Audio Engineering Associates R84 User Manual

Ribbon microphones

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A
1029 N. Allen Ave., Pasadena, CA 91104 www.ribbonmics.com Phone: (626) 798-9128 Fax: (626) 798-2378
User's Manual
The passive R84 and active A840 are neoclassic designs in the tradition of the acclaimed R44 and
A440 Big Ribbon
tm
microphones. They are designed for main, accent and solo use in contemporary
studios. Mics in this tradition, such as the RCA 44, have been making great recordings for over 75
years. Buying an AEA R84 or A840 demonstrates your interest in continuing this tradition of quality
sound.
The frequency response of the R84 and A840 is the same. They use different transformers so there are
some sonic differences. The R series transformer was developed by Ken Reichenbach at Cinemag to
match the sound of our reference RCA studio ribbons. The A series transformer is a very high-ratio
transformer developed by Per Lundahl at Lundahl in Sweden without reference to the RCA tradition.
These sonic differences are subtle when using AEA mics with our TRP and RPQ No Load
amps. A Big Ribbon
tm
like woofers, have a substantial impedance peak at resonance. Using unbuffered ribbons with lower
impedance preamps increases noise and dramatically reduces bass. One advantage unbuffered ribbons
have over buffered ribbons is that their SPL limits are entirely mechanical. AEA R series handle very
high SPLs, above 1 k Hz they handle over 165 dB SPL. The 2 micron thin ribbon's mass well match-
es its air load, so even when used close-up as a spot mic it adds no extra high frequency 'tizz'.
A840's mic line and preamp is buffered by a phantom-powered discrete-JFET circuit from the rib-
An
bon motor and high-ratio transformer. The result is a quiet microphone with excellent headroom and
sensitivity. It matches any P48 spec preamp and drives long mic lines easily. Output impedance varies
little with frequency, so there is less sonic interaction between the mic, the mic line and the preamp.
Your microphone is supplied as a complete system that includes an integral cushion mount / stand
adapter, an attached three-meter "star-quad" mic cable, and a custom case. The R84 is delivered in a
compact custom softcase. The A840 is delivered in a smaller version of the R44/A440 cloth covered
armoured case. A bright brass grill and thumbnuts identify the A840 from a distance. A red label at the
XLR and engraving on the logo band identifies it as requiring 7 mA of P48 phantom power.
This manual covers:
1. Cautions
2. How it sounds
3. Unique Characteristics
4. Technical Specifications
5. The Back Story
6. Additional Reading
E
udio
ngineering
R84 & A840 Ribbon Microphones
resonance is very low, 16.5 Hz rather than a more usual 40-60 Hz. Ribbon mics,
Associates
• STUDIO RIBBON MICS
• M/S STEREO
• TALL STANDS
• MIC POSITIONERS
©2003-2009
mic pre-
tm

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Summary of Contents for Audio Engineering Associates R84

  • Page 1 Buying an AEA R84 or A840 demonstrates your interest in continuing this tradition of quality sound. The frequency response of the R84 and A840 is the same. They use different transformers so there are some sonic differences. The R series transformer was developed by Ken Reichenbach at Cinemag to match the sound of our reference RCA studio ribbons.
  • Page 2 Marshall stack with the volume turned up full. It gives new meaning to the term “pop” music. Phantom Power: The A840 needs 7 mA of P48 power. The R84 is a passive ribbon and does not want or need phantom power. Passive ribbon mics and phantom power co-exist when everything is perfect. But...
  • Page 3 Wes Dooley. “AEA’s classic R44 series and our neoclassic R84 / A840 mics offer a truly opulent sound.” It is uncanny how closely playback matches your studio listening experience. Eddie Van Halen recorded Alex’s drums at 5150 and said that his Big-Ribbon mics were the only ones where playback sounded like being there.
  • Page 4 How close can you get? Quite close. These mics have a smooth extended treble response that never sounds harsh up close. High SPL is not a big problem either. The R84 handles 165 dB SPL >1 kHz and the A840 clips above 141 dB SPL. AEA Big Ribbons handle higher SPLs at lower frequencies than their shorter brethren.
  • Page 5 TECHNICAL DETAILS R44 / A440 vs. R84 / A840 Compared to the 44 series, the 84 is physically lighter at 1.75 vs. 7.5 lbs. (.8 vs. 3.4 Kilos) and more compact at 3.0 vs. 4.6 inches across and 11.5 vs. 13.25 inches high (7.6 vs.
  • Page 6 Our 20 years of experience using and servicing various versions of the RCA mics such as the 44 and England’s BBC/STC/Coles 4038 and 4104B, was the apprenticeship we served before the development of the R84. The R84 and A840 are sensibly priced Big-Ribbon microphones which deliver high performance and value.
  • Page 7 R I B B O N M I C RO P H O N E E S S AY S b y We s D o o l e y, R o n S t r e i c h e r a n d P h i l i p Merrill published by Audio Engineering Associates, June 2003; www.ribbonmics.com.
  • Page 8 Other Products by Audio Engineering Associates: AEA Microphone Preamps TRP The Ribbon Pre DC coupled preamp with 83dB of gain optimized for ribbons and tube mics No-Load Q For Ribbon and Condenser Mics 80dB gain, AC & DC inputs, instant-compare curve-shaping proximity-tuning and air-lift...

This manual is also suitable for:

A840

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