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CUNIMA MCU [2] Operation Instructions Congratulations for working with the Mini-HD-camera CUNIMA MCU[2]! You have chosen a high quality camera which allows numerous ways to be used, for example as an onboard cam in motorsports, as a fixed camera position on stage at concerts or even for stereoscopic 3D-productions. The compact design looks quite similar to CUNIMA MCU[1] and it has almost the same dimensions, but the motor that drives the body is completely new - new sensor, new electronics, new features! With these, the CUNIMA MCU[2] fits perfectly into your advanced film- and stereo3D-production...
1. CONTENTS 2. Introduction and Key Features 2.1 Cunima MCU[2] Specifications 2.2 Package Contents 3. Setup 3.1 Camera setup 3.2 Connectors on the CUNIMA 3.3 Lens setup 3.4 Backfocus adjustment 3.5 Iris remote control 3.6 Inter Camera Communication (ICC) 3.7 Cleaning of the camera 4.
In this area, the wealth of experience gathered by the globally leading TV production expert, WIGE MEDIA AG, over the course of many years was incorporated – and the same applies to your individual demands.
This product is delivered with its accessories in a carrying case. For a smooth workflow, please check if the set is complete before going on production. If one of these items gets lost, feel free to order it at WIGE MEDIA AG. Contents:...
3. SETUP Please notice that due to safety reasons this camera system may only be operated by trained staff! 3.1 CAMERA SETUP 1. Open the carrying case and check if all needed items are included (see chapter 2.2). 2. Remove the power supply and connect it with the cable device to a power source (220V- 240V).
3.3 LENS SETUP The C-Mount screw is a socket to hold applicable lenses. In some cases, an adaptor-coil is needed to ensure the correct flange back. This is not exceptional, but a current way to counteract imprecise manufacturing. 3.2.1. Choosing a lens Independent of the focal length, there is an important characteristic of C-Mount lenses which should be considered when choosing a lens.
3.4 BACKFOCUS ADJUSTMENT To ensure that you can use every lens with this camera properly, the housing of the CUNIMA lets you adjust the backfocus. To adjust the backfocus, please follow the instructions below: rotate the gearwheel clockwise to increase the rotate the gearwheel counterclockwise to backfocus decrease the backfocus...
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3.5.2 CONNECTION DIAGRAM 3.5.3 OPERATION You can use the RCP to control the iris/focus motor. Navigate to "IRIS" in the RCP Menu and spin the MASTER Encoder (see chapter 5) on the right, to open or close the iris.
3.6 INTER CAMERA COMMUNICATION (ICC) The inter camera communication is especially developed for 3D purposes. With this feature you are able to sync two CUNIMA MCU [2] internal. This method for syncing both cameras is extremely exact because one pixel on one sensor is synced with the exact same pixel on the other sensor. To use the ICC, please follow the instructions below: 1) Connect both cameras with a 9-Pin fischercable 2) Set one Camera to SYNCMODE = MASTER...
4. OPERATION In this chapter, there are control modes presented and explained in a detailed way. 4.1 ANALOG GAIN The analog image intensifier reads the CMOS image sensor and produces high quality results by boosting the brightness in case of low light situations or especially by reducing the sensor-sensitivity to avoid overexposure in situations with too much light.
Manual correction: To perform the correction manually, you have to shade the image completely. It is advisable to put the cap on to the lens to stop any light invasion. After that, use the RCP to perform the FPN correction what takes less than half a second. The correction is dependent on the Gain adjustments.
Next to the normal color operation mode in HSDSI (4:2:2), Cunima MCU[2] offers an uncompressed RAW format. There are following modes: 4.6.1. Color Mode This is the standard mode. The camera starts in this one and is mainly used this way. At the exit of the camera is a HDSDI signal in 4:2:2 compression.
5. RCP - REMOTE CONTROL PANEL RCP – REMOTE CONTROL PANEL For a flexible control of one or more cameras without computer support, there are two different remote control panels available. The main difference between them is the operation mode and the quantity of cameras to be controlled.
5.3 OPERATION Cursor Screen MASTER Encoder Controller for RED Controller for GREEN Controller for BLUE Controller for black level of RED Controller for black level of GREEN Controller for black level of BLUE The Operation of the Panel is separated in options, which navigate through the menu, and in direct controller (4.-9.).
6.4 MENU The following menu items provide you access to all supported CUNIMA features (based on RCP Firmware 4.5): Select camera Selects between the control of the connector 1 and 2 on the right side of the control panel. Paint Color & Saturation Paints the color values in red, green and blue from -255 to 255.
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GAMMA Knee Sets the knee point on the gamma curve, which is the angle of the connection between the gamma black and white point on the curve. Range: 0-64 Format The Cunima camera is a multi format scanning camera, that provides most scanning formats for broadcast and feature films worldwide.
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Color Mode Values: COL, B/W, RAW COL: sets the ‘normal’ color mode. B/W: sets the black and white mode, all color values get desaturated. RAW: The CUNIMA camera provides you a RAW format with absolutely no changes on the image. That format is a black and white image with a Bayer-Pattern and needs to be debayered in post production.
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Set Output Values: SDI Iris Values: 000 - 099 000: iris is completely closed 099: iris is completely opened Focus will be included in future versions...
6. SERIAL PROTOCOL This chapter describes the serial communication protocol between RCP and Cunima MCU[2]. • Serial communication (RS-232 style) with LVTTL signals • 38400Baud, 8N1, no parity, no handshake • RS-485, half duplex 6.1 FRAME FORMAT The address token is optional and starts with a ! followed by a 2 digit hex address, the address FF is the broadcast address Every command starts with a „$“...
6.2 COMMANDS Command Description Data Useful value AGAIN_ Analog gain 0000=0dB 0003 0001=3dB 0002=6dB 0003=9dB 0004=12dB 0005=15dB 0006=18dB 0007=21db 0008=24dB (do not use) BLACK_ Adjust blacklevel 0000-01FF 0040 (global) BLACKB Adjust blacklevel 80FF-00FF 0000 (additional blue) Bit(15)=1 => negative sign BLACKG Adjust blacklevel 80FF-00FF...
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boot process 0001=NO_LICENSE RESET_ Reset camera 0001=reset camera settings (valid settings to default (not after reboot) valid for Resolution, Genlock) TERM__ Change the 0000=Remote control terminal mode mode (no CRLF) 0001=Terminal mode REBOOT Reboot camera 0001=reboot SATURA Set saturation 0000-2FFF Default: Bit15 =>...
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0019=gamma_low 001A=gamma_high 001B=fpauto 001C=mode 001D=gamma_knee 001E=Luma 001F=Focus 0020=wb_green 0021=sync 0022=wbauto_green SYNC__ Set camera sync 0000=normal mode (ICC) 0001=master 0002=slave TEMP__ Temperature 0000=actual temp. Return value = measurement 0001=min. temp. measured 0002=max. temp. temp. UCINFO Firmware 0130 Return value = information uC version = (software) 0x2000...
address GETID_ Gets the serial text address Special Functions: SETAGC Adjust AGC 0000=AGC off Default: characteristic XXYY=AGC on XX=28h XX=mean luma (/16) YY=0Ch YY=agc speed SVCOMP Set video 720p Default: compression rate 0000=6Mbit/s 0001 0001=12Mbit/s 0002=20Mbit/s 1080i/p 0000=8Mbit/s 0001=14Mbit/s 0002=20Mbit/s GVCOMP Get video text...
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ASI Output: The Encoder does not support all the camera resolutions. If you set a resolution not supported by the encoder, the encoder will stop. The following formats are supported: 1080i59.94 1080i50 1080p24 1080p23.98 720p59.94 720p50 Defective Pixel Correction (DPC): To enable the DPC properly, the following steps have to be executed: Switch manually to a 1080p resolution (1080p25 recommended).