Native Instruments Reflektor Manual page 9

REFLEKTOR Interface and Controls
(12) START: (0% to 90%) This adjusts the start position of the IR sample. You can use this
to remove predelay from an IR, but adjusting it will give you a totally new sample to use.
This is useful in the following type of situation: you have a long plate reverb with nice high
frequency content in the end but you don't like the beginning. You can easily change it
into a short high frequency IR by adjusting the start, and all your other parameters will be
applied on top of this new (normalized) sample.
(13) MUTE: this will mute the send of the dry signal to the reverb processor. The tail of the
reverb is still there after pressing it. This is mostly a performance control and should al­
ways be off in the requested rack presets.
(14) REVRS (Reverse,): This reverses the IR sample. This button also enables the R POS (Re­
verse Position) knob. Use REVRS in conjunction with SYNC to get a reversed sound that will
always end with its climax on a beat.
(15) POS (Reverse Position): (0%-25%) This is one of REFLEKTOR's special features and is
activated by pressing the REVRS button. With this knob you can set which part of the IR is
reversed. 0% reverses the full sample, 25% keeps the first 25% of the sample unaffected
and reverses the last 75%. Use this control to get an early reflection followed by an aspi­
rated reverse climax.
(16) LOW-ENV (Low Frequency Envelope,): This produces an effect similar to low dampening
on a reverb, except you can increase the low frequencies present in the IR too. When in­
creased there is an envelope that increases the volume of the content below the Frequency
over time and when it is decreased, there is an envelope to lower that volume over time.
Only the wet signal is affected.
(17) Frequency for LO-ENV: sets the cutoff frequency for the Low Frequency envelope.
(18) HI-ENV (High Frequency Envelope): This produces an effect similar to high dampening
on a reverb, except you can increase the high frequencies present in the IR too. When in­
creased there is an envelope that increases the volume of the content above the Frequency
over time and when it is decreased, there is an envelope to lower that volume over time.
Only the wet signal is affected.
(19) Frequency for HI-ENV: sets the cutoff frequency for the High Frequency envelope.
(20) PEAK: This is a static peak filter. The bipolar slider adjusts the gain/cut for the post
reverb Peak EQ.
(21) Frequency for the Peak EQ: sets the frequency for the Peak EQ.
(21) Q factor or band width for the Peak EQ: sets the width for the Peak EQ.
(22) SYNC: When turned on, the Decay and Predelay parameters are synced to the host
tempo. Their scale is switched from a percentage to musical values.
REFLEKTOR - Manual - 9