Symetrix 565E User Manual

Symetrix 565E User Manual

Dual compressor/limiter/expander
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565E Dual Compressor/Limiter/Expander

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Summary of Contents for Symetrix 565E

  • Page 1 565E Dual Compressor/Limiter/Expander...
  • Page 2: Table Of Contents

    Subject to change at our whim and fancy without notice. ©1998, Symetrix, Inc. All right reserved. Symetrix is a registered trademark of Symetrix, Inc. Mention of third-party products is for informational purposes only and constitutes neither an endorsement nor a recommendation. Symetrix assumes no responsibility with regard to the performance or use of these products.
  • Page 3: Chapter 1 Introduction

    Empha- needs more than one of these solutions. size or de-emphasize a particular signal range to make the 565E respond more or less to certain The compressor and expander sections of the frequencies. 565E feature newly-developed circuitry, Dynamics Squared™.
  • Page 4: Chapter 2 Operator Safety Summary

    Identifies information that, if not for persons who operate the equipment as well heeded, may cause damage to the as repair personnel. Specific warnings and 565E or other equipment in your cautions are found throughout this manual system. wherever they may apply.
  • Page 5: Chapter 3 Fast Setup

    Chapter 3 Fast First-Time Setup Follow these instructions to get your 565E up-and-running as quickly as possible. The intent of this section is fast setup. Refer to later chapters for explanation of the 565E’s controls and functions. Connect the line-level signal source for Channel 1 to either the female XLR input jack (pin 2 hot) or the 1/4-in.
  • Page 6: Chapter 4 Tutorial

    (such as a processor or an amplifier) would go into terminal overload. The solution is to make soft signals softer, a.k.a. downward expansion. This is what the 565E’s down- ward expander does. When the signal level falls below the level set by the threshold control, the expander reduces its gain by the amount dictated by its expansion ratio.
  • Page 7 Ratio The compression ratio of the 565E determines how much the output changes for a change in the input. A linear amplifier (like a simple preamp) has a ratio of 1:1 because a change of 1 dB at its input results in a 1 dB change at its output.
  • Page 8 VCA (voltage controlled amplifier) what to do. The 565E’s sidechain is routed through a TRS jack labeled “KEY INPUT”. This jack is located on the rear panel, and it provides both a send and return via the same jack. The sidechain connection affects all three processors in the 565E.
  • Page 9 You can save time, and make life easier, by listening to the output of the equalizer (instead of the 565E’s output) that you’re using in the sidechain. Doing this allows you to hear the signal that will control the 565E, and perhaps to find the range that you wish to emphasize...
  • Page 10: Chapter 5 Front Panel Overview

    Generally, peak limiting is associated with short release times and compression, or leveling, is associated with longer release times. The 565E’s release circuitry has a unique dual-release time feature designed to make life easier. The dual-release feature makes the release time partially program-dependent, giving you the best of both worlds: fast release for short-duration peaks and a longer release time for longer- duration peaks.
  • Page 11 565E’s processing circuitry when it is set to YPASS YPASS the “IN” position, and places the 565E’s processing section in bypass when the switch is set to the “BYPASS” position. Note This is not a hard-wire bypass; the 565E will not pass signal unless the unit is powered and turned on.
  • Page 12: Chapter 6 Rear Panel Overview

    = ground. To trigger the compressor, expander or limiter of the 565E from an external audio source, use a cord with either a TS or TRS connec- tor. Connect the tip to the audio signal that you wish to use as a key/trigger...
  • Page 13: Chapter 7 Connecting To Other Gear

    Symetrix equipment inputs are designed to bridge the output of whatever device drives the input (i.e. to be greater than 10 times the actual source impedance). Symetrix equipment outputs are designed to drive 600-ohm or higher loads (600-ohm loads are an archaic practice that won’t go...
  • Page 14: Applications

    2 to 200 times the output source impedance). Signal Levels The 565E is designed around studio/professional line levels: +4 dBu or 1.23 volts RMS. The unit is quiet enough to operate at lower signal levels such as those found in semi-pro or musical instru- ment (MI) equipment (-10 dBu or 300 millivolts).
  • Page 15 In an emergency (the show must go on), you can ground pin 3, but if you have the choice...leave it open. If you must ground pin 3, it is must be grounded at the 565E, rather than at the other end of the cable.
  • Page 16 Then, route the aux send’s line-level output to the K NPUT of the 565E. Typically, signals such as the output signal of a keyboard or a drum machine are already at line-level, so these outputs could be connected directly to the K of the 565E.
  • Page 17 To use the K as a sidechain insert point for external processing of the 565’s sidechain NPUT signal, connect the K jack’s tip (+) and sleeve (ground) to the input of the external pro- NPUT cessing device, and connect the K jack’s ring (+) and sleeve (ground) to the output of the NPUT external processing device.
  • Page 18: Chapter 8 Applications

    Applications Chapter 8 Here are a few applications for which the 565E is an optimal processing tool. The following applications make one assumption: settings for the threshold control(s) are a function of each individual system’s actual operating level. Wherever specific threshold settings are mentioned, they are referenced to either a particular gain reduction level as indicated by the meter, or to a 0 dBu input level.
  • Page 19 By splitting the host signal, part of it can be used to tell the 565E when to take action and lower the background source by an amount determined by the threshold control.
  • Page 20 Remember that you’re equalizing the signal to emphasize the sibilance, not to sound groovy. Let the 565E do that. (Do you have a recording where the cymbals drive you nuts?...Try the same technique on the overall mix.) Set the peak limiter threshold for 6 dB of gain reduction when Sam Screamer is on the system.
  • Page 21: Chapter 9 Troubleshooting

    565E is a line level signal, not mic level. Check gain settings on downstream equipment. The system gain structure should be such that the 565E operates at or near unity gain. Is the input signal already noisy?
  • Page 22: Chapter 10 Specifications

    207 to 253V AC, 50 Hz where appli- controls. A four segment LED display shall be cable). provided to indicate the amount of downward The unit shall be a Symetrix, Inc. model 565E Dual expansion. Compressor/Limiter/Expander. The inputs shall be active balanced bridging...
  • Page 23: Chapter 11 Warranty And Service

    Final Warranty Registration must be completed determination of warranty coverage lies and mailed to Symetrix within thirty (30) days solely with Symetrix. Products repaired of the date of purchase. under warranty will be returned freight...
  • Page 24 Servicing the 565E If you have determined that your 565E requires repair services and you live outside of the United States please contact your local Symetrix dealer or distributor for instructions on how to obtain service. If you reside in the U.S. then proceed as follows: At the Symetrix factory, Symetrix will perform in-warranty or out-of-warranty service on any product it has manufactured for a period of five years from date of manufacture.
  • Page 25: Chapter 12 Declaration Of Conformity

    The authorized representative located within the European Community is: World Marketing Associates P.O. Box 100 St. Austell, Cornwall, PL26 6YU, U.K. Date of issue: April 1, 1998 Place of issue: Lynnwood, Washington, USA Authorized signature: Dane Butcher, President, Symetrix Incorporated.
  • Page 26 Symetrix, Inc. 14926 35th Ave. West Lynnwood, WA, 98037-2303 Tel: (425) 787-3222 Fax: (425) 787-3211 Website: http://www.symetrixaudio.com Email: symetrix@symetrixaudio.com...

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