Section D: Cue Controls - Stanton RM-406 Owner's Manual

RM.406 Top Panel (FUNCTIONS)

Section D: Cue Controls

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12. Cue FX: Sends the effected signal from the FX Loop to the Headphone Cue for
monitoring (see Section-B.) This allows DJs to hear what the FX Loop sounds like,
before sending it to the Master Outputs.
13. Split Cue: Controls how the CUE will be heard in the headphones. In the "stereo"
position, the pre-selected Cue (#41) will be heard as a stereo signal in the head-
phones (full stereo audio signal in both ears.) In "split" position, the pre-selected Cue
(#41) will be heard on one side of the headphones, while the Master Output (#6) sig-
nal is heard on the other side (different audio signals in each ear.)
14. Headphone Output 1: Connection for 1/4 inch headphone (phono-jack.)
Recommended headphone impedance is 32-200 ohms for maximum volume.
15. Headphone Output 2: Connection for 1/8 inch headphone (mini-jack.)
Recommended headphone impedance is 32-200 ohms for maximum volume.
16. Cue Level: Controls the overall headphone output level of both output jacks. It is
recommended headphones with an impedance rating of 200 ohms or less be used for
maximum volume.
17. Cue Pan: This controls the blend of audio signals that can be heard in the head-
phones. In the left-most "Cue" position, only channels selected by the Cue Assign
switches (#41) will be heard. In the right-most "Master" position, ony signals being
sent to the Master Output (#6) will be heard in the headphones. Any setting in-
between provides a mix of both Cue and Master signals. This gives DJs the flexibili-
ty to choose how they wish to monitor audio signals, based on personal preference
and technique.