List Of Mustang Lt25 Amplifier Models - Fender Mustang LT25 Owner's Manual

MUSTANG LT25 AMPLIFIER MODELS
This table lists the amp models in Mustang LT25. The amp label used in each preset appears in the lefthand
column, followed by the amp type and a brief description in the righthand column.
PRESET AMP LABEL
50S TWIN
60S UK CLN
70S ROCK
70S UK CLN
80S ROCK
90S ROCK
BASSMAN
BURN
CHAMP
DELUXE CLN
DELUXE DIRT
DOOM METAL
EXCELSIOR
ALT METAL
METAL 2000
PRINCETON
SMALLTONE
SUPER CLEAN
SUPER HEAVY
TWIN CLEAN
Champ, Deluxe, Bassman, Princeton, Deluxe Reverb and Twin Reverb are trademarks of FMIC. All other non-FMIC product names and trademarks appearing in this manual
are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this
product. The use of these products and trademarks does not imply any affiliation, connection, sponsorship, or approval between FMIC and with or by any third party.
AMP TYPE AND DESCRIPTION
Based on a 1957 Twin—an original-era 2x12" Fender tweed
classic prized for clean-to-dirty versatility
Inspired by the Vox AC30, which powered the British Invasion
and produced remarkable clean and dirty tone
Inspired by a late-'60s/early-'70s Marshall Super Lead, the
amp that powered the dawn of hard rock
Inspired by the original 100-watt Hiwatt DR103, which is
the classic cleaner-tone British stack
Inspired by the Marshall JCM800, which produced quintessential '80s metal tone
Based on the Mesa Dual Rectifer, which featured distinctive
distortion that shaped the "nu-metal" sound
Based on the venerable '59 Bassman
began life as a bass amp before being adopted by countless guitarists
Based on the "burn" channel of the modern Fender Super-Sonic amp, which has two
cascading preamp gain stages for pronounced sustain
Based on the '57 Champ
Based on the highly popular 1965 Fender Deluxe Reverb
whether clean or dirty, and cranked in countless clubs
Based on a 1957 Deluxe
classic known for thick, compressed overdrive
Inspired by the "sludgy" majesty of the Orange OR120
An elegantly eccentric modern-day Fender model with the
Based on the distinctive nu-metal-defining distortion of the Mesa Dual Rectifier, gat-
ed with a very fast attenuation curve especially ideal for high-gain metal
Modern high-gain scorch based on the EVH® 5150
Based on a 1965 Princeton
the snappy tone of a single 10" speaker
Inspired by the garage-classic 1960s Sears Silvertone
Direct-to-mixing-desk studio-preamp purity with
Modern high-gain scorch based on the EVH® 5150III, gated with a very fast attenua-
tion curve especially ideal for high-gain metal
Based on the 1965 Fender Twin Reverb
studio favorite prized for producing the Fender clean tone
—one of Fender's greatest tweed amps, which
®
—the small but mighty late-'50s Fender recording great
®
—a medium-power late-'50s Fender tweed
™
distinctive thump of a 15" speaker
—a mid-'60s Fender studio favorite with
®
beloved of retro/alternative players
clean, uncolored tonal response
—an indispensable mid-'60s stage-and-
®
8
—an amp with great tone
®
III