High Velocity Limit; Panning - Yamaha SY55 Product Manual

Summary: Sets the highest velocity value for a
range of velocity values over which each active
element will produce output.
Settings: 1 ... 127
Procedure: The and
to select the element for which the high velocity
limit is to be set (EL1, EL2, EL3 or EL4 will
appear in the upper right-hand comer of the dis-
play). Unavailable elements are represented by
"***" on the display. The [DATA ENTRY]
control, [-1/NO] and [+1/YES] keys, or numeric
Summary: Determines the position in the stereo
sound field in which the sound from each active
element will be heard (left to right).
Settings: -31 ...+31
Procedure: The
to select the element for which the pan position
is to be set (EL1, EL2, EL3 or EL4 will appear
in the upper right-hand corner of the display).
Unavailable elements are represented by
"***" on the display. The [DATA ENTRY]
control, [-1/NO] and [+1/YES] keys, or numeric
and [ENTER] keys arc used to set the pan posi-
tion.
The upper line of the display also shows a
graphic representation of the stereo sound field
with "L" representing "left" and "R" represent-
ing "right." As you change the pan value the
vertical bar will appear at the corresponding
position on the graphic display.
62

HIGH VELOCITY LIMIT

cursor keys are used
and cursor keys are used
and [ENTER] keys are used to set the high veloc-
ity limit.
The high velocity limit can also be set by
pressing the [ENTER] key — "KBD" will flash
on the display — and then a key on the keyboard
at approximately the desired velocity.
Details: See "LOW VELOCITY LIMIT," above.
Refer to: Tutorial, page 43. "LOW VELOCITY
LIMIT" on page 61.

PANNING

Details: Minus values represent panning to the left,
and positive values represent panning to the
right. "0" positions the sound of the selected
element in the center of the stereo sound field.
For a single-element voice the Pan position
should generally be set to center ("0") unless
you have some specific reason why you want the
sound to appear only at the L/MONO or R out-
put jack. In multi-element voices interesting ste-
reo effects can be produced by placing the out-
put from different elements at different loca-
tions in the stereo sound field.
Refer to: "THE CONTROLS AND CONNEC-
TORS," page 7.
JOB 9
JOB 10