Dangerous Music 2-BUS+ User Manual

Dangerous Music 2-BUS+ User Manual

16-channel analog summing mixer with both xlr and db-25 inputs

Advertisement

®
2-BUS +
USER GUIDE

Advertisement

Table of Contents
loading
Need help?

Need help?

Do you have a question about the 2-BUS+ and is the answer not in the manual?

Questions and answers

Summary of Contents for Dangerous Music 2-BUS+

  • Page 1 ® 2-BUS + USER GUIDE...
  • Page 2 (been there) subsequent damage is not covered by the warranty. Dangerous Music Incorporated reserves the right to change the specifications or modify the designs of its equipment. Sending in the registration card is our way of keeping in touch with users of our equipment should this become necessary.
  • Page 3: Thank You

    ABOUT DANGEROUS MUSIC “Audio Integrity: non-negotiable. ” This is the credo upon which Dangerous Music is founded. Conceived by recording veterans in conjunction with world-class designers, the results are products that resurrect dynamic range, punch, intelligibility and emotion. These high-fidelity, uncompromising signal paths are achieved by harnessing several decades of real-world experience.
  • Page 4: Table Of Contents

    Contents Overview ......... . . 1 2-Bus : Quickstart Guide .
  • Page 5: Overview

    2-BUS+ | OVERVIEW The new 2-BUS+ is a two-rack-space, 16-channel analog summing mixer with both XLR and DB-25 inputs. New innovative features include three custom tone circuits that allow you to flexibly add real analog color to your mixes. Harmonics is a euphoric odd- and even-order distortion generator;...
  • Page 6: 2-Bus : Quickstart Guide

    | DANGEROUS MUSIC 2-BUS + : Quickstart Guide UNPACK AND POWER UP Remove the 2-BUS+ from the box along with the included IEC power cable and plug the unit into AC mains power. Turn on the power switch next to the AC cable socket on the back and confirm that the unit has powered up by checking that the front panel LEDs are illuminated.
  • Page 7: Try Out Some Real Analog Color

    2-BUS+ | down the road. You’ll be surprised how quickly you can work in the analog environment. TIP: Try mixing without any plug-ins. Many mixing engineers used to working in the box depend on plug-ins to get their mixes to come together, but when you mix in the analog realm some of those plug-ins might be holding your original sounds back. Deinstantiate all of them and get a cool balance happening in the analog environment.
  • Page 8: 2-Bus : Front Panel Features & Benefits

    | DANGEROUS MUSIC 2-BUS + : Front Panel Features & Benefits 01. LED METERING [SIGNAL PRESENT LEDS PICTURED ABOVE] Feature: LED Metering. Benefit: Verify audio is present on any of the 16 channel inputs- simplifies troubleshooting. Tip: LEDs will either be dark when no audio is present or green when signal is present. They will not turn red for overload- because the 2-BUS+ has more headroom built in than any D/A converter set to standard calibrations (meaning you will clip in your DAW before you ever get close to clipping the 2-BUS+).
  • Page 9: Effects Control: Parallel & Series Processing

    2-BUS+ | 03. EFFECTS CONTROL: PARALLEL & SERIES PROCESSING [PARALLEL & SERIES PROCESSING KNOBS PICTURED ABOVE] Feature: Each of the three color options are controlled individually via a continuously variable potentiometer. Both Harmonics and Paralimit are blended using parallel processing. The X-Former is wired in series, meaning that the CineMag transformers are patched across the stereo mix directly, rather than blended in parallel.
  • Page 10: Effects Control: Harmonics

    | DANGEROUS MUSIC Use the External Insert to patch your favorite outboard processing to the entire mix at the press of a button. Use: Simply press the buttons to engage the effects on the appropriate stem or master mix buss.
  • Page 11: Effects Control: X-Former

    2-BUS+ | the initial attack, collapse the stereo image, or suck the life out of the bottom end. Use: Select where to insert the effect (i.e. Buss 13-14, Buss 15-16 or the Master Buss) then starting with the knob fully counterclockwise (dry), turn it clockwise (wet) to introduce the effect.
  • Page 12: Output Level Trim

    | DANGEROUS MUSIC : Imagine Buss B of the Dangerous Liaison wired to the External Insert for instant A/Bs- Boom! 09. OUTPUT LEVEL TRIM [OUTPUT LEVEL TRIM STEPPED ATTENUATOR PICTURED ABOVE] Feature: The stepped attenuator (not a potentiometer) can cut -4dB or boost 6dB for the final print stage.
  • Page 13: Xlr Inputs

    Feature: Expand your 2-BUS+ by patching in another 2-BUS+, an original 2-BUS, a 2-BUS-LT or a D-BOX here. Benefit: There are plenty of mix engineers out there with three or more Dangerous Music Summing Mixers working together for even more channels of conversion and more channels of our superior active analog summing.
  • Page 14: External Insert

    10 | DANGEROUS MUSIC 12. EXTERNAL INSERT [EXTERNAL INSERT CONNECTIONS PICTURED ABOVE] Feature: Have a favorite piece or chain of outboard for the Mix Buss? Rented or borrowed a tasty morsel of gear to audition for your arsenal? Plug it in here.
  • Page 15: Power Cable & Fuse

    2-BUS+ | 11 14. POWER CABLE & FUSE [AC INLET & FUSE HOLDER PICTURED ABOVE] Feature: Utilizes a standard 3 pin IEC power cable. Benefit: Easy to replace if lost. Feature: Switching power supply auto detects voltage, but you must use the correct fuse value. Benefit: Travel with your favorite gear anywhere in the world while spreading the audio gospel.
  • Page 16: 2-Bus : Routing Scenario

    12 | DANGEROUS MUSIC 2-BUS + : Routing Scenario 15. ROUTING IN PRO TOOLS (ONE OF MANY OPTIONS) [SCREEN SHOT OF PRO TOOLS 11 ROUTING PICTURED ABOVE] For this example, we assume you’ve wired 16 analog outputs from your interface or D/A converter into the 16 inputs of the 2-BUS+, the stereo MONITOR OUTS to a balanced input on your monitor controller (not directly to your speakers), the stereo MAIN OUTS back into your DAW interface and sent the digital output to your monitor controller for the final mix.
  • Page 17 2-BUS+ | 13...
  • Page 18: Specifications

    14 | DANGEROUS MUSIC SPECIFICATIONS Note: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers derived from data sheets published by chip manufacturers. THD+N @+4dBu 1KHz, unweighted, 22Hz to 22kHz < 0.0048% THD+N @+22dBu 1KHz, unweighted, 22Hz to 22kHz < 0.0026% IMD @ +4dBu <...
  • Page 19: Warranty

    Email: info@dangerousmusic.com E-mail: info@dangerousmusic.de Dangerous Music, Inc. reserves the right to alter the software and design of their equipment. If after reading the manual more information for an application is needed, please contact us via email for the quickest response.
  • Page 20 16 | DANGEROUS MUSIC Dangerous Music Inc. 231 Stevens Road, Edmeston, NY 13335 info@dangerousmusic.com www.dangerousmusic.com...

Table of Contents