Page 1 D I G I T A LC I N E MA T O G R A P H Y C A ME R A S Y S T E M H D 9 0 0 FO P E R A T I O N M A N U A L U L T R AP R E C I S I O N E Q U I P M E N TF O RT H EM O T I O N P I C T U R EI N D U S T R Y...
Page 2 wr i t t e nb y E r i cE r b A n d r e w Y o u n g d e s i g n , p h o t o s , a n dl a y o u t E r i cE r b A n d r e w Y o u n g p h o t o g r a p h swe r es h o t u s i n gt h eK o d a kP r e v i e w S y s t e m wi t hP r i mol e n s e s...
Page 3 I NTRODUCTI ON I n 1 9 9 7 ,P a n a v i s i o n a n d S o n y a n n o u n c e d t h e i r c o l l a b o r a t i o n o n t h e d e v e l o p me n to fa 2 4 P d i g i t a lh i g h d e f i n i t i o n c a me r a s u i t a b l e f o ru s e b y f i l mma k e r st o c r e a t e b i g s c r e e n mo t i o n p i c t u r e i ma g e q u a l i t y .
Page 4 TABL EOFCONTENTS S E C T I ON 1 . 0 GE NE R A LS P E C I F I C A T I ONS 1 . 1 C A ME R AS P E C I F I C A T I O N S 1 .
Page 5: Table Of Contents
TABL EOFCONTENTS S E C T I ON 5 . 0 C A ME R A OP E R A T I ON 5 . 1 H D C A M C A S S E T T E 5 . 2 V T RC O N T R O L S 5 .
Page 7 1. 0 1. 0 GENERALSP ECI F I CATI ONS...
Page 8 1. 1 CAMERASP ECI F I CATI ONS I ma g e r R G B 2 / 3 "C C D s E f f e c t i v eP i x e l s 1 9 2 0( H ) x1 0 8 0( V ) e a c h 2 .
Page 9 1. 2 CONNECTORSP ECI F I CATI ONS D CI n X L R , 4p i nma l e 1 1 - 1 7v P i n1–g r o u n d( - ) P i n4–p o s i t i v e( +) D Co u t H i r o s e , 1 2 VD C , 4p i n ( 2Ama x ) R E M...
Page 10 1. 3 F RAMERATESANDSHUTTERSP EEDS F r a meR a t e s( MA I N T E N A N C EME N Up a g e : M7 ) P r o g r e s s i v e I n t e r l a c e 2 3 .
Page 11 1. 4CAMERAWEI GHTS B o d y( wi t h o u t S D I ) H D 9 0 0 F 1 4 . 9l b s . B o d y( Wi t hS D I ) H D 9 0 0 F , H D C A 1 7 .
Page 13 1. 5 CAMERAMEASUREMENTS...
Page 15 1. 6 SI DECAMERAVI EWS...
Page 17 1. 7 F RONTANDREARCAMERAVI EWS...
Page 18 S t a t i cI n t e r l a c e d F i e l d1( o d dl i n e s F i e l d2( e v e nl i n e s I ma g ec o n s i s t so f t wo 1 , 3 , 5 , e t c .
Page 19 1. 8 P ROGRESSI VEVS.I NTERL ACE T h e2 4 PH D E l e c t r o n i cC i n e ma t o g r a p h yC a me r aS y s t e m i sa P R OGR E S S I V E c a p t u r e d e v i c e u n l i k e o l d e rv i d e o c a me r a s t h a tc a p t u r e t h e i ma g e i n a n I NT E R L A C E ma n n e r .
Page 20 1. 9 GENERALI MAGI NGCONSI DERATI ONS T h eH D 9 0 0 Fh a sawi d er a n g eo f me n us e t t i n g st h a t a l l o w t h eu s e r t oc o n t r o l t h e l o o ko f t h ep i c t u r e .
Page 21 1. 9 GENERALI MAGI NGCONSI DERATI ONS Ma t r i x : T h ema t r i xi sas e r i e so f ma t h e ma t i c a l c a l c u l a t i o n st h a t a r ea p p l i e dt o t h ec o l o r o u t p u t o f t h ec a me r a .
Page 22 1. 9 GENERALI MAGI NGCONSI DERATI ONS S h o o t i n g2 4 Pf o rF i l m o u t p u t : S i n c e t h e HD mo n i t o ri smu c h c l o s e rt o t h e f i n a lv i d e o i ma g e ,b u to n l y a n a p p r o x i ma t i o n o ft h e f i l m i ma g e ,t h e r e a r e s o me r e c o mme n d a t i o n si n o r d e rt o ma x i mi z eq u a l i t yo f f i n a l f i l m o u t p u t : - G A MMAO Na sa b o v e...
Page 23 2. 0 2. 0 P ACKI NGANDSHI P P I NG...
Page 25 2. 1 CAMERABODYCASE T h e H D 9 0 0 Fc a me r a s y s t e m i sc o mp r i s e d o f2 c a s e s ,o n e c o n t a i n i n g t h e c a me r a b o d y a n d t h e o t h e rc o n t a i n i n g t h e c a me r a a c c e s s o r i e s .
Page 27 2. 2 ACCESSORYCASE T h ea c c e s s o r yc a s eh o l d sa4 x 5 s wi n g a wa yma t t eb o xwi t h ma t t e s ,s u n s h a d e ,f o l l o w f o c u s a n d k n o b s ,P a n a v i s i o n S t e a d i c a m p l a t e s ,e y e p i e c e l e v e l e r ,l e n sl i g h t ,wh i p ,f o l l o w f o c u sb r a c k e t , a n ds i d er o da d a p t e r .
Page 29 3. 0 3. 0 P RI MODI GI TAL ™ L ENSES...
Page 31 3. 1 P RI MODI GI TAL ™ L ENSDESI GN P r i moD i g i t a l ™ L e n s e swe r ed e s i g n e ds p e c i f i c a l l yf o rt h e 2 / 3 ”C C D i ma g e rt o o p t i mi z e i ma g e q u a l i t y .
Page 32 3p e r f 1 6 x 9 3 5mm f i l m a r e a 2 / 3 ”H D C C D 5 0c y c l e s/ mm 2 0c y c l e s/ mm...
Page 33 3. 2 F I L M/HDCOMP ARATI VERESOL UTI ON T h e2 / 3 "C C D i ma g e ri sa c t u a l l yo n l y1 1 mm i nd i a g o n a l ( a so p p o s e dt ot h e2 7 .
Page 34 3. 3 ASP HERI CALANDF I SHEYEATTACHMENTS...
Page 35 3. 4 P RI MODI GI TAL ™ L ENSEXTENDERS...
Page 36 I N T E R N A L F I L T E R S L O T B A C K F O C U S L O C K B A C K F O C U S A D J U S T R I N G...
Page 37 3. 4 SETTI NGBACKF OCUS I n o r d e rt og a i n t h ema x i mu m p e r f o r ma n c ef r o m a n y l e n s ,i ti sn e c e s s a r y t h a tb a c k f o c u sb e a d j u s t e d . U s i n gal e n st h a ti sn o tp r o p e r l ya d j u s t e dwi l l r e s u l ti n s o f t( o u to ff o c u s )i ma g e s .
Page 39 3. 4 SETTI NGBACKF OCUS Zoom lenses : 1. Set up a chart or flat test subject at around 4 – 6 feet from the focal plane. 2. Open the iris to the MAXIMUM aperture (T1.8, etc.). Use the in- camera ND filters if necessary.
Page 41 4. 0 4. 0 CAMERAASSEMBL Y...
Page 42 T A P E H O O K E Y E P I E C E A N D A C C . D O V E T A I L MI CI N B A S E P L A T E D O V E T A I L F O L L O W F O C U S...
Page 43 4. 1 F RONTF ACEP L ATEANDF OL L OW F OCUS F r o n t F a c e p l a t e T h e f r o n to ft h e c a me r a h a s b e e n mo d i f i e d wi t h a P a n a v i s i o n HD L e n s Mo u n ta n d a r e d e s i g n e d a n d s t r e n g t h e n e df a c e p l a t e .
Page 44 L O C K L E V E R S A F E T Y B U T T O N...
Page 45 4. 2 VI EWF I NDER ® T h eP a n a v i s i o nU L T R A V I E W E y e p i e c ei sc o n v e r t i b l ei n t o t wo mo d e st h a ta l l o w i tt o f u n c t i o n a sa n e x t e n s i o n e y e p i e c e ,a n d a n i n t e r me d i a t e e y e p i e c e /h a n d - h e l d e y e p i e c e .
Page 46 V MB M MMB D MO N I T O R B R A C K E T L O C K MO N I T O R D O V E T A I L L O C K...
Page 47 4. 3 ON- BOARDMONI TORANDBRACKET A s t r oHD Mo n i t o r S l i d e t h e H D A u x i l i a r y L i g h tB r a c k e t( H D A L B )i n t o t h e o p p o s i t e s i d e o ft h e s a me d o v e t a i lt h a tt h e e y e p i e c e a t t a c h e d o n t o .
Page 48 E Y E P I E C E P I V O T L O C K E Y E P I E C E D O V E T A I L L O C K K N O B E Y E P I E C E F O R E / A F T...
Page 49 4. 4 L ENSL I GHT A n yP a n a v i s i o nl e n sl i g h t c a nmo u n t o n t oa n yo f t h es i d e o rf r o n td o v e t a i l so n t h e c a me r a .
Page 50 1 2 V O U T P U T S 2 4 V O U T P U T S S MA R T L E N S D I S P L A Y S MA R T L E N S I N P U T 1 2 V I N P U T...
Page 51 4. 5 HDVOL TAGEUP CONVERTER T h eH D v o l t a g eu p c o n v e r t e r( H D U C )p r o v i d e s22 4 Va n d 2 1 2 V o u t p u ta c c e s s o r y p o r t sa swe l l a sp o we rf o rt h e P a n a c l e a rh e a t e d e y e c u p .
Page 52 T A P E H O O K R E MO T E C O N T R O L MO U N T F R O N T R E L E A S E L E V E R R E A R L O C K T A L L Y...
Page 53 4. 6CARRYHANDL E T h i sc u s t o m P a n a v i s i o n c a r r y h a n d l e i sr e mo v a b l e a n d r e p l a c e a b l e wi t h t h e P a n a v i s i o n S t e a d i c a m L o w Mo d e B r a c k e t p r o v i d e di nt h ea c c e s s o r yc a s e .
Page 54 A N A L O G H D Y , P b , P r O U T G E N L O C K O U T T I ME C O D E O U T T I ME C O D E N T S C C O MP .
Page 55 4. 7 SI DEP ANELCONNECTORS O n t h er e a ro ft h et a p es i d eo ft h ec a me r at h e r ea r e5 B N Cc o n n e c t o r s . T h r e ea r et h eH D a n a l o gc o l o r d i f f e r e n c eo u t p u t s–Y , P b , P r .
Page 56 1 2 VD CI N R E MO T E 1 2 VD CO U T ( MI R A N D A )
Page 57 4. 9 REARP ANELCONNECTORS O nt h er e a rp a n e l o f t h ec a me r aa r et h ep o we ra n da u d i o c o n n e c t o r s .S e es e c t i o n1 . 2f o r s p e c i f i c a t i o n s . 4 p i n p o we rI N c o n n e c t o ra c c e p t sa s t a n d a r d 4 p i n X L Rf e ma l e .
Page 58 L O C K S C R E WS E N G A G E C O N N E C T O R A N D D O V E T A I L O N - B O A R D B A T T E R Y A D A P T E R B A T T E R Y...
Page 59 4. 10 HDSDIADAP TER T h e HD S DIA d a p t e r( HDC A o rHDC A A )a l l o ws t h e c a me r at oo u t p u t a nH D S D Is i g n a l . H D S D Is t a n d sf o r : “...
Page 60 H E A D P H O N E J A C K T A L L Y L I G H T B A T T E R Y R E L E A S E A B S U R E L E A S E G E N L O C K R E MO T E/...
Page 61 4. 11 ON- BOARDBATTERY T h e A n t o n B a u e ro n - b o a r d b a t t e r y mo u n t so n t o t h e a d a p t e rb r a c k e t( A B S U )t h a ta t t a c h e se i t h e ro nt h er e a r o ft h e c a me r a b o d y i t s e l fo ro n t h e H D S DIA d a p t e r ( H D C Ao r H D C A A ) .
Page 63 5. 0 5. 0 CAMERAOP ERATI ON...
Page 65 5. 1 HDCAMCASSETTE T h e H D C A M c a s s e t t e l o a d sa ss h o wn wi t h t h e wi n d o w f a c i n g u p a n d t h e t a p e c o v e rf a c i n g t o wa r d t h e l e n s . T h e e j e c tb u t t o n i s o n t o p o ft h e c a me r a e x p o s e d t h r o u g h t h e c i r c u l a rh o l e o ft h e V T R c o n t r o lc o v e r .
Page 67: Ewf I Ndercontrol S
5. 3 VI EWF I NDERCONTROL S P e a k i n gK n o b U s e d t o e mp h a s i z e e d g e f r e q u e n c i e si n t h e v i e wf i n d e rt o j u d g ef o c u s .H e l p f u l wi t hs e t t i n gt h el e n sb a c kf o c u s .
Page 68 T h eo r i g i n a l c a me r aR e mo t eC o n t r o l h a sb e e nr e d e s i g n e d i n t o a r e mo v a b l e b o x wh i c h c o n n e c t st o t h e 1 0 p i n L e mo c o n n e c t o rl a b e l e d "...
Page 69: Remotecontrol
5. 4 REMOTECONTROL R o t a r yE n c o d e rW h e e l ( MI C / ME NU j o gc o n t r o l ) U s e dt oe n t e r a n dc h a n g ev a l u e si nt h eME N U S : 1 .
Page 71: F I L Terwheel S
5. 5 F I L TERWHEEL S I n t e r n a lf i l t e r sf o rn e u t r a ld e n s i t y ( C L E A R ,N D . 6 ,1 . 2 , 1 .
Page 73: Memorysti Ck
5. 6MEMORYSTI CK T h e c a me r a u s e st h e s t a n d a r d S o n y Me mo r y S t i c k t o a l l o w t h e u s e rt o s a v e a n d r e c a l lt h e Op e r a t o rF i l e ( O P E R A T I O N ME N U p a g e :9 )a n dt h e5P a i n tS c e n eF i l e s ( P A I N TME N Up a g e : P 1 3 ) .( S e es e c t i o n s5 .
Page 74 T A P E C O U N T E R B A T T E R Y L E V E L F - R U N R - R U N...
Page 75: Ti Mecode
5. 7 TI MECODE Y o u h a v e t wo b a s i cc h o i c e sf o rt i me c o d e ,e i t h e rF - R U N ( “...
Page 76 D I S P L A Y S WI T C H R E S E T F - R U N R - R U N...
Page 77: Ti Mecodeswi Tchesandbuttons
5. 7. 1 TI MECODESWI TCHESANDBUTTONS HOL D: T e mp o r a r i l y h o l d st h e F - R u n d i s p l a y s o i tc a n b e n o t e d .P u s h i n ga g a i nr e l e a s e si t .
Page 78 D I S P L A Y S WI T C H R E S E T F - R U N R - R U N...
Page 79: Usi Ngti Mecode
5. 7. 2 USI NGTI MECODE S e t t i n gt h eT i me c o d e : Wi t he a c hn e w t a p ey o umu s t r e s e t t h et i me c o d ei f u s i n g R - R U Nt i me c o d e .
Page 81: Mai Ncameraswi Tches
5. 8 MAI NCAMERASWI TCHES P OW E R : T h i s i s t h e ma i n s wi t c h t h a t t u r n s t h e p o we rO N a n dO F Fo nt h ec a me r ai t s e l f . I t i sN O TaV T Rr e c o r ds wi t c h .
Page 82 S a mp l ev i e wf i n d e r d i s p l a ywh e nME N Us wi t c hh e l d t oS T A T U Sp o s i t i o n .S e ea l s oS e c t i o n5 . 9 . 1 S a mp l e v i e wf i n d e rd i s p l a y wi t h D I S P L A Y s wi t c h i n O Np o s i t i o n .S e ea l s oS e c t i o n5 .
Page 83 5. 8 MAI NCAMERASWI TCHES-CONTI NUED OUT P UT : S wi t c h e st h e o u t p u ts i g n a lo ft h e c a me r a b e t we e n c o l o rb a r s ,c a me r a o rc a me r a wi t hD C Co n .
Page 85: Menus
5. 9 MENUS 1. S e tt h e D I S P L A Y s wi t c h t o t h e ME N U p o s i t i o n a n d We wi l lo u t l i n e t h e c o mmo n l y u s e f u lp a g e s i n t h e O P E R A T I O Na n dP A I N Tme n u s .
Page 87: O P E R A T I O Nme N U
5. 9. 1OP ERATI ONMENU T h e O P E R A T I O N ME N U i s u s e d t o s e t u p v a r i o u s a t t r i b u t e so ft h e c a me r a .
Page 89 5. 9. 1OP ERATI ONMENU-CONTI NUED 5 . Z E B R A/ V FD T L U s e dt op r o g r a m t h e2z e b r ap a t t e r n s . T h eO N /O F F s e t t i n gh e r ei st h es a mea st h et o g g l es wi t c ho nt h e s i d e o ft h e v i e wf i n d e r .
Page 91 5. 9. 1OP ERATI ONMENU-CONTI NUED 8 . O T H E R S S h o wst h ep r o g r a mme ds e t t i n go ft h eA S S I G N A B L E s wi t c h .
Page 93: P A I N Tme N U
5. 9. 2 P AI NTMENU T h eP A I N T ME N U i su s e d t oa d j u s tt h ewa yi n wh i c h t h ec a me r ac a p t u r e sa ni ma g e . C A UT I ON: So m e i m a g e a d j us t m e nt s a r e no t r e v e r s i b l ei np o s t .( S e ea l s os e c t i o n1 .
Page 95 5. 9. 2 P AI NTMENU-CONTI NUED 5. L O W K E YS A T 6. K N E E U s e dt oa d j u s tt h ec o l o rs a t u r a t i o ni nt h ed a r ka r e a s o f t h ep i c t u r e .N o mi n a l s e t t i n gi sO F F .
Page 97 5. 9. 2 P AI NTMENU-CONTI NUED 9. S K I ND E T A I L D i s a b l e sd e t a i l c i r c u i t r yf o r s p e c i f i e dc o l o r s . ( P i c t u r es h o wsP a n a v i s i o nd e f a u l t s e t t i n g s .
Page 99 5. 9. 2 P AI NTMENU-CONTI NUED 12. S H U T T E R U s e d t o a d j u s t t h e s h u t t e r s p e e d o f t h e c a me r a . 13.
Page 100 1 0 0...
Page 101: Setti Ngthef Ramerate
5. 9. 3 SETTI NGTHEF RAMERATE T h ec u r r e n tf r a mer a t ec a n b ev i e we d b yl o o k i n g i n t h e v i e wf i n d e rwh i l eh o l d i n gt h eME N U s wi t c ht ot h eS T A T U S p o s i t i o n .
Page 102 1 0 2...
Page 103: Ewf I Nderf Ramel I Nemarki Ngs
5. 10 VI EWF I NDERF RAMEL I NEMARKI NGS F r a me l i n e sa r e p r o g r a mme d i n t h e OP E R A T I ON ME N U p a g e : 3 T h e r ea r et wos e t so f f r a me l i n e st h a t c a nb eg e n e r a t e di n t h ev i e wf i n d e r .T h e ywo r kt o g e t h e r wh e nc o mp o s i n gt wo...
Page 104 1 0 4...
Page 105: Tv16X9Trans&4X3Trans/Saf E
5. 10. 1 TV16X9TRANS&4X3TRANS/SAF E O P E R A T I O NME N Up a g e : 3 T u r nt h eMA R K E RO N a n ds e t a9 0 % S a f e t yZ o n e , a n d t h e nt u r nt h eA S P E C TMO D EO N a n ds e t t h eV A RH a t 1 2 9 2 t o i n d i c a t e t h e 4 x 3 s a f e a r e a .
Page 106: Tv16X9Trans&1. 85Theatri Cal
5. 10. 2 TV16X9TRANS&1. 85THEATRI CAL O P E R A T I O NME N Up a g e : 3 T u r nt h eMA R K E RO N a n ds e t a9 5 % S a f e t yZ o n e , a n d t h e nt u r nt h eA S P E C TMO D EO N a n ds e tt h eV A R V a t 9 8 4 .
Page 107: Tv16X9Trans&2. 40Theatri Cal
5. 10. 3 TV16X9TRANS&2. 40THEATRI CAL O P E R A T I O NME N Up a g e : 3 T u r n t h e MA R K E R O N a n d s e ta 9 5 % S a f e t y Z o n e , a n dt h e nt u r nt h eA S P E C TMO D EO N a n ds e t t h eV A R V a t7 6 4 .
Page 108 1 0 8...
Page 109: R E Pr O U T I N E
5. 11 P REPROUTI NE T h e f o l l o wi n g i sa l i s to ft h e c o mmo n i t e mst o c h e c k d u r i n gy o u rp r e p . T h i sl i s t i sb yn ome a ne x h a u s t i v en o r i na n yp a r t i c u l a r o r d e r .
Page 110: Re- Rol Lcheckl I St
5. 12 A. C.P RE- ROL LCHECKL I ST T h ef o l l o wi n gi sac h e c k l i s t t h a t s h o u l db ed o n ep r i o r t o s h o o t i n gt oi n s u r ep r o p e r i ma g i n g .
Page 111: R O D U C T I O Nc O N S I D E R A T I O N S
5. 13 P RODUCTI ONCONSI DERATI ONS A r e t h e r e a r e a n y l o c a t i o n s wh e r e A C p o we r i s u n a v a i l a b l e ? I f s ot h e na9 ”mo n i t o ri sr e q u i r e da si t i s t h eo n l yo n et h a t r u n sf r o m 1 2 VD C .
Page 112: Troubl Eshooti Ng
5. 14TROUBL ESHOOTI NG P o s s i b l ep r o b l e msa n dt h e i r s o l u t i o n s : • N oi ma g eo nmo n i t o r . - I sS D I a d a p t o r s wi t c h e do n ? - I smo n i t o r p o we r e d ? - I smo n i t o r s e t t oa p p r o p r i a t ec h a n n e l ?
Page 113 5. 14TROUBL ESHOOTI NG • Mo n i t o r s h o wsc o n s t a n t c o l o r e dp i x e l . - P e r f o r m b l a c kb a l a n c er e p e a t e d l yu n t i l p i x e l d i s a p p e a r s . •...
Page 114: Smartl Ens
5. 15 SMARTL ENS™ P a n a v i s i o n ' s S MA R T L E NS ™ i s a s y s t e m f o rr e a d i n g a n d d i s p l a y i n gl e n sd a t a .
Page 115: Moni Tors
6. 0 6. 0 MONI TORS 1 1 5...
Page 116 1 1 6...
Page 117 6. 1 MONI TORS N o ta l lmo n i t o r so ft h e s a me s i z e h a v e t h e s a me r e a r p a n e l c o n f i g u r a t i o n b u tt h ef o l l o wi n gp a g e swi l l d e s c r i b e t h emo s tc o mmo n .
Page 118 A N A L O G I N H D S D I I N MO N I T O R O U T S LO T S A CI N 1 2 VD CI N 1 1 8...
Page 119 6. 2 9"HDSDIMONI TOR I NP UT S : H D S D I –( S e r i a l D i g i t a l ) Y , P b , P r –( H D A n a l o g ) o r N T S C P o we r : A C( wi t ha d a p t e r ) o r 1 2 VD C F r a mi n g :...
Page 120 N T S CI N H D S D I I N MO N I T O R O U T S LO T S 1 2 0...
Page 121 6. 3 14"HDSDIMONI TOR I NP UT S : H D S D I –( S e r i a l D i g i t a l ) N T S C P o we r : A Co n l y F r a mi n g : 1 6 x 9T r a n s mi s s i o n 4 x 3T r a n s mi s s i o n...
Page 122 H D S D I I N MO N I T O R O U T A N A L O G I N N T S CI N S LO T S 1 2 2...
Page 123 6. 4 24"HDSDIMONI TOR I NP UT S : H D S D I –( S e r i a l D i g i t a l ) Y , P b , P r –( H D A n a l o g ) N T S C , P A L , e t c .
Page 124 1 2 4...
Page 125: 4 "Mo N I T O Rc A L I B R A T I O N
6. 4. 1 24"MONI TORCAL I BRATI ON T h e 2 4 "mo n i t o ri st h e o n l yo n e wh i c h i sf u l l r e s o l u t i o n a n d c a nb ec o n s i d e r e dar e f e r e n c e .
Page 126 1 2 6...
Page 127 6. 4. 2 24"MONI TORF RAMEL I NESETTI NGS NOT E :T h ee n t i r eu n d e r s c a n n e dp i c t u r ei st h ef u l l c h i p d i me n s i o no f 1 9 2 0x1 0 8 0p i x e l sa n dr e p r e s e n t s t h eT r a n s mi s s i o nA r e a .S a f eA c t i o nA r e a sa n d P r o j e c t i o nA p e r t u r e sa r es e t u s i n gt h ef o l l o wi n g...
Page 128 R E S E T P A R A D E H D S D I I N MO N I T O R O U T 1 2 8...
Page 129: Hdsdiwavef Ormmoni Tor
6. 5 HDSDIWAVEF ORMMONI TOR U s i n gt h ewa v e f o r m mo n i t o r c a nb ec o n s i d e r e d a n a l o g o u st ou s i n gar e f l e c t i v es p o t me t e r . I t i su s e f u l f o r t h ed e t e r mi n a t i o no f e x p o s u r ea n ds h o wst h er e l a t i v e v a l u e so f t h er e f l e c t e dl i g h t .
Page 130 1 3 0...
Page 131 7. 0 I NDEX ! I N D 8 7 1 . 4 S X D 1 1 , 3 1 , 3 5 1 . 6 6 1 0 3 1 . 8 5P r o j e c t i o nA p e r t u r e 5 , 1 0 3 , 1 0 6 - 1 0 7 , 1 2 7 1 2 VD C 9 , 2 4 , 4 7 , 4 9 - 5 1 , 5 5 - 5 7 , 6 0 , 1 1 1 , 1 1 7 , 1 1 9 1 3 x 9 1 0 3 1 4 x 5 1 0 3...
Page 132 7. 0 I NDEX-CONTI NUED C a l i b r a t i o n , 2 4mo n i t o r 1 2 5 C a s e , a c c e s s o r y 2 7 C a s e , c a me r ab o d y 2 5 C a s s e t t e 8 , 6 5 C B L E - 1 2 P 2 5 , 5 1...
Page 133 7. 0 I NDEX-CONTI NUED F i l m o u t p u t , S h o o t i n gf o r 2 0 , 2 1 F i l t e r 3 , 8 , 3 1 , 3 6 , 3 9 F i l t e r wh e e l s 6 9 , 7 1 , 8 3 , 8 7 , 1 0 9 , 1 1 3 F l i c k e r i n g 1 1 3 F o c a l l e n g t hc o mp a r i s o n 3 0...
Page 134 7. 0 I NDEX-CONTI NUED L a n d i n g 1 1 2 , 1 2 5 L e n s 3 , 8 , 1 1 , 3 1 , 3 3 , 3 4 - 3 5 , 3 7 , 3 9 , 4 3 , 6 5 , 6 7 , 6 9 , 9 1 , 1 1 0 , 1 1 3 , 1 1 4 L e n sa t t a c h me n t s 1 1 , 3 1 , 3 4 - 3 5 L E N SF I L E 9 1 L e n sl i g h t2 7 , 4 9...
Page 135 7. 0 I NDEX-CONTI NUED P e a k i n gk n o b 3 9 , 6 7 P h a n t o m p o we r 4 2 P i x e l8 , 3 1 , 1 0 3 , 1 1 3 , 1 2 7 P r e p 1 0 9 , 1 2 9 P r i moD i g i t a l D a t a L e n s e s 1 1 4 P r i moD i g i t a l l e n sd e s i g n 3 1...
Page 136 7. 0 I NDEX-CONTI NUED T a p e 8 , 3 1 , 4 2 , 4 5 , 5 2 , 5 5 , 6 5 , 7 4 , 7 7 , 7 9 , 8 1 , 8 2 , 8 7 , 9 7 , 1 1 0 , 1 1 2 - 1 1 4 T a p er e ma i n i n gi n d i c a t o r 8 2 , 8 7 T e mp e r a t u r e 3 7 , 6 9 , 1 1 1 , 1 1 7 T i me c o d e 9 , 5 5 , 5 9 , 6 5 , 7 5 - 7 9 , 8 1 , 1 0 9 , 1 1 0 , 1 1 3 , 1 1 4...

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