Dangerous Music 2Bus Manual
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Dangerous Music 2Bus Manual

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The Dangerous Mixer manual
The Dangerous Music Mixer was designed for discriminating engineers who need the
cleanest 8x2 summing with hand built quality. We were asked to design a summing box
like the 2Bus but with level, pan, phase, and mute controls. The device needed easy
expansion capability to hook up to a 2Bus or 2Bus lt and in that capacity makes a perfect
effects return and midi keyboard mixer. An expansion unit called Sends is now available
that hooks up to Mixer, providing 4 auxiliary send feeds for each channel of the mixer.
Live to mix engineers will appreciate the phase and mute switches. Everyone will love
the stellar sound quality. This manual will explain the features, controls, connections, and
internal adjustments of the unit. We tried to keep it short so please take a few minutes to
look it over.
Overview......................................... 1
Safety review.................................... 2
Front panel controls ......................... 4
....... 6

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Summary of Contents for Dangerous Music 2Bus

  • Page 1 2Bus but with level, pan, phase, and mute controls. The device needed easy expansion capability to hook up to a 2Bus or 2Bus lt and in that capacity makes a perfect effects return and midi keyboard mixer. An expansion unit called Sends is now available that hooks up to Mixer, providing 4 auxiliary send feeds for each channel of the mixer.
  • Page 2 Dangerous Music Incorporated reserves the right to change the specifications or modify the designs of its equipment. Sending in the registration card is our way of keeping in touch with users of our equipment should this become necessary.
  • Page 3 Main Outputs The first male XLR’s are the main outputs to the mixdown A/D or tape machine. Left is on top, Right on bottom. Monitor Outs The Monitor Outs feed the mixed signal to the Dangerous Music Monitor (or other monitor section).
  • Page 4 Front Panel Controls Front panel, left to right Channels Each of the input channels has a Level and Pan control along with Phase and Mute switches. The pan controls are accurately adjusted at the factory for consistency from channel to channel. We didn’t use a detented control for the panner because with every one we tested, the audio was not in the middle when the control was at the detent.
  • Page 5 Balanced Audio Connections The beauty of balanced connections is that they promote the idea that current should be prevented from flowing down cable shields while letting the audio pass. Pins 2 and 3 carry a signal across them (transverse mode) and any interference that gets through the shield is picked up equally by the wires (common mode).
  • Page 6 Internal adjustments and jumpers There are input cable shield ground lift jumpers on all the inputs of Mixer. This is to facilitate proper studio grounding. All equipment in a recording studio that hooks up to the AC mains should be grounded. This is usually accomplished by the third pin of the mains power cord.
  • Page 7 Expansion inputs 25 way ‘D’ Pin# function right + right – right shield left + left – shield Europe Dangerous Music, Inc. Dangerous Music, Inc. 231 Stevens Road Stieleichenweg 55 Edmeston, NY 13335 50999 Köln Phone: 607 965-8011 Tel: +49.0.2236.393731 Fax: 607-965-8012 Email: info@dangerousmusic.com...

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