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Aviom, Inc. Trademarks Aviom, A‑Net, the A‑Net icon, Pro16, Pro64, and Virtual Data Cable are trademarks of Aviom, Inc. All other trademarks are the property of their respective owners.
No on/off power switches are included in the system. The external power supply should be used to control power to an Aviom device. This power supply should remain readily operable. The solid line over dashed line symbol ( ) indicates that the input voltage must be a DC voltage.
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• Consult the dealer or an experienced radio/TV technician for help. Changes or modifications to the product not expressly approved by Aviom, Inc. could void the user’s FCC authority to operate the equipment.
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If a defect is discovered, first write or call Aviom, Inc. to obtain a Return Authorization number. No service will be performed on any product returned without prior authorization.
To fulfill warranty requirements, your Aviom product should be serviced only at an authorized Aviom service center. The Aviom serial number label must appear on the outside of the unit, or the Aviom warranty is void. This manual and its contents are copyrighted by Aviom, Inc. All rights are reserved by Aviom, Inc.
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Warning Failure to observe the following warnings may lead to risk of serious injury from fire or electric shock. Before installing the 6416Y2 card, you must refer to the owner’s manual of the host device or to the Yamaha website to verify that your host device supports this card, and to verify the number of cards that can be installed in combination with other Yamaha or third‑party cards.
Yamaha® digital products that support the mini‑YGDAI (MY) card format. This User Guide is designed to familiarize you with the features and functions of your new Pro64® product. All Pro64 products are powered by A‑Net®, Aviom’s proprietary data transmission protocol designed especially for the unique demands of live streaming audio.
• The 6416Y2 card can be both the Pro64 network Control Master and the network Clock Master • Flexible and robust clocking allows simple console‑to‑ console digital connections • Front‑panel Stereo Link DIP switches for channel pairing for use with Pro16® Personal Mixers •...
Always be sure to dry the surface of the unit before proceeding with use. When cleaning your Aviom products, never spray cleaners directly onto the product surfaces. Instead, spray a small amount of the cleaning solution onto a clean cloth first.
Installing the 6416Y2 Card Before installing the 6416Y2 card in a compatible Yamaha digital device, be sure to read the DIP switch configuration section of this User Guide (page 30). The 6416Y2 card can be used in any MY (mini‑YGDAI) expansion slot in a Yamaha digital mixing console or compatible digital product (see the list on page 3).
• Connect the 6416Y2 to a Pro64 network. Once the Aviom expansion card has had its DIP switches configured and is installed in the Yamaha host device, all audio routing to/from the 6416Y2 A‑Net Interface Card is done from within the Yamaha device’s user interface.
It has also been tested and found to be compatible with Microsoft Windows Vista®. Mac users can run Pro64 Update Tool using Windows XP running under Apple’s Boot Camp program on Intel‑based Macs. Get the Pro64 Update Tool and firmware update files from the Aviom website: http://www.aviom.com irmware...
Do not expose the Pro64 device to moisture, rain, or excessively damp environments. AC Line Conditioning Aviom products are digital devices and as such are sensitive to sudden spikes and drops in the AC line voltage. Changes in the line voltage from lightning, power outages, etc. can sometimes damage electronic equipment.
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When cleaning your Aviom products, never spray cleaners directly onto the product surfaces. Instead, spray a small amount of the cleaning solution onto a clean cloth first. Then use the dampened cloth to clean the product.
By eliminating Ethernet data structures, A‑Net creates a superior network, with enhanced audio performance. With A‑Net and the Pro64 Series, Aviom continues to break new ground in the design and development of innovative digital audio networking technologies and solutions.
Control Data The Pro64 Series has built‑in, dedicated bandwidth for 14 channels of non‑ audio control data through the use of Aviom’s innovative Virtual Data Cables™ (VDC). These data streams are always available to carry MIDI, RS‑232/RS‑422, or GPIO (General Purpose I/O), and they never compete with the audio channels for network resources, regardless of the system configuration.
In Auto Mode, there are no connection rules; connect a Cat‑5e cable to either the A or B port and the network does the rest. Auto Mode provides a true audio network with 64 available “Slots” for transporting audio (at 44.1/48kHz). Every audio Slot is available everywhere in the network, with no upstream/ downstream restrictions.
Slots is determined by the current sample rate. Slots versus Channels You might be wondering why Aviom chose to refer to the audio I/O resources in the Pro64 Series products as ‘’Slots.” Why not just call them “channels”? We did this to avoid confusion between references to physical hardware audio resources and virtual network audio resources.
Pro64 audio networks can potentially have a greater number of audio channels and hardware I/O devices connected than the network can make use of at one time. This provides flexibility without requiring constant re‑ patching. Keep in mind that a Pro64 A‑Net network can only manage a specific number of Slots at a time, and this number varies with the sample rate being used.
A-Net Base Slot Since the capacity of the Pro64 network could be as high as 64 A‑Net Slots, Pro64 hardware I/O devices need a way of routing a selected hardware channel to a desired network Slot. The 6416Y2 uses DIP switch block SW9 to select a base Slot range, in groups of 16 channels.
A-Net Slot Example The following example shows the power of the Pro64 network and the A‑Net Slots concept. The range of A‑Net Slots used in the example has been limited to the group from 1 to 16 for simplicity. This graphic represents a Pro64 product set to use Slot range 1. Slot Channel 9 10 11 12 13 14 15 16 One 16‑channel input module is placed in each of four rooms of a production...
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By activating a few channels on each of the four input modules, a total of sixteen inputs (Slots) are used, indicated by reverse text. All of these inputs are available throughout the Pro64 network at every output module— analog, digital, Yamaha card, etc. The operator in Studio E can use the sixteen sources from Studios A, B, C, and D simultaneously.
Network Modes A Pro64 audio network can be set to operate in one of two modes, Auto or Manual. The network mode can be selected on the front panel of the I/O device designated as the system’s Control Master or from the DIP switches in block SW9 if the 6416Y2 card is set to be the Control Master.
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system with up to 64 sends from the stage and another unique stream of up to 64 returns to the stage. Manual Mode operation removes the restrictions of unique channel‑to‑Slot‑ range relationships found in Auto Mode. Slots can be overwritten, allowing the user to replace channels from one part of the network with new data.
Control Master In every Pro64 network, one device will always be designated as the Control Master, the device that manages all A‑Net resources for the network. The Control Master can be any I/O module in the network, and can be assigned or changed by the user as needed.
Only one device in a Pro64 network can be designated as the Control Master. Here, a Pro64 I/O module is shown. Setting Control Master Status Setting the 6416Y2 to be the network Control Master is done using the DIP switches found on the front panel. The Control Master is set with switch 12, found in the same DIP switch block as the Stereo Link section of the interface.
Control Master Functions This section describes the individual functions of the Control Master device in a Pro64 network. Enumeration When the Control Master is powered on, its first job is to identify and count all connected A‑Net modules in the network in a process called enumeration. The time for this process will vary based upon the number of Pro64 modules in a system.
Adding Pro64 Modules to a Network When a new device is added to an existing Pro64 network, the new device makes a request to the Control Master for inclusion in the network. During this time, the new module’s blue A‑Net LED will flash. When the new module has been enumerated by the Control Master, its blue A‑Net LED will then light solidly to indicate that the Control Master has granted the module access to the network.
Yamaha host device and shared throughout the Pro64 network. That clock reference can be the Yamaha host’s internal clock or an external clock to which the Yamaha host device is synced. Changes to the host device’s sample rate will affect available A‑Net Slots. Multiple 6416Y2 cards can be used in a Yamaha host device, but only one can be set to be Control Master, which automatically makes this card the Clock Master.
The network’s internal master clock is derived from the sample rate currently in use. The sample rate also affects the total number of available A‑Net Slots available for use in the Pro64 network. The Clock Master LED on the 6416Y2 card (labeled CLK) will light automatically when its Yamaha host is powered on if the 6416Y2 card is Control Master and Clock Master for the Pro64 network.
Auto/Manual Mode Selection The Control Master can be used to set the current network mode to Auto or Manual. As with the system‑wide sample rate, the network mode is also a global setting. Only one Pro64 device can be Control Master in a network. Changes to the network mode must be made from the Control Master.
Password Protection A Pro64 network can be password protected from the Control Master only. Once protected, the front‑panel interface on all modules is locked, preventing changes to A‑Net Slots, sample rate, clock source, channel activation, stereo links, and Virtual Data Cable assignments. Hardware switches, such as gain settings on input and output modules, and rear‑panel DIP switches are in the analog domain and are not affected.
through cable. Cable pinouts for RS‑232 and RS‑422 are available elsewhere in this document. DIP Switches There is one 12‑position DIP switch block on the front panel of the 6416Y2, referred to as SW7 in the diagrams that follow. Note the mounting direction of the DIP switches;...
Stereo Link DIP Switches Eight Stereo Link DIP switches are provided allowing odd‑even channels to be paired for use with Aviom Pro16 personal monitoring products such as the A‑16II and A‑16R Personal Mixers. (This application requires the ASI A‑Net Systems Interface.) Each DIP switch controls a pair of channels. Stereo Link information will be passed to all Pro64 modules.
A-Net Ports Two Pro64 A‑Net ports are provided on the 6416Y2 card, labeled A and B. Each port has a Neutrik® EtherCon® connector and can support standard RJ45 cables or those fitted with the heavy‑duty EtherCon plug. Multiple 6416Y2 cards can be used in compatible Yamaha devices by linking them together via the A‑Net ports with a short Cat‑5e jumper cable.
Clock (CLK) LED The Clock (CLK) LED will light yellow when the 6416Y2 card is set to be the Pro64 network’s Control Master, which automatically sets the card to be the network Clock Master. When the 6416Y2 card functions as the network Clock Master, its clock is derived from the Yamaha host device.
Circuit Board DIP Switches The 6416Y2 A‑Net Interface Card is configured using DIP switches. Each block of switches is labeled on the circuit board with the abbreviation “SW” followed by a number. There is one DIP switch block on the front face of the card (SW7), and there are six DIP switch blocks on the card’s circuit board.
DIP Switch Functions The individual switch functions for circuit board DIP switch blocks SW1, SW2, SW3, SW4, SW8, and SW9 are detailed in this section. DIP Switch Block 1 (SW1) Use Switch Block 1 (SW1) to activate channels 1‑8 on the 6416Y2 card and assign them to Slots within the Pro64 network.
DIP Switch Block 3 (SW3) The DIP switches in block SW3 are used to configure m‑control, a feature that allows the user to control preamp settings on the 6416m Mic Input Modules in the Pro64 network directly from compatible Yamaha consoles. 3 4 5 6 9 10 3 4 5 6...
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The switches on SW3 have the following functions. DIP Switch Block SW3 Functions Parameter Function Switch Channel/Slot Activates m‑control for 6416m channels Control 1‑16 1‑16 from the current Yamaha device Channel/Slot Activates m‑control for 6416m channels Control 17‑32 17‑32 from the current Yamaha device Channel/Slot Activates m‑control for 6416m channels Control 33‑48...
The table below shows parameters that can be changed on DIP switch block SW3. Remember that any combination of DIP switches 1‑4 can be used to allow control to be sent to a specific range of active Pro64 mic preamp channels.
The switches on SW4 have the following functions. Switch Function Off (down) Function On (up) One Stop Bit Two Stop Bits 7 Data Bits 8 Data Bits Parity Even Parity Odd No Parity Parity Baud Rate Select See Baud Rate Table Baud Rate Table Use the following table to set baud rates for DIP switches 5‑8 in Switch Block SW4.
3 4 5 6 9 10 3 4 5 6 3 4 5 6 3 4 5 6 This example shows Switch Block SW4set for a baud rate of 57600 (DIP switch handles shown in black). 3 4 5 6 The pinout of the RS‑232/422 jack on the 6416Y2 card appears later in this document.
The default setting for DIP switch 1 is RS‑232. VDC connections to the Yamaha backplane (switches 2, 3, and 4), are not supported on all Yamaha digital products—currently only the LS9 series products can make use of this option; consult Yamaha for compatibility information.
VDC Slot Assignments - Front Panel VDC Port Switches 5, 6, and 7 are used to assign Virtual Data Cable Slots for the front panel RS‑232/422 VDC port. The following table lists the possible settings for the 14 VDC Slot assignments available in a Pro64 network. RS‑232/422 communication always requires a pair of Virtual Data Cable Slots;...
DIP Switch Block 9 (SW9) Switch Block SW9 controls network‑level functions such as Auto/Manual Mode selection and A‑Net transmit/receive settings. DIP Switch Block 9 (SW9) Functions Switch Function Off (down) Function On (up) Auto Mode Manual Mode A‑Net Transmit Port (A, B, or A‑Net Transmit Port (A, B, or A+B) Select 0 * A+B) Select 0...
A‑Net Transmit Settings DIP Switch 2 DIP Switch 3 Port A Port B Ports A and B Not supported A-Net Receive Settings (Manual Mode) The 6416Y2 can receive A‑Net data from the Pro64 network from Port A or Port B when the network is running in Manual Mode. (This setting does not apply when the network is operating in Auto Mode;...
A-Net Receive Base Slot Settings Data from the Pro64 network can be assigned in blocks of 16 channels to the Yamaha host device for mixing, processing, etc. Switches 7 and 8 are used to determine from where in the Pro64 network these channels should be drawn.
Configuring the 6416Y2 Card The diagrams below details the functions of the 6416Y2 card’s DIP switch blocks on the front panel and circuit board that will be used in the configurations that follow. MY16/MY8 Transmit Port (Manual only) Transmit Slots (from console) 3 4 5 6 9 10...
Choose a Control Master The first step in setting up a Pro64 network is to decide which Pro64 device will be the Control Master. A Pro64 network always has one Control Master and one Clock Master. The Control Master is in charge of network‑wide settings, channel/Slot management, Virtual Data Cable allocation, error messaging, etc.
Set The Network Mode Every Pro64 network has three operational modes. Auto Mode allows 64 active total channels at 48kHz, while Manual Mode provides 64x64 channels. Managed Mode requires a computer for control, and is used for firmware updates, etc. The network mode is set on switch block SW9, and is only required to be set when a 6416Y2 card is used as a Control Master.
clearly defined directional needs such as a 64 x 16 digital snake. Although the Pro64 network can operate at sample rates higher than 96kHz, Yamaha devices cannot. The Pro64 176.4 and 192kHz sample rates are not available when using a 6416Y2 card in a Pro64 network. MY8 and MY16 Modes Switch block SW8 contains the setting for Yamaha’s MY8 and MY16 Modes.
Choose I/O Settings Use switch block SW9 to set the range of Slots (in blocks of 16 channels) that each 6416Y2 card will use when transmitting/receiving audio. DIP switches #7 and #8 are used for the receive Slot range, in groups of 16 channels (1‑16, 17‑32, 33‑48, or 49‑64).
Remember that the 6416Y2 card functions as both an input and an output module. Set different Pro64 network transmit/receive (Tx/Rx) Slot ranges to avoid channel/Slot allocation conflicts. This is especially important in multi‑ card systems. Activate Channels/Slots Once the Transmit base Slot range has been selected, use DIP switch blocks SW1 and SW2 to activate up to 16 individual Slots in that range, which sends audio from the Yamaha console (or DME) into the Pro64 network.
Sample Systems The following examples show 6416Y2 card settings that can be used as starting points for creating a system. 48 x 16 Digital Snake The examples below show a three‑card digital snake in Auto Mode set to receive Slots 1‑48 from the network and transmit Slots 49‑64 from the console into the Pro64 network.
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If you need less than 16 channels from the Yamaha device to be transmitted into the Pro64 network Slots, simply change the appropriate DIP switches in blocks SW1 and/or SW2. For example, to transmit only 8 total channels from the Yamaha console to the Pro64 network, move all DIP switches in block SW2 to the down position.
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Card 3 of 3 3 4 5 6 9 10 3 4 5 6 9 10 3 4 5 6 3 4 5 6 3 4 5 6 49-56 OFF 3 4 5 6 57-64 OFF The third 6416Y2 card in the 48 x 16 digital snake receives Slots 33-48 from the network.
rear panel of the ASI. To create digital splits of the source signals in the network, simply connect Pro64 output devices such as the 6416o Output Module for analog outputs, the 6416dio for AES3 digital outputs, or even additional Yamaha digital consoles with 6416Y2 cards installed.
m-control With m‑control™ for Yamaha digital consoles, the 6416m Mic Input Module can be remote controlled directly from a Yamaha console’s user interface when a 6416Y2 A‑Net Interface Card is installed. Using m‑control, an engineer has direct access to the 6416m preamp’s gain control, +48V phantom power, and high pass (low cut) filter.
The most common remote controllable mic preamp connected to these consoles is the Yamaha AD8HR, an 8‑channel device, so remote controllable Aviom channels appear to the console as AD8HR devices, and all text and graphics in the Yamaha user interface will refer to external AD8HRs. While...
85Hz low cut filter, while Yamaha consoles offer a variable range High Pass Filter (abbreviated as HPF) in their user interface. When using Yamaha remote control with Aviom 6416m preamps, you can turn this filter on and off, but the cutoff frequency remains fixed at 85Hz. Editing the HPF filter cutoff frequency from the Yamaha user interface will have no effect at the 6416m;...
6416Y2 cards in the host console. Channel Count and Control As with audio I/O, the exact number of Aviom mic pre channels that can be controlled from a console is determined by the Yamaha device’s expansion capability, the number of 6416Y2 cards that the host’s power supply subsystem can support, the current MY mode being used (MY8 or MY16) and the current sample rate being used.
card (and its MY expansion card slot) will be associated with two virtual HA devices—16 channels total. In MY8 mode (88.2/96kHz), each 6416Y2 card installed is associated with a single virtual HA device (8 channels). Not all sample rates are available on every Yamaha console. Refer to the table above.
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console‑based control. : The actual number of remote controllable channels is determined by the expansion capability of the particular Yamaha console being used. The following table shows the parameters that can be changed on DIP switch block SW3. DIP Switch Block SW3 Functions Parameter Function Switch...
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DIP Switch Block SW3 Settings Parameter Down Switch Channel/Slot Control off Control on (1‑16) Control 1‑16 Channel/Slot Control off Control on (17‑32) Control 17‑32 Channel/Slot Control off Control on (33‑48) Control 33‑48 Channel/Slot Control off Control on (49‑64) Control 49‑64 RS‑422 Control Use backplane Use DB9 Remote...
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The example below shows a 6416Y2 card fully configured for Yamaha remote control and audio I/O. As seen in DIP switch block SW9, this 6416Y2 card is set to receive channels 1‑16 from the Pro64 network (switches 7‑8 are down) and to transmit audio from the console into channels/Slots 33‑48 of the Pro64 network (switch 5 up, switch 6 down).
Signal Routing to the Console Routing channels to/from MY expansion cards can be accomplished directly from the Yamaha console’s user interface or with a computer using the optional Studio Manager software (available from the Yamaha website at http://www.yamahaproaudio.com/downloads). In order to route channels in the console to and from the 6416Y2 cards, be sure that A‑Net Transmit and Receive settings on the 6416Y2 cards (Slot range and channel activation) are properly configured.
LS9 Console Setup Access to external head amp settings on the LS9 series consoles is available from the Rack 5‑8 screens, accessed by repeatedly pressing the R button found on the left side of the LS9 top panel until the External HA screen is displayed.
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The External HA settings screen on an LS9-32 The LS9 External HA screen includes the following setting: 1. COMM Port Setting — Set this to the same MY expansion slot where the 6416Y2 card being used for console remote control is installed.
The eight-channel External HA screen shows all controllable parameters. Only active Pro64 channels on connected 6416m preamps can be edited. Remember that the HPF parameters can only be set to on/off; the high pass filter cutoff frequency parameter does not apply to the 6416m Mic Input Module.
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The highlighted area of the channel strip screen shows the patching for an external mic preamp from channel #1 of MY expansion slot card #1 to the LS9-32 mixer’s fader 33. Channel strips on the LS9 can be patched individually to create virtually any arrangement of its audio sources.
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channel coming into the console via the 6416Y2 card as the audio source for the channel. Choose a specific input channel from the current input source to be routed to the channel fader on the console. Press e to confirm. Press c to exit.
M7CL Console Setup The M7CL comes in two sizes, 32 and 48 channels. Both consoles have three MY expansion slots and can accept up to three 6416Y2 A‑Net Interface cards (48 channels total). The M7CL External HA screens will show six groups of eight remote controllable preamps maximum.
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External head amp settings shown in the Virtual Rack screen on an M7CL The M7CL External HA screen includes the following settings: 1. Remote Preamps ID — Available remote controllable preamps are shown in groups of eight channels; note that the remote device name is always displayed as “AD8HR.”...
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The eight-channel External HA screen on the M7CL shows all controllable parameters in groups of eight. Only active Pro64 channels on connected 6416m preamps can be edited. Remember that the HPF parameters can only be set to on/off; the high pass filter cutoff frequency parameter does not apply to the 6416m Mic Input Module.
Assigning Remote Preamp Channels to the M7CL Individual channels on an M7CL can be patched to use any available audio resource, including the console’s rear panel mic/line analog inputs or digital audio coming into the console via MY expansion cards. To change the assignments, first select the overview screen of the channel group you want to change (see below).
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IN1-32 SLOT 1 The Patch screen allows channels from the external MY card slots to be assigned to the M7CL faders. Click on one of the Input Patch assignments to change its source. The diagram above shows console channel #1 getting its audio from the first channel of the first MY expansion slot.
PM5D Console Setup The PM5D comes in two distinct versions: the PM5D with manual, non‑ recallable head amp gain controls, and the PM5D‑RH that has digital head amp gain controls that are fully programmable. Both versions of the console have four MY expansion slots and can accept up to four 6416Y2 A‑Net Interface Cards (64 channels total).
below). Scroll right to show the expansion slot audio resources. Input patching is shown as a grid on the PM5D. Information about the currently selected channel’s patching is shown across the top portion of the window (see below). In this diagram mixer channel #1 is set to receive audio from channel 1 of MY expansion card #1.
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changed as needed via m‑control. A global view of the console’s 48 channels is available on the HA screen, which is accessed from the System/Word Clock page. Press the S /W.c button in the Display Access section of the PM5D lock to open it.
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The External HA screen shows all editable parameters. Click the e Ha 1-4 or e Ha 5-8 button in the display to show the xteRNal xteRNal remote preamps (see the detailed view below). This close-up diagram of the External HA screen shows all editable parameters and routing info.
Console remote control messages sent from the PM5D can control the 6416m’s gain, +48V phantom power, and high pass filter only via m‑control. The PM5D’s HPF cutoff frequency and the remote preamp +48V Master on/ off switch are not supported by the Pro64 preamps. Other Yamaha Consoles This document covers setup and use of m‑control with the LS9, M7CL, and PM5D consoles.
Remote Control of Yamaha Mic Preamps Pro64 Virtual Data Cables can be used to send control data from a Yamaha digital console to Yamaha remote‑controllable mic preamps such as the AD8HR. The Yamaha devices communicate using RS‑422 at a 38.4k baud rate, with 8 data bits, 1 stop bit, and no parity.
Baud Rates All devices connected in this application need to be set to the same baud rate. Configure the 6416Y2 card’s DIP switches before installing it in the Yamaha console; its settings cannot be accessed once the card is installed. Set up the devices as follows: RS‑422 Port Baud Rate...
At this point changes to mic pre parameters can be made on the Yamaha control surface. Consult the documentation that came with your Yamaha product for complete information on routing channels, selecting mic preamps to control, and how to change specific parameters. Connection Example RS–232/422 STEREO LINK...
However, connection to other equipment will usually require a female‑to‑female cable. There are many different types of DB9 cables available, but Aviom selected a pinout for our DB9 connector that would allow both RS‑232 and RS‑422 connections to be made with off‑the‑shelf cables.
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Aviom DB9 connector, pin 3 (RS‑232 –Tx) will drive pins 1 and 6 at the other end of the cable through the 100 ohm resistor. This isn’t a problem for most modern RS‑232 implementations as these signals are ignored, and both are inputs.
60Hz. Power Supply +3.3V, +5V, +15V supplied by the Yamaha host device Dimensions 4.75”w x 6.25”d x 1.5”h (120.7 x 158.8 x 38.1 mm) Weight 0.8 pound (0.36 kg) All Aviom products are designed and manufactured in the USA. PeCifiCations...
DIP Switch Templates Use this pair of diagrams to notate settings for the configurations you use frequently. Copy this page to plain paper, enlarging if necessary, and mark DIP switch settings with a pen or marker. PeCifiCations...
Warranty Registration Please take a moment to fill in this warranty registration form. Return it to Aviom via mail or fax. All information will be kept confidential. Model Number Product Serial Number Model Number Product Serial Number Model Number Product Serial Number...
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1157 Phoenixville Pike, Suite 201 • West Chester, PA 19380 Voice: +1 610.738.9005 • Fax: +1 610.738.9950 • www.Aviom.com...
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