Introduction; The Manual; Nomenclature; An Unholistic Approach - Behringer EURODESK SX4882 User Manual

EURODESK SX4882
1.

Introduction

1.1

The manual

1.1.1

Nomenclature

Most specialist subjects are not really all that difficult provided
you understand the language used, and the vocabulary of mixing
is pretty straightforward. Nevertheless, it is as well to be clear
about what certain terms mean. A "slot" in a recorder will always
be referred to as a TRACK, while that in a mixer will invariably be
a CHANNEL. A GROUP will always refer to a submix of channels,
never a collection of musicians. Similarly the term BAND will be
mentioned only in conjunction with FREQUENCY. We will attempt
to be as unambiguous as possible with terms, since much confu-
sion can arise from sloppy definitions.
Some terms can have a plurality of meanings. TRACK, in mixing
parlance, refers to a tape recorder. In electronic circuits, compo-
nents on a PCB (printed circuit board) are linked by flat conductors
called TRACKS. Hopefully, where terms have different meanings
the contexts will be sufficiently diverse so as to avoid any pos-
sible confusion.
1.1.2

An unholistic approach

It is virtually impossible to fully explain one aspect of a mixing
console (e.g. CHANNEL ROUTING) without also making it clear
what those routes are, where they go, are they migratory, etc.
That's why we have compartmentalized the EURODESK manual
into sections, making it easy to find problem solving information
and advice. You might find that several cross-sectional references
have been made, where areas of interest overlap. E.g.: Channel
EQ is specified and described in the "Main equalizer" section 3.4,
while EQUALIZATION has its own section, reflecting it's impor-
tance and weight as a subject in its own right.
If we keep repeating ourselves concerning the use of B-channels
and the MIX-B bus, it's because a proper understanding of this
area of the board will greatly expand your mixing repertoire.
1.1.3
All DESK functions will be numbered consistently throughout the
manual, whether they be in the text or in an illustration. In addition
the following prefixes will be used to denote the various types of
function control in any illustrations/text respectively:
Prefix
S
L
P
F
Tab. 1.1: Meaning of the used prefixes
After every prefix you will find the FUNCTION NUMBER.
Numbering starts at the top of a CHANNEL, works its way through
a stereo GROUP, and finally through the MASTER SECTION. The
phantom power and tape operating level switches are not included
in the numbering system.
1.2

Before you get started

1.2.1

Shipment

Your product was carefully packed at the factory to ensure safe
transport. Nevertheless, if the box is damaged inspect the unit
immediately for signs of damage.
If the unit is damaged please do NOT return it to us,
+
but notify your dealer and the shipping company im-
mediately; otherwise, claims for damage or replacement
may not be granted.
We recommend that you use a flight case to give the unit
+
optimum protection during use or transport.
Always use the original box to prevent damage during
+
storage or transport.
4

Key

Meaning
Switch
LED
Potentiometer
Fader

EURODESK overview

Make sure that children cannot play unsupervised with
+
the unit or its packaging.
+ Please ensure proper disposal of all packing
materials.
1.2.2

Initial operation

Ensure adequate air supply and to avoid overheating do not place
the unit near radiators etc.
Caution
Before you change the fuse, switch off the device and
+
pull the plug to avoid electric shock or damage to the
device.
+ Blown fuses must be replaced by fuses of the correct
rating! Please refer to the "Specifications" section for
the applicable rating.
For connection to the mains use the enclosed power cord with cold
connector which complies with the relevant safety regulations.
Please make sure that all devices are properly grounded.
+
For your own safety, never remove or disable the ground
conductors from the devices or on the power cords. The
unit must always be connected to the mains outlet with
a protective grounding connection.
Important notes concerning installation
The sound quality may diminish within the range of pow-
+
erful broadcasting stations and high-frequency sources.
Increase the distance between the transmitter and the
device and use shielded cables for all connections.
1.2.3

Online Registration

Please register your new BEHRINGER equipment right after your
purchase by visiting http://www.behringer.com and read the terms
and conditions of our warranty carefully.
Should your BEHRINGER product malfunction, it is our intention
to have it repaired as quickly as possible. To arrange for warranty
service, please contact the BEHRINGER retailer from whom the
equipment was purchased. Should your BEHRINGER dealer not
be located in your vicinity, you may directly contact one of our
subsidiaries. Corresponding contact information is included in
the original equipment packaging (Global Contact Information/
European Contact Information). Should your country not be
listed, please contact the distributor nearest you. A list of distribu-
tors can be found in the support area of our website (http://www.
behringer.com).
Registering your purchase and equipment with us helps us process
your repair claims more quickly and efficiently.
Thank you for your cooperation!
2. EURODESK overview
2.1

Architecture

The EURODESK SX4882 is a hybrid SPLIT/INLINE console. Input
channels cover most of the surface from the left, while the outputs
to tape are to the right. Tape monitor returns, however, are housed
within the channel strips, not next to the tape outputs, as would be
the case in a conventional "split" design. This architecture enables
much flexibility to be bestowed onto the tape monitor signal path,
not least being its ability to pick up functions easily from the main
channel. Also, during mixdown, when tape tracks are no longer
monitored but MIXED, the signal path between tape input and
main channel is kept to a minimum.
The configuration is 24 into 8 into 24. This means that there
are 24 channels, eight subgroups or "submixes" (or four stereo
subgroups) and 24 tape monitor returns, one for each channel.
There are 24 100 mm channel faders, eight subgroup faders, and
a stereo pair of faders driving the L/R main mix.