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D 7
D 7 S
D 7 LTD
V O C A L
BEDIENUNGSANLEITUNG
Bitte vor Inbetriebnahme des Gerätes lesen!
USER INSTRUCTIONS
Please read the manual before using the equipment!
MODE D'EMPLOI
Veuillez lire cette notice avant d'utiliser le système!
ISTRUZIONI PER L'USO
Prima di utilizzare l'apparecchio, leggere il manuale!
MODO DE EMPLEO
¡Sirvase leer el manual antes de utilizar el equipo!
INSTRUÇÕES DE USO
Favor leia este manual antes de usar o equipamento!
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Summary of Contents for AKG D7

  • Page 1 D 7 S D 7 LTD V O C A L BEDIENUNGSANLEITUNG S. 2 ..Bitte vor Inbetriebnahme des Gerätes lesen! USER INSTRUCTIONS p. 12 ....Please read the manual before using the equipment! MODE D’EMPLOI p.
  • Page 2: Table Of Contents

    Table of Contents Page 1 Precaution / Description................13 1.1 Precaution ..................13 1.2 Unpacking ..................13 1.3 Optional Accesories ..............13 1.4 Features ..................13 1.5 D 7.....................14 1.6 D / S...................14 1.7 D 7 LTD ..................14 2 Interfacing ....................15 3 Using Your Microphone .................16 3.1 Introduction ................16 3.2 Working Distance and Proximity Efffect..........16 3.3 Angle of Incidence ...............16...
  • Page 3: Precaution/Description

    • Check that the packaging contains all of the components listed above. Should anything be missing, please contact your AKG dealer. • For optional accessories, refer to the current AKG catalog or 1.3 Optional folder, or visit www.akg.com. Your dealer will be glad to Accessories help.
  • Page 4: D 7

    1 Description 1.5 D 7 The AKG D 7 is a supercardioid dynamic microphone. It has been designed specifically as a vocal microphone for rough on- stage use. The wide frequency response of the D 7 slightly fa- vors the midfrequency and treble regions to ensures good intelligibility of speech.
  • Page 5: Interfacing

    2 Interfacing The microphone provides a balanced output on a 3-pin male XLR connector: Pin 1: ground Pin 2: hot Pin 3: return You can connect the microphone either to a balanced or an un- balanced microphone input. • To connect the microphone to a balanced input (XLR con- nector), use a commercial XLR cable.
  • Page 6: Using Your Microphone

    3 Using your microphone 3.1 Introduction A handheld vocal microphone provides many ways of shaping the sound of your voice as it is heard over the sound system. The following sections contain useful hints on how to use your microphone for best results. 3.2 Working Distance Basically, your voice will sound the bigger and mellower, the and Proximity Effect...
  • Page 7: Feedback

    3 Using your microphone 3.4 Feedback Fig. 2: Microphone placement for maximum gain before feedback. The term “feedback” means that part of the sound projected by a speaker is picked up by a microphone, fed back to the ampli- fier, and projected again by the speaker. Above a specific vol- ume or "system gain"...
  • Page 8: Backing Vocals

    3 Using your microphone 3.5 Backing 1. Never let more than two Vocals persons share a micro- phone. 2. The microphone is very in- sensitive to off- axis sounds. If the two vo- calists were to sing into the microphone from an angle Fig.
  • Page 9: Replacing The Internal Windscreen

    4 Cleaning Should the sound remain dull even after cleaning the wind- 4.4 Replacing the screen, you can replace the original internal windscreen with Internal Windscreen the extra windscreen supplied with the microphone: 1. Unscrew the front grill from the microphone CCW. 2.
  • Page 10: Troubleshooting

    5 Troubleshooting Problem Possible Cause Remedy No sound. 1. Power to mixer and/or 1. Switch power to mixer amplifier is off. or amplifier on. 2. Channel or master fader 2. Set channel or master on mixer, or volume fader on mixer or vol- control on amplifier is at ume control on amplifier zero.
  • Page 11: Specifications

    DK 814.637, FI 814.637, FR 814.637, GB 814.637, IT 814.637, NL 814.637) This product conforms to the standards listed in the Declaration of Conformity. To order a free copy of the Declaration of Conformity, visit http://www.akg.com or contact sales@akg.com. Frequency Response Polar Diagram...
  • Page 12 Lemböckgasse 21–25, A-1230 Vienna/AUSTRIA, phone: (+43-1) 86654-0* e-mail: sales@akg.com For other products and distributors worldwide visit www.akg.com Technische Änderungen vorbehalten. Specifications subject to change without notice. Ces caractéristiques sont susceptibles de modifications. Ci riserviamo il diritto di effettuare modifiche tecniche. Nos reservamos el derecho de introducir modificaciones técnicas. Especificações sujeitas a mudanças sem aviso prévio.
  • Page 13 The AKG D 7 delivers the subtle, open, detailed sound of a condenser microphone, while maintaining the rugged reliability and ease of control of a dynamic microphone. At the heart of the D 7’s design is AKG’s new Laminate Varimotion diaphragm which allows precise response tuning without resonators.
  • Page 14 Reference Handheld Dynamic Microphone SPECIFICATIONS Polar pattern Supercardioid Frequency range 70 to 20,000 Hz High pass Filter 80 Hz, always active Sensitivity 2.6 mV/Pa (-52 dBV) Max. SPL for 1%/3% THD 147 / 156 dB SPL Equivalent noise level 18 dB-A (IEC 60268-4) Signal/noise ratio (A-weighted) 76 dB Impedance / load Impedance...
  • Page 15 Service Manual 3139Z00… AKG Service Department, Lemböckgasse 21-25, A-1230 Wien, Austria.Tel.: (431)86654-0, FAX: (431)86654-1514, e-mail: service@akg.com 06/09 D7...……..3139Z00010 D7 S……..3139Z00020 D7 LTD….3139Z00030 Part number Description Pos. D7 S D7 Bezeichnung Bestellnummer Grid cap 3139M11010 Gitterkappe Grid cap 3139M11030 Gitterkappe Foam insert...
  • Page 16 Service Manual 3139Z00… AKG Service Department, Lemböckgasse 21-25, A-1230 Wien, Austria.Tel.: (431)86654-0, FAX: (431)86654-1514, e-mail: service@akg.com 06/09 Reparaturhinweise: Bitte beachten Sie daß die Litzen der Kapsel wie im Bild 1 verlegt sein müssen. Repair – Hints: Please take care that the litz wires are routed as in the picture 1.

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