Operating Manual - DPX-100 Graphic Equalizer - Compressor/Limiter 1. INTRODUCTION The Ashly DPX-100 combines a 15 band graphic equalizer and full function peak compressor/limiter in a single rack space product. Both equalizer and compres- sor/limiter can be used as stand-alone processors, or can be automatically chained together with a back panel switch.
An oval head or flat head screw with a plastic countersink washer is pre- ferred to protect the finish of the DPX-100 under the screw. This unit is housed in a rugged steel case and will tolerate moderate abuse.
Operating Manual - DPX-100 Graphic Equalizer - Compressor/Limiter 6. COMPRESSOR/LIMITER CONTROLS 6.1 GAIN The Gain control is used to adjust incoming sig- nal level to the VCA circuit. It is always active, so switching out the limiter function has no effect on this control.
Operating Manual - DPX-100 Graphic Equalizer - Compressor/Limiter the double time constant, release from gain reduction af- ter a brief transient is always fast, with a slower release after a sustained overdrive. 6.6 OUTPUT LEVEL Output level control is provided to fully cut or restore up to 18 dB of system gain.
70 volt distributed system pro- cessor, mixing console channel insert, and frequency sen- sitive limiting, to name a few. In most cases, the DPX-100 should be the last device before the power amp or cross- over, or right before a recording device or transmitter.
Operating Manual - DPX-100 Graphic Equalizer - Compressor/Limiter equalizer effectively, you need to translate your idea of the tone you want to produce into a range of numerical frequencies. This is simple after a little practise. Here are a few references which are useful for starting points: - Very low bass (the “wind”...
The Ashly DPX-100 can turn this procedure into a fast, painless job, eliminating loud feedback levels and the possibility of speaker or ear damage.
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The solution is frequency-dependent limiting, which is easily accomplished with the DPX-100. By in- serting an equalizer into the Detector Patch point and boosting the equalizer at high frequencies in the vicinity of the sibilant, the limiter’s detector circuit becomes more...
“Q” is easily set and remains constant, and the parts count is reasonable. there are sev- eral types of bandpass filters suitable for this job. Ashly uses a “Q” enhanced Wein-bridge filter. Because it is a symmetrical design using matched tuning components, the “Q”...
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Operating Manual - DPX-100 Graphic Equalizer - Compressor/Limiter out of an audio system, you have to keep your standard operating level as high as possible without risking distor- tion. GAIN RIDING One solution to the noise vs. distortion trade-off is to keep your hand on the level control and manually adjust gain to suit the program.
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Operating Manual - DPX-100 Graphic Equalizer - Compressor/Limiter signal before the gain control FET and then amplify it again. Of course this results in less than ideal noise per- formance and imposes a frustrating trade-off: less noise = more distortion.
Operating Manual - DPX-100 Graphic Equalizer - Compressor/Limiter 10. BLOCK DIAGRAM INPUT GAIN 15 BAND EQ HPF In/Out CHAIN LIMITER INPUT INPUT/OUTPUT METERS GAIN GAIN REDUCTION DISPLAY RATIO DETECTOR ATTACK CIRCUIT RELEASE 11. Equalizer Troubleshooting Tips No Audio Output Check AC power - is the pilot light on?
12. WARRANTY INFORMATION Thank you for your expression of confidence in Ashly products. The unit you have just purchased is pro- tected by a five-year warranty. To establish the warranty, be sure to fill out and mail the warranty card attached to your product.