Minolta Dimage 7Hi Owner's Manual

Minolta Dimage 7Hi Owner's Manual

Minolta dimage 7hi digital camera owner's manual
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DRIVE MODES
The drive modes control the rate and method images are captured.
Icons indicating the selected drive mode appear on the data panel
and LCD monitor and in the EVF. See setting the function dial
section on page 48.
Single-frame advance - to take a single image each time the shutter-
release button is pressed.
Bracketing - to take a series of images with differing exposure, contrast,
saturation, and color.
Continuous advance - to take multiple images when the shutter-release
button is pressed and held.
High-speed continuous advance - to take multiple images at size and
quality setting approximately 3 frames per second.
UHS continuous advance - to take multiple 1280 X 960 images at approx-
imately 7 frames per second
Self-timer - to delay the release of the shutter. Used for self-portraits.
Interval - to take a series of images over a period of time.
All icons have been shown for clarity. The single-frame
advance and continuous advance indicators occupy the
same area of the data panel. All the drive-mode icons
appear at the same location in the monitors.
When a large amount of image data is captured in a
short span of time, the camera's internal buffer memory
becomes full. Time must be given for this data to be
written to the memory card. Depending on the battery
power level, the frame counter or drive-mode indicator
Drive-
Buffer full
Frame
turns yellow on the monitors (see chart). Wait for the
mode
warning
counter
indicator to turn white before capturing more images.
indicator
58
A
DVANCED RECORDING
.
CONTINUOUS ADVANCE
Continuous-advance mode allows a series of images to be captured while holding
down the shutter-release button. Continuous advance acts like a motor drive on a film
camera. The number of images that can be captured at one time depends on the
image-quality and image-size setting. The maximum rate of capture is 2 fps with full-
size images with manual focus in manual-exposure mode. The continuous-advance
mode is set with the function dial (p. 48).
When the shutter-release button is pressed and held, the camera will begin recording
images until the maximum number has been taken or the shutter button is released.
The built-in flash can be used, but the rate of capture is reduced because the flash
must recharge between frames. The following chart lists the maximum number of
images that can be captured with different image-quality and image-size combinations.
Size
2560 X 1920
1600 X 1200
Quality
RAW
5
Super fine
3
3
Extra fine
7
12
Fine
10
19
Standard
17
29
Compose the picture as described in the basic recording
section (p. 27). Press the shutter-release button partway
down (1) to lock the exposure and focus for the series; if
the autofocus mode is set to continuous AF, the lens will
continually focus during the series (p. 83). Press and
hold the shutter-release button all the way down (2) to
begin taking pictures.
1280 X 960
640 X 480
3
3
1
15
33
27
61
42
84
2
59

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  • Page 1 DRIVE MODES CONTINUOUS ADVANCE The drive modes control the rate and method images are captured. Continuous-advance mode allows a series of images to be captured while holding Icons indicating the selected drive mode appear on the data panel down the shutter-release button. Continuous advance acts like a motor drive on a film and LCD monitor and in the EVF.
  • Page 2: High-Speed Continuous Advance

    HIGH-SPEED CONTINUOUS ADVANCE UHS CONTINUOUS ADVANCE High-speed continuous-advance allows a series of images to be captured rapidly. The UHS continuous-advance mode allows a series of 1280 X 960 images to be captured rate of capture is approximately 3 fps with full-size images with manual focus in at a rate of approximately 7 frames per second;...
  • Page 3: Notes On Bracketing

    BRACKETING Compose the picture as described in the basic recording section (p. 27). Press the shutter-release button partway down (1) to lock the exposure This mode makes a three image bracket of a scene. Bracketing is a method of taking a and focus for the series;...
  • Page 4 INTERVAL Confirm the memory card has enough storage capacity for the series by comparing the number of frames in the interval series with the number of recordable images displayed The interval mode makes a series of still or moving images over a period of time. on the frame counter.
  • Page 5: White Balance

    SELF-TIMER WHITE BALANCE Used for self-portraits, the self-timer will delay the release of the shutter for approximately ten seconds after the shutter is released. The self-timer is set with the White balance is the camera’s ability to make different types of function dial (p.
  • Page 6: Automatic White Balance

    AUTOMATIC WHITE BALANCE To calibrate the camera, press the function button and turn the control dial until the custom white-balance icon and The automatic white balance compensates for the color temperature of a scene. In “SET” appear on the data panel and red on the monitors. most cases, the AUTO setting will balance the ambient light and create beautiful While holding the function button (1), use the up/down images, even under mixed-lighting conditions.
  • Page 7: Camera Sensitivity - Iso

    CAMERA SENSITIVITY - ISO FLASH RANGE AND CAMERA SENSITIVITY Five settings can be selected for camera sensitivity: Auto, 100, 200, For correct flash exposures, the subject must be within the flash range. The flash range 400, and 800; the numerical values are based on an ISO equivalent. can be extended by changing the camera sensitivity.
  • Page 8: Attaching A Minolta Accessory Flash Unit

    ATTACHING A MINOLTA ACCESSORY FLASH UNIT DIGITAL EFFECTS CONTROL To extend the versatility of the camera, an accessory flash unit (sold separately) can be The Digital Effects Controller is a powerful tool. As well as being able to make mounted on the camera. See page 154 for a list of compatible flash units. Always...
  • Page 9: Exposure And Flash Compensation

    EXPOSURE AND FLASH COMPENSATION Shooting tips The ambient light and flash exposure can be adjusted before the Sometimes the camera’s exposure meter is deceived by certain image is captured to make the final picture lighter or darker. conditions. Changing the exposure value can compensate for these Exposure can be adjusted by as much as ±2Ev in 1/3 increments situations.
  • Page 10: Contrast Compensation

    CONTRAST COMPENSATION COLOR-SATURATION COMPENSATION The contrast of a scene can be adjusted within seven levels (±3) The color saturation of a scene can be adjusted within seven with the digital effects controller. If a scene is too contrasty, levels (±3) with the digital effects controller. Colors can be information will be lost;...
  • Page 11: A Short Guide To Photography

    A SHORT GUIDE TO PHOTOGRAPHY The shutter controls not only exposure, but also the ability to stop motion. Fast shutter Photography can be a rewarding pursuit. It is a broad and disciplined field that can take speeds are used in sport photography to years to master.
  • Page 12: Navigating The Recording-Mode Menu

    NAVIGATING THE RECORDING-MODE MENU Basic Advanced 1 In recording mode, press the menu button (1) to activate the menu. The menu button AF mode Single Spot AF/AEL AF/AE hold also turns off the recording-mode menu after making settings. The four-way key of the Continuous AF/AE toggle controller (2) are used to move the cursor in the menu.
  • Page 13: Electronic Keyboard

    ELECTRONIC KEYBOARD AUTOFOCUS MODES The electronic keyboard is used to enter text for imprinting data or for naming new This digital camera has two autofocusing modes. The single and continuous AF are folders. The keyboard automatically appears when text needs to be entered. selected in the basic section of the recording-mode menu (p.
  • Page 14: Image Size

    IMAGE SIZE IMAGE QUALITY Changing image size affects the number of pixels in each image. The greater the This camera has five image quality settings: raw, super fine, extra fine, fine, and image size, the larger the file size. Choose image size based on the final use of the standard.
  • Page 15: About Super-Fine And Raw Image Quality

    ABOUT SUPER-FINE AND RAW IMAGE QUALITY IMAGE-FILE SIZE AND MEMORY CARD CAPACITY Because super-fine and RAW data files are so large, the UHS continuous-advance The number of images that can be stored on a memory card is determined by the size drive mode cannot be used with these image-quality settings.
  • Page 16: Flash Modes

    FLASH MODES REAR FLASH SYNC The flash mode can be changed in the basic Rear flash sync is used with long exposures to make Data EVF & section of the recording-mode menu (p. 80). For trailing lights or blurring appear to follow rather than panel LCD monitor the flash to fire, the unit must be manually lifted.
  • Page 17: Wireless / Remote Flash

    The camera’s built-in flash fires to control the off- camera flash units rather than to illuminate the Wireless/ subject. See your local camera dealer about Minolta Remote lighting accessories. flash. Position the camera and flash around the subject.
  • Page 18: Wireless/Remote Camera And Flash Ranges

    WIRELESS/REMOTE CAMERA AND FLASH RANGES NOTES ON WIRELESS/REMOTE FLASH Wireless/Remote flash performs best under subdued light or interior lighting. Under bright light sources, the flash may not be able to detect the control signals from the camera’s built-in flash. The wireless/remote system has four channels so that multiple lighting systems can be used in the same area without affecting each other.
  • Page 19: Flash Control

    FLASH CONTROL The chart lists approximate guide numbers for manual flash calculations. The following equations are useful in determining the guide number, aperture (ƒn), or flash-to-subject ADI, pre-flash TTL, and manual flash controls are available. Flash control is changed in distance required for exposure.
  • Page 20: Data Imprinting

    SPOT AF/AEL DATA IMPRINTING When the spot-AE lock button is pressed and held, the exposure is locked. How the Data can be printed directly on the image. The imprinting function must be activated spot-AE lock button operates and what functions it controls can be changed in the before the image is taken.
  • Page 21: Color Mode

    COLOR MODE ABOUT ADOBE RGB The color mode controls whether a still image is color or black and white. This must be Adobe RGB has a larger color gamut than the more common sRGB. The size of the set before the image is recorded. The color mode is set in the advanced 2 section of gamut limits the colors that can be reproduced;...
  • Page 22: Instant Playback

    INSTANT PLAYBACK VOICE MEMO After an image is captured, it can be displayed on the monitors for two or ten seconds Voice memo allows a five or fifteen second audio track to before being saved. When using the continuous-advance, HS continuous advance, or be recorded with a still image.
  • Page 23: Movie Recording

    MOVIE RECORDING Movie files are recorded at approximately 297KB per second. A 16MB Compactflash card can store about 50 seconds of digital video. Actual time depends on the subject Up to sixty seconds of digital video with or without audio can be recorded. The motion and the amount of image and audio data stored on the card.
  • Page 24: Navigating The Movie Menu

    NAVIGATING THE MOVIE MENU PRO-AUTO BUTTON Simply pressing the pro-auto button (1) resets the camera to Movie Press the menu button to active the menu. programmed and automatic functions in the movie recording Basic mode. The camera’s systems work together to bring Audio professional results leaving the operator free to concentrate Movie mode...
  • Page 25: Navigating The Playback-Mode Menu

    NAVIGATING THE PLAYBACK-MODE MENU Basic In playback mode, press the menu button (1) to activate the menu. The menu button Delete This frame also turns off the playback-mode menu when the settings have been completed. The All frames four-way key of the controller (2) are used to move the cursor in the menu. Pressing Marked frames the controller will enter a setting.
  • Page 26: Frame-Selection Screen

    FRAME-SELECTION SCREEN DELETING IMAGES When a marked-frames setting is chosen on a menu, the frame selection screen will Deleting permanently erases the image. Once deleted, an image cannot be appear. This screen allows multiple files to be selected. The index format of the screen recovered.
  • Page 27: Formatting Memory Cards

    Locking an image will protect it from a delete function. However, the formatting function Innovation and creativity has always been a will erase all files on a memory card whether locked or not. driving force behind Minolta products. The Electro-zoom X was purely an exercise in CHANGING THE INDEX PLAYBACK FORMAT camera design.
  • Page 28: Slide Show

    SLIDE SHOW Menu options Settings The advanced 1 section of the playback-mode menu controls the slide-show function. This function automatically displays all still images in a folder in order. To start the slide-show presentation. Pressing the central Slide button of the controller will pause the presentation. During Enter show the slide show, press the down key of the controller to stop...
  • Page 29: About Dpof

    ABOUT DPOF When the this-frame or all-frames setting is chosen, a screen will appear requesting the number of copies of each image; a maximum of nine copies can be ordered. Use the This camera is supported by DPOF™ version 1.1. The DPOF (Digital Print Order up/down keys of the controller to set the number of copies desired.
  • Page 30: Copying Images

    On February 20th, 1962, John Glenn became the first American to orbit the Earth. On board his Friendship 7 spacecraft was a Minolta Hi-matic camera to record that historic event. The 4 hour, 55 minute, and 23 second flight orbited the Earth three...
  • Page 31: Navigating The Setup Menu

    NAVIGATING THE SETUP MENU Basic Advanced 2 To access the menu, simply turn the main dial to the setup position. The four-way keys LCD brightness 1 - 5 Reset default Enter of the controller (1) are used to move the cursor in the menu. Pressing the controller EVF brightness 1 - 5 EVF autoSwtch...
  • Page 32 Dynax/Maxxum 7, and shutter sound from the Dynax/Maxxum 9 SLR. Signal 2 uses an electronic AF signal with a mechanical shutter sound taken from the legendary Minolta CLE. ETUP MODE...
  • Page 33: Folder Name

    The next (Standard) three letters refer to Minolta, and the last two numbers indicate the Except for the all-frames-C setting in the advanced 2 section of the playback-mode camera used;...
  • Page 34: Display Mode

    DISPLAY MODE DIRECT MANUAL FOCUS The recording mode Direct manual focus allows manual adjustments to be made after the AF system has displays activated by locked onto the subjects. Direct manual focus is activated in the advanced 1 section of the display-information the setup menu (p.
  • Page 35: Reset Default

    RESET DEFAULT Default Setting Page UHS continuous-advance movie Unlike the pro-auto button (p. 42, 105), this function affects not only the recording Voice memo mode, but also the movie, playback, and setup modes. When selected, a confirmation screen will appear; choosing “Yes” resets the following functions and settings, “No” Spot-AE lock button AE hold cancels the operation.
  • Page 36 EVF AUTO SWITCH - CONTROLLING THE AUTO-DISPLAY FUNCTION VIDEO OUTPUT Camera images can be displayed on a television (p. 39). The video output can be This option controls the auto-display function in the recording and changed between NTSC and PAL. North America uses the NTSC standard and Europe movie mode (p.
  • Page 37: Control Dial (M)

    CONTROL DIAL (M) BRACKETING In manual exposure mode (p. 56), the operation to change the aperture and shutter In the bracketing drive mode (p. 62), the bracket can be changed between the type speed can be reversed. Two settings are available: indicated by the digital-effects switch and exposure brackets only.
  • Page 38: Data-Transfer Mode

    The updated version of the driver software included on the supplied Press the center of the controller to send a signal to the DiMAGE software CD-ROM is required for the operation of the DiMAGE 7Hi with a computer to initiate the USB connection. A screen will computer.
  • Page 39: Changing The Memory Card (Data-Transfer Mode)

    CHANGING THE MEMORY CARD (DATA-TRANSFER MODE) When the camera is properly connected to the com- Care should be taken when changing memory cards while the camera is puter, a drive icon, or volume, will appear. When attached to the computer. Data could be lost or damaged if the camera is not using Windows XP or Mac OS X, a window will open properly disconnected.
  • Page 40: Connecting To Windows 98 / 98 Second Edition

    CONNECTING TO WINDOWS 98 / 98 SECOND EDITION MANUAL INSTALLATION The driver needs only to be installed once. If the driver cannot be installed To install the Windows 98 driver manually, follow the instruction in the connecting-the- automatically, it can be installed manually with the operating system’s add-new- camera-to-a-computer section on page 133.
  • Page 41: Quicktime System Requirements

    CONNECTING TO MAC OS 8.6 To access this camera with a computer with Mac OS 8.6, the USB storage support The add new hardware wizard will confirm software must be installed first. This software is supplied by Apple Computer, Inc. free the location of the driver.
  • Page 42: Memory Card Folder Organization

    MEMORY CARD FOLDER ORGANIZATION Image and audio file names begin with “PICT” followed by a four-digit file number and a tif, mrw, jpg, jpe, mov, or thm extension. Voice-memo files have a wav extension and Once the camera is connected to the computer, image and audio the file name corresponds to its image file.
  • Page 43: Disconnecting The Camera From The Computer

    DISCONNECTING THE CAMERA FROM THE COMPUTER The hardware devices to be stopped will be displayed. Highlight the device by clicking on Never disconnect the camera when the access lamp is lit - the data or it then click “Stop.” memory card may permanently be damaged. WINDOWS 98 / 98 SECOND EDITION A confirmation screen will appear to indicate the devices to be stopped.
  • Page 44: 144 Troubleshooting

    Shutter will No memory card in the ing appears on Insert a memory card (p. 22). contact a Minolta service facility listed on the back cover of this manual. not release. camera. the monitors. Problem...
  • Page 45: Removing The Driver Software - Windows

    (below the 50mm mark on the zooming ring). With very powerful close-up Select “uninstall.” A confirmation screen will appear. Clicking “Yes” will remove the lenses, such as a +3 or Minolta No. 2, vignetting may be noticeable below 100mm. driver from the system.
  • Page 46: Operating Temperatures And Conditions

    • Never touch the lens surface with your fingers. Minolta has no responsibility for any loss or damage to data. It is recommend that a copy of the card data be made on another media such as a computer hard disk STORAGE or CD-ROM.
  • Page 47 • A special built-in battery supplies power to the camera clock. If the clock resets when • TV program, films, video tapes, photographs, and other materials may be the camera is on, the battery is exhausted. The battery must be replaced at a Minolta copyrighted. Unauthorized recording or duplication of such material may be contrary service facility.
  • Page 48: Technical Specifications

    4 AA Ni-MH or alkaline batteries Battery performance (recording): Approx. number of recorded images: 220 frames Number of effective pixels: 5.0 million Based on Minolta’s standard test method: 1850mAh CCD: 2/3-type interline primary-color CCD with a total of Ni-MH batteries, full-size images (2560 X 1920), 5.2 million pixels.
  • Page 49: System Accessories

    SYSTEM ACCESSORIES FILTER A variety of Minolta accessories can be used with this camera to extend its Filter levels For more on Filter with color images effects, see page 77. performance. For more details on the items listed below and in other sections of this manual, contact your local Minolta dealer.
  • Page 50 7 Tanners Drive, Blakelands, Milton Keynes, MK14 5BU, England Minolta Austria Ges. m.b.H. Amalienstrasse 59-61, A-1131 Wien, Austria Minolta Camera Benelux B.V. Zonnebaan 39, P.O. Box 6000, NL-3600 HA Maarssen, The Netherlands Belgian Branch Prins Boudewijnlaan 1, B-2550 Kontich, Belgium...

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