8)," "Send1," and "Send2" for the
insert effects. The control changes used are the same as in
Program mode.
8–3: IFX 1
8–4: IFX 2
8–5: IFX 3
8–1
8–6: IFX 4
8–7: IFX 5
These are the parameters for IFX1, 2, 3, 4, and 5 that were
selected in the Insert FX page ( p.187–).
[000...089]
[000...102]
[Off, ON]
[Off, On]
[L000...C064...R127]
8–3(~7)a: Ctrl Ch
Ctrl Ch
[000...127]
[000...127]
The channel number of the timbre routed through this IFX
will be followed by a "*" displayed at the right of Ch01–16.
If two or timbres with different MIDI channel settings are
routed through the same IFX, this parameter specifies which
of these channels will be used to control the effect.
G ch: The global MIDI channel "MIDI Channel" (Global
mode P1: 1–1a) will be used to control the effect. Normally
you will set this to G ch.
All Routed: The channel of any timbre routed through this
effect can be used to control the effect. (Channels of each
routed timbre will be indicated by "*".)
[Ch01...16, G ch, All Routed]
This parameter specifies the MIDI channel that will be
used to control effect dynamic modulation (Dmod), pan
following the insert effect (CC#8), Send 1, and Send 2.
If the "BUS Select" (8–1b) of a timbre for which a drum
program is selected is set to DKit, the MIDI channel of
that timbre will be valid if any IFX1–5 is set to All
Routed, regardless of the "BUS Select" (Global P5: 5–
2b) settings or the settings of the "DrumKit IFX Patch"
page menu command.
8–1
8–3a
47

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