Korg KingKORG Parameter Manual page 12

KingKORG Parameter Guide
LFO1&JS-Y. For LFO2, they are the "Pitch" page parameters LFO2ModInt and
LFO2&JS+Y.
Wave (LFO1) . . . . . . . . . . . . . . . . . . . . . . . [Saw, Square, Triangle, S&H, Random]
Wave (LFO2) . . . . . . . . . . . . . . . . . . . . . . . . . . . .[Saw, Square+, Sine, S&H, Random]
Selects the LFO waveform.
Saw
Square+
Sine
Random
Change linearly
with random values
KeySync . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[Off, Timbre, Voice]
This specifies how the LFO will be applied to a voice when note-on occurs.
Off:
The LFO phase will not be reset when note-on occurs.
Note on
Timbre:
The phase of the LFO will be reset by the first note-on that occurs from a
condition of no keys being held; it will not be reset for subsequently played
voices.
Note on
Note all off
Voice:
The LFO phase will be reset at each note-on, and modulation of differing
phases will apply to each voice.
1VOICE
2VOICE
TempoSync . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [Off, On]
Specifies whether the LFO cycle will be synchronized to the internal tempo or
to an external MIDI Clock.
Off:
The LFO will not be synchronized. It will function at the frequency
specified by the Freq. parameter.
On:
The LFO will be synchronized to the [TEMPO] knob or to MIDI Clock
messages from an external device.
Square
Triangle
S&H
Amplitude changes
irregularly
(Sample & Hold)
Note on
Note on
Note on
If TempoSync is "On," selecting "LFO1Freq" or "LFO2Freq" as a Dest in
the "V.Patch1–6" page will have no effect.
Freq . (Frequency) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [000 .01Hz...100 .00Hz]
This specifies the frequency of the LFO. Increasing this value will result in a
faster frequency.
The settings in this page are available if TempoSync is "Off".
SyncNote . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[8meas...1/64]
This specifies the LFO rate as a ratio of the Tempo setting in the "Arp" page.
The length (note value) you specify here will be one cycle of the LFO.
For example if this is set to 1/4, one cycle of the LFO will occupy one beat. If
this is set to 3/4, one cycle of the LFO will occupy three beats.
The settings in this page are available if TempoSync is "On".
s63~s80: V .Patch1, V .Patch2, V .Patch3,
V .Patch4,V .Patch5, V .Patch6
To let you create even more sophisticated sounds, the KingKORG provides six
virtual patches. Each patch consists of three parameters: the source of the
modulation (Src), the destination to which that modulation will apply (Dest),
and the intensity of that modulation effect (Int). You can produce a variety of
changes in the sound by combining these parameters. For example by setting
Src to "LFO2", "Dest" to "Cutoff", and specifying the amount of effect using Int,
you can produce a cyclic change in tone (wah effect) produced by LFO2.
Virtual Patch
On modular analog synthesizers, the input or output of each module (oscil-
lator, filter, amp, EG, LFO, and other controllers) could be connected
("patched") by a patch cord to any other module as desired, allowing you a
great deal of freedom in creating the sound. The Korg MS Series (MS-20,
MS-50, MS-10, etc.) went on sale in 1978 and featured this type of patching.
The KingKORG lets you perform this patching "virtually" (i.e., with-out using
physical patch cords), so you can assign sources such as EG or LFO to the
most important parameters (destinations).
Src (Source) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[EG1...MIDI3]
Selects the signal (source) that will be the source of modulation.
EG1, EG2
LFO1, LFO2
Velocity
PitchBend
JS+Y
JS-Y
KeyTrack
MIDI1, MIDI2, MIDI3
Dest(Destination) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[Off...R/D Time]
This selects the parameter (destination) that will be controlled by the
modulation. For example if you select Tune, modulation will be applied to the
overall pitch of the timbre.
Off
Pitch
Portamento
Osc1Tune
Osc2Tune
Osc3Tune
Osc1Ctr1
Osc2Ctr1
Osc3Ctr1
Osc1Ctr2
Osc2Ctr2
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EG1, EG2
LFO1, LFO2
Keyboard velocity (playing dynamics).
Pitch bend (joystick: X-axis left/right)
Modulation (joystick: Y-axis away from yourself)
Modulation (joystick: Y-axis toward yourself)
Keyboard tracking (position).
Keyboard tracking works according to the
pitch as controlled by pitch bend, transpose,
and modulation sequencer. It does not reflect
pitch changes produced by vibrato or virtual
patching.
The function specified for the [MIDI Ctrl] page
parameters "MIDI1," "MIDI2," or "MIDI3".
—
The pitch of the entire timbre.
The Pitch page "Porta.Time".
The Osc1 page "TUNE".
The Osc2 page "TUNE".
The Osc3 page "TUNE".
The Osc1 page "Control1".
The Osc2 page "Control1".
The Osc3 page "Control1".
The Osc1 page Control2
The Osc2 page Control2
Parameters