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Minolta DiMAGE 7Hi Instruction Manual

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INSTRUCTION MANUAL
9222-2778-11 MM-A208

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Summary of Contents for Minolta DiMAGE 7Hi

  • Page 1 INSTRUCTION MANUAL 9222-2778-11 MM-A208...

  • Page 3: Before You Begin

    BEFORE YOU BEGIN Thank you for purchasing this Minolta digital camera. Please take the time to read through this instruction manual so you can enjoy all the features of your new camera. This manual contains information regarding products introduced before September, 2002. To obtain compatibility information for products released after this date, contact a Minolta Service Facility listed on the back cover of this manual.

  • Page 4: For Proper And Safe Use

    FOR PROPER AND SAFE USE Read and understand all warnings and cautions before using this product. WARNING Using batteries improperly can cause them to leak harmful solutions, overheat, or explode which may damage property or cause personal injury. Do not ignore the following warnings. •...
  • Page 5 • Use only the specified AC adapter within the voltage range indicated on the adapter unit. An inappropriate adapter or current may cause damage or injury through fire or electric shock. • Do not disassemble this product. Electric shock may cause injury if a high voltage circuit inside the product is touched.
  • Page 6 CAUTION • Do not use or store the product in a hot or humid environment such as the glove compartment or trunk of a car. It may damage the product and batteries which may result in burns or injuries caused by heat, fire, explosion, or leaking battery fluid.

  • Page 7: Table Of Contents

    TABLE OF CONTENTS Names of parts ...12 Camera body ...12 Data panel ...15 Monitor display – recording mode ...16 Monitor display – Quick View & playback mode...17 Getting up and running...18 Attaching the camera strap ...18 Removing the lens cap ...18 Attaching the lens hood...19 Installing and changing batteries...20 Battery condition indicator ...21...
  • Page 8 Advanced recording ...40 Display controls – recording mode ...40 Pro-auto button ...42 Spot-AE lock button...43 Manual focus ...43 Autofocus areas and control...44 Flex Focus Point ...45 Digital zoom ...46 Macro mode...47 Setting the function dial ...48 Memory – storing camera settings ...50 Metering modes...51 Exposure modes...52 Program –...
  • Page 9 Contrast compensation ...76 Color-saturation compensation ...77 Filter ...77 A short guide to photography ...78 What is an Ev? What is a stop? ...79 Recording mode menu ...80 Navigating the recording-mode menu ...80 Electronic keyboard ...82 Autofocus modes ...83 Image size ...84 About the frame counter...84 Image quality ...85 About super-fine and RAW image quality ...86...
  • Page 10 Ordering an index print...115 Canceling a DPOF print order ...115 Copying images ...116 Setup mode ...118 Navigating the setup menu...118 EVF and LCD monitor brightness ...120 Audio signals ...120 Shutter FX ...120 Volume ...121 Language...121 File number memory ...121 Folder name...122 Select folder...123 New folder...123 Display mode ...124...
  • Page 11 Conformité Européenne (European Conformity). This device complies with Part 15 of the FCC Rules. Operation is subject Digital Camera: to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, Tested To Comply including interference that may cause undesired operation.

  • Page 12: Names Of Parts

    NAMES OF PARTS CAMERA BODY * This camera is a sophisticated optical instrument. Care should be taken to keep these surfaces clean. Please read the care and storage instructions in the back of this manual (p. 148). Digital-subject-program button (p. 32) Pro-auto button (p.
  • Page 13 Recording mode (p. 26) Playback mode (p. 34) Movie mode (p. 102) Setup mode (p. 118) Data-transfer mode (p. 132) Display mode switch Display information button Accessory shoe Eyepiece sensors* (p. 40) Electronic viewfinder* (EVF) (p. 31) LCD monitor* (p. 16) Battery-chamber lock (p.
  • Page 14 Exposure modes (p. 52) Metering modes (p. 51) Memory (p. 50) Macro release (p. 47) Tripod socket Digital-effects button Digital-effects switch AMES OF PARTS Drive modes (p. 58) White balance (p. 67) Camera sensitivity (p. 70) Function button Function dial (p. 48) Diopter-adjustment dial (p.

  • Page 15: Data Panel

    DATA PANEL Located on the top of the camera body, the data panel shows the status of the camera. All icons have been shown for clarity. Digital-subject-program icons (p. 32) Digital-subject-program indicators (p. 32) Battery-condition indicator (p. 21) Exposure-mode indicators (p. 52) White-balance indicators (p.

  • Page 16: Monitor Display - Recording Mode

    MONITOR DISPLAY – RECORDING MODE 1. Microphone indicator 2. Flash-mode indicator (p. 88) 3. Flash signal (p. 30) 4. Mode indicator 5. Flash-compensation display (p. 74) 6. Filter display (p. 77) 7. Color-saturation-compensation display (p. 77) 8. Contrast-compensation display (p. 76) 9.

  • Page 17: Monitor Display - Quick View & Playback Mode

    MONITOR DISPLAY – QUICK VIEW & PLAYBACK MODE Mode indicator Time of capture Date of capture Mode indicator Date of capture The black area of the histogram shows the luminance distribution of the recorded image from black (left) to white (right). Each one of the 256 vertical lines indicates the relative proportion of that light value in the image.

  • Page 18: Getting Up And Running

    GETTING UP AND RUNNING This section covers the preparation of the camera. This includes the changing of batteries and mem- ory card as well as the use of external power supplies. ATTACHING THE CAMERA STRAP Attach the camera strap to the strap eyelets as shown.

  • Page 19: Attaching The Lens Hood

    ATTACHING THE LENS HOOD The lens hood is used to control stray light from entering the lens and causing flare. When using the camera under bright light, the use of the lens hood is recommended. The lens hood should not be used with the built-in flash as it can cause a shadow.

  • Page 20: Installing And Changing Batteries

    INSTALLING AND CHANGING BATTERIES This digital camera uses four AA-size nickel-metal hydride (Ni-MH) batteries. When using new Ni-MH batteries, fully charge them before their initial use. Although alkaline batteries can be used with this product, their performance will be limited. Only use alkaline batteries for test photographs or when Ni-MH batteries, the Minolta External High-power Battery Pack, or AC adapter are not available.

  • Page 21: Battery Condition Indicator

    BATTERY CONDITION INDICATOR This camera is equipped with an automatic battery-condition indicator. When the camera is on, the battery-condition indicator appears on the data panel and monitors. The monitor icon will change from white to red when battery power is low. If the data panel and monitors are blank, the batteries may be dead or installed incorrectly.

  • Page 22: External Power Supplies (Sold Separately)

    EXTERNAL POWER SUPPLIES The AC Adapter allows the camera to be powered from an electrical household outlet. The AC Adapter is recommended when the camera is interfaced with a computer or during periods of heavy use. AC Adapter model AC-1L is for use in North America, Japan, and Taiwan, and AC-2L is for use in all other areas.
  • Page 23 Open the card-slot door in the direction indicated (1). To eject a memory card, lift (2) then press (3) the card-eject lever. The card can now be pulled out. Take care when removing the card as it becomes hot with use. Insert a memory card into the card slot until the card-eject lever pops out (4).

  • Page 24: Setting The Date And Time

    SETTING THE DATE AND TIME After initially inserting a memory card and battery, the camera’s clock and calendar must be set. When images are recorded, the image data is saved with the date and time of recording. Depending on the region, the menu language may also have to be set. To change the language, see the camera notes on the following page.
  • Page 25 Setup Basic Adv.1 Adv.2 Cust. – Reset default EVF autoSwtch Auto EVF/LCD Date/Time set – Date format MM/DD/YYYY Video output NTSC Power save 1 min. Advanced 2 section Press the central button to display the date/time setting screen. Setup Date/Time set 2001 Enter Date/Time setting screen...

  • Page 26: Basic Recording

    BASIC RECORDING SETTING THE CAMERA TO RECORD IMAGES AUTOMATICALLY EVF AND LCD MONITOR DISPLAY Mode indicator Metering-mode indicator (p. 51) Exposure-mode/Digital-subject-program indicator (p. 52, 32) ASIC RECORDING While holding in the dial release (1), turn the mode dial to still- image recording;...

  • Page 27: Basic Recording Operation

    BASIC RECORDING OPERATION Turn the mode dial to the recording position (1). Use the zoom- ing ring to frame the subject (2). The effect of the zoom is imme- diately displayed in the viewfinder (EVF) and LCD monitor. Place the subject within the focus frame. •...

  • Page 28: Focus Lock

    FOCUS LOCK The focus-lock function is used when the subject is off-center and outside the focus frame. Focus lock may also be used when a special focusing situation prevents the camera from focusing on the subject. AUTOMATIC MONITOR AMPLIFICATION In extremely low-light conditions when the camera-sensitivity gain has reached its limit, the automatic monitor-amplification function will intensify the EVF and LCD monitor image.

  • Page 29: Focus Signals

    FOCUS SIGNALS This digital camera has a quick, accurate autofocusing system. The focus signals in the lower right corner of the EVF and LCD monitor indicate the focus status. For more information on autofocus modes see p. 83. White focus indicator – focus confirmed.

  • Page 30: Using The Built-In Flash

    USING THE BUILT-IN FLASH In low-light conditions or indoors, the flash is needed to illuminate the subject and reduce blurring through camera shake. The flash can also be used as a fill light in direct sunlight to soften harsh shadows. Always remove the lens hood when using the built-in flash; the hood may cast a shadow if mounted.

  • Page 31: Handling The Camera

    HANDLING THE CAMERA While using the electronic viewfinder (EVF) or LCD monitor, grip the camera firmly with your right hand while supporting the body with the palm of your left hand. Keep your elbows at your side and your feet shoulder-width apart to hold the camera steadily.

  • Page 32: Digital-Subject-Program Button

    DIGITAL-SUBJECT-PROGRAM BUTTON Portrait – optimized to reproduce warm, soft skin tones and a slight defocusing of the background. Sports action – used to capture fast action by maximizing shutter speeds and tracking subjects with continuous AF. Sunset – optimized to reproduce rich, warm sunsets. Night portrait –...

  • Page 33: Shooting Tips

    While camera performance is optimized for each shooting condition, some changes can be made to camera settings with subject programs. The autofocus mode can be changed (p. 83). The sports action mode uses continuous AF, the other modes use single AF. The Digital Effects Controller can be used to adjust image brightness, contrast, and color (p.

  • Page 34: Basic Playback

    BASIC PLAYBACK Images can be viewed in the Quick View or playback modes. This section covers the basic functions in both modes. The playback mode has additional menu functions, see page 106. SINGLE-FRAME PLAYBACK AND HISTOGRAM DISPLAY Mode indicator Time of capture Date of capture Voice-memo...

  • Page 35: Viewing Images

    VIEWING IMAGES DELETING SINGLE IMAGES The displayed image can be deleted. Once deleted, an image cannot be recovered. To delete a displayed image, press the QV/delete button; a confirmation screen will appear. Use the left/right keys to highlight “Yes.” “No” will cancel the operation.

  • Page 36: Changing The Quick View & Playback Display

    CHANGING THE QUICK VIEW & PLAYBACK DISPLAY In the center of the display switch, the display-information button controls the display format. Each time the button is pressed, the display cycles through to the next format: full display, image only, index playback. Full display Image only Index playback...

  • Page 37: Enlarged Playback

    Scroll Press the central button of the controller to switch between the zoom and scroll functions. The scroll arrows or magnification dis- play will turn blue to indicate the active function. Zoom ENLARGED PLAYBACK In single-frame playback, a still image can be enlarged for closer examination.

  • Page 38: Viewing Movies

    VIEWING MOVIES Standard, Night, time-lapse, and UHS continuous-advance movies can be played back on the cam- era. Movie files are indicated by a icon at the bottom of the display. Standard and Night Movies are also indicated by a thumbnail of the first frame. : play : pause : stop...

  • Page 39: Viewing Images On A Television

    VIEWING IMAGES ON A TELEVISION It is possible to view camera images on your television. The camera has a video-out terminal which can be used to connect the camera to a television using the supplied AV cable. The camera is com- patible with the NTSC and PAL standards.

  • Page 40: Advanced Recording

    ADVANCED RECORDING This section contains detailed information on the camera’s recording functions and operation. Read the sections pertaining to your interest and need. DISPLAY CONTROLS – RECORDING MODE Located on the back of the camera, the display-mode switch and the display-information button con- trol on which monitor the image is displayed and what information is included in the display.
  • Page 41 In the center of the display switch, the display-information button controls what information is displayed with the live image. Each time the button is pressed, the display cycles to the next format: standard display, focus frame, real-time histogram, and live image only. The number of screens and their formats can be changed in the advanced 1 section of the setup menu (p.

  • Page 42: Pro-Auto Button

    PRO-AUTO BUTTON Simply pressing the pro-auto button (1) resets the camera to pro- grammed and automatic functions in the still-image recording mode. The camera’s systems work together to bring professional results leav- ing the operator free to concentrate on aesthetic decisions. The pro- auto button affects functions in either the recording or movie modes (p.

  • Page 43: Spot-Ae Lock Button

    SPOT-AE LOCK BUTTON The spot-AE lock button below the main dial on the back of the body locks the auto- matic exposure system. This function allows the exposure to be set by a specific ele- ment within the scene or a gray card outside the scene. When the spot-AE lock button is pressed and held, the spot metering circle is dis- played indicating the area used for the exposure calculation;...

  • Page 44: Autofocus Areas And Control

    AUTOFOCUS AREAS AND CONTROL In still-image recording mode, the controller selects the focus area used and moves the spot-focus area within the image. The two focus areas, wide focus area and spot focus point, allow flexibility over a variety of situations. The wide focus area is an array of local focus areas that work together to control focus.

  • Page 45: Flex Focus Point

    FLEX FOCUS POINT Once displayed, the spot focus area can be moved to any point in the image area. This Flex Focus Point is a powerful tool for off-center subjects. The Flex Focus Point cannot be used with the digital zoom (p.

  • Page 46: Digital Zoom

    DIGITAL ZOOM The digital zoom doubles the lens magnification. The digital zoom cannot be used with RAW image quality or in movie recording. Press the magnification button (1) on the back of the camera. The effect is immediately displayed. Pressing the magnification button a second time cancels the digital zoom.

  • Page 47: Macro Mode

    MACRO MODE The macro mode is used for close-up photographs of small objects. The marco mode can be used with the digital zoom to increase the close-up effect. Subject programs and movie recording can be used with the macro setting. The built-in flash cannot be used with macro mode. Align one of the arrows on the zoom ring with the arrow next to the macro switch.

  • Page 48: Setting The Function Dial

    SETTING THE FUNCTION DIAL The memory function, metering mode, exposure mode, drive mode, white balance, and camera sen- sitivity are controlled by the function dial. Making changes with the function dial is simple. The func- tion dial can only be used for still photography. Turn the function dial to the mode to be changed (1).
  • Page 49 Dial Display Memory registers or the setting function are selected with a spe- Menu cial menu displayed on the moni- tors. Multi-segment Center weighted Spot Program Aperture priority PASM Shutter priority Manual Single-frame advance Bracketing Continuous advance DRIVE High-speed continuous advance UHS continuous advance Interval Self-timer...

  • Page 50: Memory - Storing Camera Settings

    MEMORY – STORING CAMERA SETTINGS Five sets of camera settings can be saved. This saves time under frequently repeating conditions by eliminating the need to set the camera. Except for the spot AEL button, subject programs, data imprinting, voice memo, and instant playback settings, all recording-mode camera settings will be saved including the position of the Flex Focus Point, the display mode, the custom white balance set- ting, and changes made with the function dial and digital effects control.

  • Page 51: Metering Modes

    To recall a setting, press the function button and highlight the memory register using the control dial. Release the function button to apply the memory settings. Memory settings can also be recalled using the digital subject program button, see page 129. Camera settings cannot be deleted from memory by turning the camera off or using the pro-auto but- ton.

  • Page 52: Exposure Modes

    EXPOSURE MODES The four exposure modes allow extensive control over image making. Programmed AE gives carefree operation, aperture and shutter priority allow photographers to maximize exposures in different situations, and manual expo- sure provides complete freedom in controlling the final image. See setting the function dial section on page 48.

  • Page 53: Program - P

    PROGRAM – P The programmed AE exposure control uses luminance and focal-length information to ensure perfect exposures. The sophisticated exposure system allows the photographer the freedom to shoot without having to worry about the technical details of exposure settings. The shutter speed and aperture val- ues of the exposure are displayed on the monitors and data panel.

  • Page 54: Aperture Priority - A

    APERTURE PRIORITY – A The aperture values can be changed by half stop increments between f/2.8 and f/8 at the lens’ wide- angle position and f/3.5 to f/9.5 at the lens’ telephoto position. If the aperture value is beyond the shutter-speed range, the shutter-speed display will blink on the data panel and turn red on the moni- tors.

  • Page 55: Shutter Priority - S

    SHUTTER PRIORITY – S Camera Notes For 35mm photographers, an aperture range of f/2.8 to f/8 does not seem impressive. However, because of the CCD size and the actual focal length of the lens, the apertures on this digital camera give significantly more depth of field at any given angle of view with any given aperture than a 35mm camera.

  • Page 56: Manual Exposure - M

    MANUAL EXPOSURE – M Manual exposure mode allows individual selection of shutter speeds and apertures. This mode overrides the exposure system giving the photographer total control over the final exposure. The shutter speeds and aperture values can be changed in half stop increments. The shutter speed range in manual exposure mode is 15 to 1/2000 second including bulb when camera sensitivity is set to auto (p.

  • Page 57: Bulb Exposures

    BULB EXPOSURES Bulb photographs can be taken in the manual-exposure mode (M). Exposures up to thirty seconds can be made by pressing and holding the shutter-release button. The use of a tripod and a remote cord is recommended for bulb exposures. The camera’s exposure system cannot be used to calcu- late bulb exposures.

  • Page 58: Drive Modes

    DRIVE MODES The drive modes control the rate and method images are captured. Icons indi- cating the selected drive mode appear on the data panel and LCD monitor and in the EVF. See setting the function dial section on page 48. Single-frame advance –...

  • Page 59: Continuous Advance

    CONTINUOUS ADVANCE Continuous-advance mode allows a series of images to be captured while holding down the shutter- release button. Continuous advance acts like a motor drive on a film camera. The number of images that can be captured at one time depends on the image-quality and image-size setting. The maxi- mum rate of capture is 2 fps with full-size images with manual focus in manual-exposure mode.

  • Page 60: High-Speed Continuous Advance

    HIGH-SPEED CONTINUOUS ADVANCE High-speed continuous-advance allows a series of images to be captured rapidly. The rate of capture is approximately 3 fps with full-size images with manual focus in manual-exposure mode. The rate of capture decreases with images smaller than 2560 X 1920. The continuous-advance mode is set with the function dial (p.

  • Page 61: Uhs Continuous Advance

    UHS CONTINUOUS ADVANCE UHS continuous-advance mode allows a series of 1280 X 960 images to be captured at a rate of approximately 7 frames per second; image size is changed to 640 X 480 when the digital zoom is used. The number of images that can be captured at one time depends on the image-quality setting: extra fine –...

  • Page 62: Bracketing

    BRACKETING This mode makes a three image bracket of a scene. Bracketing is a method of taking a series of images of a static subject in which each image has a slight variation in exposure. The camera is not limited to exposure brackets, but can also make contrast, saturation, and filter brackets. Only one image characteristic can be bracketed at a time.

  • Page 63: Notes On Bracketing

    Compose the picture as described in the basic recording section (p. 27). Press the shutter-release button partway down (1) to lock the exposure and focus for the series; the camera will continue to focus during the series if set to continuous AF (p. 83). Press and hold the shutter-release button all the way down (2) to make the bracket series;...

  • Page 64: Interval

    INTERVAL The interval mode makes a series of still or moving images over a period of time. Similar to time- lapse photography, a series of images of a slow moving event can be taken: the blossoming of a flower, the construction of a building. The built-in flash can be used. Instant playback (p. 100) is dis- abled.
  • Page 65 Confirm the memory card has enough storage capacity for the series by comparing the number of frames in the interval series with the number of recordable images displayed on the frame counter. When taking still-images, image size and quality settings can be changed to increase the number of pictures that can be saved on the memory card.

  • Page 66: Self-Timer

    SELF-TIMER Used for self-portraits, the self-timer will delay the release of the shutter for approximately ten sec- onds after the shutter is released. The self-timer is set with the function dial (p. 48). With the camera on a tripod, compose the picture as described in the basic record- ing section (p.

  • Page 67: White Balance

    WHITE BALANCE White balance is the camera’s ability to make different types of lighting appear neutral. The effect is similar to selecting daylight or tungsten film, or using color compensating filters in conventional photography. When setting the white balance, “Auto” (data panel) and “AWB”...

  • Page 68: Automatic White Balance

    AUTOMATIC WHITE BALANCE The automatic white balance compensates for the color temperature of a scene. In most cases, the AUTO setting will balance the ambient light and create beautiful images, even under mixed-lighting conditions. When the built-in flash is used, the white balance is set for the color temperature of the flash.
  • Page 69 To calibrate the camera, press the function button and turn the con- trol dial until the custom white-balance icon and “SET” appear on the data panel and red on the monitors. While holding the function button (1), use the up/down keys of the controller (2) to select one of the three memory registers.

  • Page 70: Camera Sensitivity - Iso

    CAMERA SENSITIVITY – ISO Five settings can be selected for camera sensitivity: Auto, 100, 200, 400, and 800; the numerical values are based on an ISO equivalent. ISO is the standard used to indicate film sensitivity: the higher the number, the more sensitive the film.

  • Page 71: Flash Range And Camera Sensitivity

    FLASH RANGE AND CAMERA SENSITIVITY For correct flash exposures, the subject must be within the flash range. The flash range can be extended by changing the camera sensitivity. When the camera sensitivity is set to auto, the ISO is set between ISO 100 and 200. The flash range is measured from the CCD. Because of the optical system, the flash range is not the same at the lens’...

  • Page 72: Attaching A Minolta Accessory Flash Unit

    ATTACHING A MINOLTA ACCESSORY FLASH UNIT To extend the versatility of the camera, an accessory flash unit (sold separately) can be mounted on the camera. See page 154 for a list of compatible flash units. Always remove the accessory flash when the camera is not in use, and replace the accessory-shoe cap to protect the contacts.

  • Page 73: Digital Effects Control

    DIGITAL EFFECTS CONTROL The Digital Effects Controller is a powerful tool. As well as being able to make adjustments to expo- sure, the controller can also change image contrast, color, and saturation. The effect of any change is instantly visible on the monitors before the image is captured. Since compensation is applied to the image before it is compressed and saved, image information can be maximized before leaving the scene.

  • Page 74: Exposure And Flash Compensation

    EXPOSURE AND FLASH COMPENSATION The ambient light and flash exposure can be adjusted before the image is captured to make the final picture lighter or darker. Exposure can be adjust- ed by as much as ±2Ev in 1/3 increments (p. 79). The exposure and flash compensation will remain in effect until it has been reset.
  • Page 75 Shooting tips Sometimes the camera’s exposure meter is deceived by certain conditions. Changing the exposure value can compensate for these situations. For example, a very bright scene, such as a snowy land- scape or a white sandy beach, can appear too dark in the captured image.

  • Page 76: Contrast Compensation

    CONTRAST COMPENSATION The contrast of a scene can be adjusted within seven levels (±3) with the digital effects controller. If a scene is too contrasty, information will be lost; if a scene is flat, the image information is not optimized for the recording ability of the camera.

  • Page 77: Color-Saturation Compensation

    COLOR-SATURATION COMPENSATION The color saturation of a scene can be adjusted within seven levels (±3) with the digital effects controller. Colors can be accented or subdued. The color saturation must be set before the image is captured. When chang- ing the color-saturation setting, an icon will appear in the live image. The monitors will indicate if an increase (+) or decrease (–) in saturation has been made.

  • Page 78: A Short Guide To Photography

    A SHORT GUIDE TO PHOTOGRAPHY Photography can be a rewarding pursuit. It is a broad and disciplined field that can take years to master. But the pleasure in making photographs and the joy of capturing a magical moment cannot be compared. The guide is an introduction to some basic photographic principles. The lens aperture controls not only exposure, but also depth of field;...

  • Page 79: What Is An Ev? What Is A Stop

    The shutter controls not only exposure, but also the ability to stop motion. Fast shutter speeds are used in sport photography to stop action. Slow shutter speeds can be used to show the flow of motion such as water cascading over a waterfall. The use of a tripod is recommended with slow shutter speeds.

  • Page 80: Recording Mode Menu

    NAVIGATING THE RECORDING-MODE MENU In recording mode, press the menu button (1) to activate the menu. The menu button also turns off the recording-mode menu after making settings. The four-way key of the controller (2) are used to move the cursor in the menu. Pressing the central button of the controller will enter a setting. Activate the recording-mode menu with the menu button (1).
  • Page 81 Basic AF mode Single Continuous Image size 2560 X 1920 1600 x 1200 1280 X 960 640 X 480 Quality Super fine Extra fine Fine Standard Flash mode Fill-flash Red-eye Rear sync. Wireless Wireless Ch. 1 – 4 Flash control ADI flash Pre-flash TTL Manual...

  • Page 82: Electronic Keyboard

    ELECTRONIC KEYBOARD The electronic keyboard is used to enter text for imprinting data or for naming new folders. The key- board automatically appears when text needs to be entered. To enter text, Text block Delete key Case key simply use the four-way keys of Rec.

  • Page 83: Autofocus Modes

    AUTOFOCUS MODES This digital camera has two autofocusing modes. The single and continuous AF are selected in the basic section of the recording-mode menu (p. 80). Single AF – for general purpose photography and static subjects. When the shutter-release button is pressed partway down, the autofocus system locks onto the subject in the focus area and will remain locked until the shutter button is released.

  • Page 84: Image Size

    IMAGE SIZE Changing image size affects the number of pixels in each image. The greater the image size, the larger the file size. Choose image size based on the final use of the image – smaller images will be more suitable for web sites whereas larger sizes will produce higher quality prints. Image size must be set before the picture is taken.

  • Page 85: Image Quality

    IMAGE QUALITY This camera has five image quality settings: raw, super fine, extra fine, fine, and standard. Always select the desired setting before taking the picture. See navigating the recording-mode menu on page Image quality controls the rate of compression, but has no effect on the number of pixels in the image.

  • Page 86: About Super-Fine And Raw Image Quality

    ABOUT SUPER-FINE AND RAW IMAGE QUALITY Because super-fine and RAW data files are so large, the UHS continuous-advance drive mode can- not be used with these image-quality settings. After capturing five RAW or three super fine images successively, there will be a a few minutes delay while the images are being saved to the memory card.

  • Page 87: Image-File Size And Memory Card Capacity

    IMAGE-FILE SIZE AND MEMORY CARD CAPACITY The number of images that can be stored on a memory card is determined by the size of the card and the file size of the images. The actual file size is determined by the scene; some subjects can be compressed further than others.

  • Page 88: Flash Modes

    FLASH MODES The flash mode can be changed in the basic section of the recording-mode menu (p. 80). For the flash to fire, the unit must be manually lifted. The flash will fire in the selected mode regardless of the amount of ambient light.

  • Page 89: Rear Flash Sync

    REAR FLASH SYNC Rear flash sync is used with long exposures to make trailing lights or blurring appear to follow rather than proceed the subject. The effect is not apparent if the shutter speed is too fast and stops the subject’s motion. When the shutter is released, a pre-flash will fire.

  • Page 90: Wireless/Remote Flash

    WIRELESS/REMOTE FLASH On-camera flash. Wireless/ Remote flash. Rec. Basic Adv. 1 Adv. 2 AF mode Image size Quality Fill-flash Flash mode Red-eye Wireless Ch. Rear sync. Flash control Wireless ECORDING MODE MENU Wireless/Remote flash allows the camera to control an off- camera Minolta 5600HS(D) and 3600HS(D) flash unit with- out the need of a cable.
  • Page 91 Raise the built-in flash on the camera. The wireless flash indicator (WL) will be dis- played in the top left corner of the live image. The number next to it indicates the channel in use. Press the shutter-release button partway down to charge the built- in flash;...

  • Page 92: Wireless/Remote Camera And Flash Ranges

    WIRELESS/REMOTE CAMERA AND FLASH RANGES Camera-to-subject distance Minimum camera-to-subject distance Camera sensitivity setting Aperture ISO 100 ƒ/2.8 1.4 m / 4.6 ft ƒ/4 1.0 m / 3.2 ft ƒ/5.6 0.7 m / 2.3 ft ƒ/8 0.5 m / 1.6 ft Minimum flash-to-subject distance ƒ/2.8 1.0 m / 3.2 ft...

  • Page 93: Notes On Wireless/Remote Flash

    NOTES ON WIRELESS/REMOTE FLASH Wireless/Remote flash performs best under subdued light or interior lighting. Under bright light sources, the flash may not be able to detect the control signals from the camera’s built-in flash. The wireless/remote system has four channels so that multiple lighting systems can be used in the same area without affecting each other.

  • Page 94: Flash Control

    FLASH CONTROL ADI, pre-flash TTL, and manual flash controls are available. Flash control is changed in the basic section of the recording-mode menu (p. 80). ADI flash metering – Advanced Distance Integration. This mode combines distance information from the autofocusing system with information from a pre-flash exposure. Unlike conventional TTL flash metering, ADI is not influenced by the reflectance of the subject or background ensuring optimum flash exposures.

  • Page 95: Magnification Button And Electronic Magnification

    The chart lists approximate guide numbers for manual flash calculations. The following equations are useful in determining the guide number, aperture (ƒn), or flash-to-subject distance required for expo- sure. Guide no. (for distance in meters / feet) Camera sensitivity (ISO) Manual flash 8 / 26...

  • Page 96: Spot Af/Ael

    SPOT AF/AEL When the spot-AE lock button is pressed and held, the exposure is locked. How the spot-AE lock but- ton operates and what functions it controls can be changed in the advanced 1 section of the record- ing-mode menu (p. 80). If one of the AF/AE settings are selected, the metering mode set with the function dial will be employed when the spot-AE lock button is used.

  • Page 97: Data Imprinting

    DATA IMPRINTING Data can be printed directly on the image. The imprinting function must be activated before the image is taken. Once activated, data will continue to be imprinted until the function is reset; a yellow bar is displayed behind the distance indicator and frame counter on the monitors to indicate the imprinting function is active.

  • Page 98: Color Mode

    COLOR MODE The color mode controls whether a still image is color or black and white. This must be set before the image is recorded. The color mode is set in the advanced 2 section of the recording-mode menu (p. 80).

  • Page 99: About Adobe Rgb

    ABOUT ADOBE RGB Adobe RGB has a larger color gamut than the more common sRGB. The size of the gamut limits the colors that can be reproduced; the larger the gamut, the more colors. If the image will be printed out with a high-quality printer, the use of the Adobe RGB color mode is recommended over the sRGB color modes of Natural and Vivid Color.

  • Page 100: Instant Playback

    INSTANT PLAYBACK After an image is captured, it can be displayed on the monitors for two or ten seconds before being saved. When using the continuous-advance, HS continuous advance, or bracketing mode, an index display is used. With UHS continuous advance, only the last frame of the series is displayed. Instant- playback is activated and the length of the playback period is set in the advanced 2 section of the recording-mode menu (80).

  • Page 101: Voice Memo

    VOICE MEMO Voice memo allows a five or fifteen second audio track to be record- ed with a still image. The function is activated and the length of the recording time is set in the advanced 2 section of the recording- mode menu (p.

  • Page 102: Movie Recording

    MOVIE RECORDING Up to sixty seconds of digital video with or without audio can be recorded. The motion JPEG image is 320 X 240 pixels (QVGA). The effective image area is 308 X 240 pixels; two thin lines will appear to the left and right of the image when played back.
  • Page 103 Movie files are recorded at approximately 297KB per second. A 16MB Compactflash card can store about 50 seconds of digital video. Actual time depends on the subject and the amount of image and audio data stored on the card. Manual focus can be used before or during movie recording. The zooming ring can be used during recording, but the microphone may pick up the noise of the mechanism.

  • Page 104: Navigating The Movie Menu

    NAVIGATING THE MOVIE MENU Movie Basic Audio Movie mode Auto select Use the up/down keys to highlight the new setting. Press the central button of the controller to select the highlighted setting. Once a setting is made, the cursor returns to the menu options and the new setting is displayed. To return to the movie mode, press the menu button.

  • Page 105: Pro-Auto Button

    PRO-AUTO BUTTON Simply pressing the pro-auto button (1) resets the camera to pro- grammed and automatic functions in the movie recording mode. The camera’s systems work together to bring professional results leaving the operator free to concentrate on aesthetic decisions. The pro-auto button affects functions in either the recording (p.

  • Page 106: Playback Mode Menu

    NAVIGATING THE PLAYBACK-MODE MENU In playback mode, press the menu button (1) to activate the menu. The menu button also turns off the playback-mode menu when the settings have been completed. The four-way key of the controller (2) are used to move the cursor in the menu. Pressing the controller will enter a setting. Activate the playback-mode menu with the menu button (1).
  • Page 107 Basic Delete This frame All frames Marked frames Format Enter Lock This frame All frames Marked frames Unlock frames Index format 9 frames 4 frames Advanced 1 Slide show Enter Playback All frames Marked frames Duration 1 – 60 sec. Repeat Yes / No Advanced 2...

  • Page 108: Frame Selection Screen

    FRAME-SELECTION SCREEN When a marked-frames setting is chosen on a menu, the frame selection screen will appear. This screen allows multiple files to be selected. The index format of the screen can be changed in the basic section of the playback-mode menu (p. 106). Play The left/right keys of the controller move the...

  • Page 109: Deleting Images

    DELETING IMAGES Deleting permanently erases the image. Once deleted, an image cannot be recovered. Care should be taken when using the delete function. Single, multiple, or all images in a folder can be deleted with the playback-mode menu. Before an image is deleted, a confirmation screen will appear;...

  • Page 110: Formatting Memory Cards

    FORMATTING MEMORY CARDS When a memory card is formatted, all data on the card is erased. The formatting function is used to erase all data on a memory card. Before formatting a card, copy the data to a computer or storage device. Locking files will not protect them from being deleted when the card is formatted.

  • Page 111: Locking Images

    LOCKING IMAGES Single, multiple, or all images in a folder can be locked. A locked image cannot be deleted by either the playback-mode menu functions or the QV/delete button. Important images should be locked. To lock images in other folders, the folder must first be selected in the advanced 1 section of the setup menu (p.

  • Page 112: Slide Show

    SLIDE SHOW The advanced 1 section of the playback-mode menu controls the slide-show function. This function automatically displays all still images in a folder in order. LAYBACK MODE MENU Press the central button of the controller to pause and restart the presentation. To cancel the presentation, press the down key of the controller.
  • Page 113 Menu options Settings Slide show Enter All frames Playback Marked Frames Duration 1 – 60s. Repeat Yes/No To start the slide-show presentation. Pressing the central button of the con- troller will pause the presentation. During the slide show, press the down key of the controller to stop the presentation and return to the playback- mode menu.

  • Page 114: About Dpof

    ABOUT DPOF This camera is supported by DPOF™ version 1.1. The DPOF (Digital Print Order Format) allows direct printing of still images from digital cameras. After the DPOF file is created, the memory card is simply taken to a photofinishing service or inserted into the memory -card slot of DPOF compatible printers.

  • Page 115: Ordering An Index Print

    When the this-frame or all-frames setting is chosen, a screen will appear requesting the number of copies of each image; a maximum of nine copies can be ordered. Use the up/down keys of the con- troller to set the number of copies desired. If the all-frames setting was used to create a print order, any additional images saved afterwards in the folder will not be included in the order.

  • Page 116: Copying Images

    COPYING IMAGES Image files can be copied from one memory card to another. Up to 15MB of data can be transferred. Every time the copy function is used, a new folder is automatically created for the image(s). This frame – To copy the image currently displayed. Marked frames –...
  • Page 117 Wait until the copy-completed message is highlighted. A new screen will appear to indicate the name of the new folder containing the copied images; press the central button of the controller to return to the play- back menu. The copy-unsuccessful message will appear when one or all of the files could not be copied. Check the second memory card to see which files were copied and then repeat the procedure for the files that could not be transferred.

  • Page 118: Setup Mode

    NAVIGATING THE SETUP MENU To access the menu, simply turn the main dial to the setup position. The four-way keys of the con- troller (1) are used to move the cursor in the menu. Pressing the controller will enter a setting. The “Basic”...
  • Page 119 Basic LCD brightness 1 – 5 EVF brightness 1 – 5 Audio signals Shutter FX Volume 3 (High) 1 (Low) Language English Deutsch Français Español Advanced 1 File # memory On / Off Folder name Std. form Date form Select folder (folder names) New folder Enter...

  • Page 120: Evf And Lcd Monitor Brightness

    EVF AND LCD MONITOR BRIGHTNESS The brightness of the EVF and LCD monitor is set independently of each other. Brightness is con- trolled in five levels from 1 (low) to 5 (high). As each setting is highlighted, the monitor will adjust accordingly;...

  • Page 121: Volume

    VOLUME The volume of the audio signals and sound effects can be increased or decreased in the basic sec- tion of the setup menu (p. 118). This affects the camera’s audio signals as well as the playback levels of an audio track. LANGUAGE The language used in the menus can be changed.

  • Page 122: Folder Name

    100MLT10 by one each time a new folder is created. The next three letters refer to Minolta, and the last two numbers indicate the camera used; 10 indicates a DiMAGE 7Hi. (Standard) A date folder name also starts with the three digit serial number and is followed by one register for the year, two register for the month, and two registers for the day: 100YMMDD.

  • Page 123: Select Folder

    SELECT FOLDER This option allows the selection of existing folders. In quick view or playback mode, only the images in the selected folder can be viewed or edited. In recording mode, the folder-name option on in the advanced 1 section of the setup menu must be set to standard form in order to select the folder in which to place the subsequent recorded images.

  • Page 124: Display Mode

    DISPLAY MODE Standard display Focus frame only Grid Scale Setup Adv.2 Basic Adv.1 Cust. Std. display File # memory Folder name Focus frame Select folder Histogram New folder Grid Display mode Scale Direct MF Image only ETUP MODE Real-time histogram Live image only Display-mode settings with a check mark are included in the dis- play cycle.

  • Page 125: Direct Manual Focus

    DIRECT MANUAL FOCUS Direct manual focus allows manual adjustments to be made after the AF system has locked onto the subjects. Direct manual focus is activated in the advanced 1 section of the setup menu (p. 118). Direct manual focus is canceled when continuous AF (p. 83) or manual focus (p. 43) is in use. As described in the basic recording operation section (p.

  • Page 126: Reset Default

    RESET DEFAULT Unlike the pro-auto button (p. 42, 105), this function affects not only the recording mode, but also the movie, playback, and setup modes. When selected, a confirmation screen will appear; choosing “Yes” resets the following functions and settings, “No” cancels the operation. Exposure mode Focus mode Focus area...
  • Page 127 UHS continuous-advance movie Voice memo Spot-AE lock button Magnification button Sharpness Color mode Data imprinting Instant playback Movie mode Audio (movie mode) Index playback format Duration (Slide Show) Repeat (Slide Show) LCD monitor brightness EVF brightness Audio signals Shutter FX Volume Folder name Display mode...

  • Page 128: Evf Auto Switch - Controlling The Auto-Display Function

    EVF AUTO SWITCH – CONTROLLING THE AUTO-DISPLAY FUNCTION This option controls the auto-display function in the recording and movie mode (p. 40). The auto-EVF/LCD setting allows the display to switch between the EVF and LCD monitor automatically. The EVF-auto-on setting turns off the LCD monitor and uses the eye sensors to activate only the EVF when in use.

  • Page 129: Video Output

    VIDEO OUTPUT Camera images can be displayed on a television (p. 39). The video output can be changed between NTSC and PAL. North America uses the NTSC standard and Europe uses the PAL standard. Check which standard is used in your region to play back images on your television set. AUTO POWER SAVE The camera will turn off the EVF and data panel to conserve battery power if no operation is made within a certain period.

  • Page 130: Control Dial (M)

    CONTROL DIAL (M) In manual exposure mode (p. 56), the operation to change the aperture and shutter speed can be reversed. Two settings are available: Shutter speed – the camera’s initial setting as described on page 56. The control dial changes the shutter speed (1).

  • Page 131: Bracketing

    BRACKETING In the bracketing drive mode (p. 62), the bracket can be changed between the type indicated by the digital-effects switch and exposure brackets only. Two settings are available: DEC control – the camera’s initial setting as described on page 62. The type of bracket depends on the position of the digital-effects switch.

  • Page 132: Data-Transfer Mode

    DiMAGE software CD-ROM is required for the opera- tion of the DiMAGE 7Hi with a computer. The new software will have no affect on the performance of the DiMAGE 7, 5, S304, S404, X, or 2330.

  • Page 133: Connecting The Camera To A Computer

    CONNECTING THE CAMERA TO A COMPUTER A fresh set of batteries should be used when the camera is connected to a computer. The use of the AC adapter (sold separately) is recommended over the use of batteries. For users with Windows 98 and Mac OS 8.6, read the respective sections on how to connect to the operating system before con- necting the camera to a computer.
  • Page 134 Windows XP Windows TRANSFER MODE When the camera is properly connected to the computer, a drive icon, or volume, will appear. When using Windows XP or Mac OS X, a window will open requesting instructions on what to do with the image data; follow the directions in the window.

  • Page 135: Changing The Memory Card (Data-Transfer Mode)

    CHANGING THE MEMORY CARD (DATA-TRANSFER MODE) Care should be taken when changing memory cards while the camera is attached to the computer. Data could be lost or damaged if the camera is not properly disconnected. Always confirm the access lamp is out before removing the memory card. WINDOWS 98 / 98 SECOND EDITION 1.

  • Page 136: Connecting To Windows 98 / 98 Second Edition

    CONNECTING TO WINDOWS 98 / 98 SECOND EDITION The driver needs only to be installed once. If the driver cannot be installed automatically, it can be installed manually with the operating system’s add-new-hardware wizard; see the instructions on the following page. During installation, if the operating system requests the Windows 98 CD-ROM, inset it into the CD-ROM drive and follow the accompanying instructions on the screen.

  • Page 137: Manual Installation

    MANUAL INSTALLATION To install the Windows 98 driver manually, follow the instruction in the connecting-the-camera-to-a- computer section on page 133. When the camera is plugged into the computer, the operating system will detect the new device and the add-new-hardware-wizard window will open.
  • Page 138 The last window will confirm the driver has been installed. Click “Finish” to close the add new hardware wizard. TRANSFER MODE The add new hardware wizard will confirm the location of the driver. One of three drivers may be located: MNLVENUM.inf, USBPDR.inf, or USB- STRG.inf.

  • Page 139: Connecting To Mac Os 8.6

    CONNECTING TO MAC OS 8.6 To access this camera with a computer with Mac OS 8.6, the USB storage support software must be installed first. This software is supplied by Apple Computer, Inc. free of charge. The latest version can be downloaded from the Apple Software Updates web site at http://www.apple.com/support.

  • Page 140: Memory Card Folder Organization

    MEMORY CARD FOLDER ORGANIZATION Once the camera is connected to the computer, image and audio files can be accessed by double clicking on icons. Image folders are located in the DCIM folder. To copying images and audio recordings, simply drag and drop the file icon into a location in the computer.
  • Page 141 Image and audio file names begin with “PICT” followed by a four-digit file number and a tif, mrw, jpg, jpe, mov, or thm extension. Voice-memo files have a wav extension and the file name corresponds to its image file. The thumbnail images (thm) are used in camera and DiMAGE Viewer software opera- tion.

  • Page 142: Disconnecting The Camera From The Computer

    DISCONNECTING THE CAMERA FROM THE COMPUTER Never disconnect the camera when the access lamp is lit – the data or memory card may permanently be damaged. WINDOWS 98 / 98 SECOND EDITION Confirm that the access lamp is not lit. Turn the mode dial to another position and then disconnect the USB cable.

  • Page 143: Macintosh

    The hardware devices to be stopped will be dis- played. Highlight the device by clicking on it then click “Stop.” A confirmation screen will appear to indi- cate the devices to be stopped. Clicking “OK” will stop the device. A third and final screen will appear to indicate the camera can be safely discon- nected from the computer;...

  • Page 144: Troubleshooting

    TROUBLESHOOTING The section covers minor problems with basic camera operation. For major problems or damage to the camera or charger, or if a problem continues to reoccur frequently, contact a Minolta service facil- ity listed on the back cover of this manual. Problem Symptom Nothing displayed...
  • Page 145 Problem Symptom No-card warning Shutter will not appears on the release. monitors. Focus signal is red. Pictures are not sharp. Pictures are taken indoors or in low- light situations without flash. While using flash, the pictures are too dark. A shadow Lens hood mount- appears on the ed when using...

  • Page 146: When Using Filters

    Problem Symptom Shooting data is Camera set to displayed, but live manual- image is entirely exposure mode black or white. (M). Camera used Live image turns under low-light black and white. conditions. If the camera does not function normally, turn it off, remove and reinsert the batteries, or unplug and reconnect the AC adapter.

  • Page 147: Removing The Driver Software - Windows

    REMOVING THE DRIVER SOFTWARE – WINDOWS 1. Insert a memory card in the camera and connect it to the computer with the USB cable. Other devices must not be connected to the computer during this procedure. 2. Right click on the My-computer icon. Select “properties” from the drop-down menu. Windows XP: from the start menu go to the control panel.

  • Page 148: Care And Storage

    CARE AND STORAGE CAMERA CARE • Do not subject the camera to shock or impact. • Turn off the camera when transporting. • This camera is neither waterproof nor splashproof. Inserting or removing batteries or the memory card, or operating the camera with wet hands may damage the camera. •...

  • Page 149: Operating Temperatures And Conditions

    OPERATING TEMPERATURES AND CONDITIONS • This camera has been designed for use in temperatures from 0°C to 40°C (32°F to 104°F). • Never leave the camera exposed to extreme high temperatures, such as in a car parked in the sun, or to extreme humidity.

  • Page 150: Batteries

    BATTERIES • Battery performance decreases with temperature. In cold environments, we recommend keeping spare batteries in a warm place, such as the inside of a coat. Batteries can recover their power when they warm up. As the performance of Ni-MH batteries are less affected by temperature, their use is recommended when shooting in cold environments.

  • Page 151: Lcd Monitor Care

    LCD MONITOR CARE • Although the LCD monitor is manufactured using high precision technology, there may occasionally be a lack of color or bright points on the LCD monitor. • Do not apply pressure to the surface of the LCD monitor; it may be permanently damaged. •...

  • Page 152: Technical Specifications

    TECHNICAL SPECIFICATIONS Number of effective pixels: CCD: Camera sensitivity (ISO): Aspect ratio: Lens construction: Maximum aperture: Focal length: Focusing range (from the CCD): 0.5 m – infinity (1.6 ft – infinity) Filter diameter: Autofocusing system: Shutter: Built-in flash recycling time: Viewfinder LCD: Monitor LCD: Field of view:...
  • Page 153 Batteries: Battery performance (recording): Approx. number of recorded images: 220 frames Battery performance (playback): External power source: Dimensions: Weight: Operating temperature: Operating humidity: Specifications are based on the latest information available at the time of printing and are subject to change without notice.

  • Page 154: System Accessories

    SYSTEM ACCESSORIES A variety of Minolta accessories can be used with this camera to extend its performance. For more details on the items listed below and in other sections of this manual, contact your local Minolta deal- Close-up Diffuser CD-1000 Used directly on the camera with the built-in flash to provide soft lighting for close-up photography.
  • Page 155 FILTER Filter levels For more on Filter effects, with color images see page 77. Warm Cool Filter settings with black and white images Blue Magenta Green...
  • Page 156 © 2002 Minolta Co., Ltd. under the Berne Convention and the Universal Copyright Convention. 0-43325-53120-0 Printed in Germany...

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