Licencing The Codex ARRIRAW Recorder is licensed to record ARRIRAW only, and may be licensed for recording either one or two cameras. To extend the licence to allow for recording of additional video formats and dual camera recording capability, please contact licence@codexdigital.com...
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When the Hold Switch is on there will be a padlock symbol at the top of the screen, and none of the other buttons will respond until the Hold Switch is set to be off. The image below shows the screen with the padlock symbol: CODEX ARRIRAW RECORDER GETTING STARTED GUIDE VERSION 1.0...
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Options These options can be used to change the playback behaviour as well as the type of timecode display. ARRIRAW shots can be forced to play at 23.98, 24, 25, 29.97, or 30 fps. A 1D LUT can be selected from here to be applied to the video outputs. See the LUTs section of this guide for further details.
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‘ARRI Alexa’ in order that the White Balance and Exposure Index values are used correctly when creating deliverables. If the Source Name field is left blank for ARRIRAW recordings then the system will presume the material was shot on ARRI D-21. Source ID is commonly used in Roll and Shot names to differentiate between different cameras.
3G – at the time of writing 3G ARRIRAW is not available from the camera Output – The 4:2:2 setting should be used in most cases. The ARRIRAW Recorder provides a debayered output at half resolution as a ‘gate check’. For two camera recording, in live mode there is a 4:2:2 output for each camera.
Check that the source is set to output embedded audio. the back panel. No video input signal B detected The ARRIRAW T-LINK signal is transmitted via dual HD-SDI, and there is no second link detected. Check cabling is connected and not faulty. Not all embedded audio inputs detected Audio Channels is set to expect more HD AiV audio channels than are being supplied.
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