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RECORDING TIPS

Lead Vocals

For miking vocals, the element should be close to the height
of the singer's mouth. Some vocalists prefer the microphone
slightly elevated. While proper mic positioning is important for
good sound, a relaxed, comfortable singer is more important,
so position the mic to the singer's liking (within reason!).
Typically 6 to 12 inches away from the mic is ideal for lead vocals
but feel free to experiment. Every mic has a "sweet spot" where
the voice reproduction sounds best. That spot is unique for each
voice! Experiment with distances to arrive at the "sweet spot".
When getting in close to the mic, remember to use a pop screen
to prevent "popping" your "P's" and getting excessive moisture
into the mic element.
Background Vocals
If you want the feeling of distance or space, move the mic fur-
ther away. Just be aware that as you get further away, you may
need more gain to achieve the desired recording levels. And with
more gain comes the possibility of picking up unwanted back-
ground noise. When recording multiple vocalists on one mic,
test each person's levels individually before recording them
together. If one vocalist is louder than the other, have that person
take one step back. Repeat this process until all vocalists can
be recorded at even levels with a single mic.
Recording Instruments
For instrument or percussion miking, there really is no right
or wrong placement except when you are recording multiple
instruments. Never be afraid to try various positions or angles.
Feel free to change the acoustic properties of the recording envi-
ronment by using sound absorbent panels and materials.
Additionally, try using multiple CTM100's at different placements
and distances. Example: When miking an electric guitar cabi-
net, try using one CTM100 up close (within several inches of
the speaker) and another CTM100 at a further distance as an
"ambience" mic. You will achieve a totally different sound than
with one mic alone. Miking an acoustic guitar can be a whole
art in itself. Start out by placing the mic near the sound hole.
Try moving the mic closer to the bridge of the guitar for a brighter
sound and closer to the neck and sound hole to add low end
frequencies. Using a second mic at a distance can again give
you a totally sound. The possibilities are limited only by your
creativity and imagination!
This symbol is intended to
alert the user to the pres-
ence of uninsulated "dan-
gerous voltage" within the
product's enclosure that may be of suf-
ficient magnitude to constitute a risk of
electric shock to persons.
IMPORTANT! FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING:
WATER AND MOISTURE: Appliance should not be used near water (near a bathtub, washbowl,
kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc). Care should be taken
so that objects do not fall and liquids are not spilled into the enclosure through openings.
POWER SOURCES: The appliance should be connected to a power supply only of the type described
in the operating instructions or as marked on the appliance.
GROUNDING OR POLARIZATION: Precautions should be taken so that the grounding or polar-
ization means of an appliance is not defeated.
POWER CORD PROTECTION: Power supply cords should be routed so that they are not likely
to be walked on or pinched by items placed upon or against them, paying particular attention
to cords at plugs, convenience receptacles, and the point where they exit from the appliance.
SERVICING: The user should not attempt to service the appliance beyond that described in the
operating instructions. All other servicing should be referred to qualified service personnel.
FUSING: If your unit is equipped with a fuse receptacle, replace only with the same type fuse.
Refer to replacement text on the unit for correct fuse type.
This symbol is
CAUTION
intended to alert the
user to the presence of
RISK OF ELECTRIC SHOCK
important operating
DO NOT OPEN
and maintenance (servicing) instruc-
tions in the literature accompanying
the appliance.
LEAD VOCALS
BACKGROUND VOCALS

ACOUSTIC GUITAR

LIMITED WARRANTY
Your Carvin product is guaranteed against failure for ONE YEAR unless otherwise stated. Carvin will
service and supply all parts at no charge to the customer providing the unit is under warranty. Shipping
costs are the responsibility of the customer. CARVIN DOES NOT PAY FOR PARTS OR SERVICING OTHER
THAN OUR OWN. A COPY OF THE ORIGINAL INVOICE IS REQUIRED TO VERIFY YOUR WARRANTY.
This warranty does not cover, and no liability is assumed, for damage due to: dropping, moisture damage,
accidents, abuse, natural disasters, loss of parts, lack of reasonable care, incorrect use, or failure to
follow instructions. This warranty is in lieu of all other warranties, expressed or implied. No repre-
sentative or person is authorized to represent or assume for Carvin any liability in connection with the
sale or servicing of Carvin products. CARVIN SHALL NOT BE LIABLE FOR INCIDENTAL OR CONSE-
QUENTIAL DAMAGES.
When RETURNING merchandise to the factory, you may call for a return authorization number. Describe
the problem in writing.
SAFETY INSTRUCTIONS (EUROPEAN)
The conductors in the AC power cord are colored in accordance with the following code.
GREEN & YELLOW—Earth
U.K. MAIN PLUG WARNING: A molded main plug that has been cut off from the cord is
unsafe. NEVER UNDER ANY CIRCUMSTANCES SHOULD YOU INSERT A DAMAGED
OR CUT MAIN PLUG INTO A POWER SOCKET.
6 to 12 "
24 to 48 "
BLUE—Neutral
BROWN—Live

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Summary of Contents for CARVIN CTM

  • Page 1: Lead Vocals

    This warranty is in lieu of all other warranties, expressed or implied. No repre- sentative or person is authorized to represent or assume for Carvin any liability in connection with the WATER AND MOISTURE: Appliance should not be used near water (near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc).
  • Page 2 This will provide the best possi- Freq. Range: 20Hz-20k Hz ble protection during shipment. CARVIN and the shipping company are not liable for any damage caused by improper packing. Dynamic Range: 133 dB SAVE YOUR INVOICE.
  • Page 3 Connect the supplied 7-pin XLR cable to the power supply input and mic. dirt particles and gradually degrade the performance of your mic. Carvin advises that the microphone be kept in its case at all times c) 3-pin XLR cable when not in use.
  • Page 4 STUDIO SET UP The illustration below shows the standard set up in a recording studio. The shockmount should be set on a round or tripod base Many professionals use a compressor/limiter when recording. They mic stand. The CTM100 should always set in the shockmount to are ideal for eliminating transient signals.

This manual is also suitable for:

Ctm100