Adobe 65008009 - After Effects CS4 Technical Paper page 24

f i l E n A m E d E S C r i P T i o n
Capture DeviCes
DCamsceneaD20DLog.icc arriFLeX D-20
Daylight Log
(by adobe)
DCamsceneaD20tLog.icc arriFLeX D-20
tungsten Log
(by adobe)
DCamsceneDOritLin.icc Dalsa Origin
tungsten Linear
(by adobe)
DCamscenepGentLog.icc panavision Genesis
tungsten Linear
(by adobe)
DCamscenetvipFsDLog.icc viper Filmstream
Daylight Log
(by adobe)
DCamscenetvipFstLog.icc viper Filmstream
tungsten Log
(by adobe)
prOJeCtiON DeviCes
FilmtheaterF3510rDipD.icc Fujifilm 3510 (rDi)
theater preview (by
adobe)
FilmtheaterF3513rDipD.icc Fujifilm 3513Di (rDi)
theater preview (by
adobe)
FilmtheaterF3521rDipD.icc Fujifilm 3521XD (rDi)
theater preview (by
adobe)
FilmtheaterK2383pD.icc Kodak 2383
theatre preview 2
(by adobe)
FilmtheaterK2393pD.icc Kodak 2393
theatre preview 2
(by adobe)
FilmtheaterK2395pD.icc Kodak 2395
theatre preview 2
(by adobe)
DCDM_X'Y'Z'.icc DCDM X'Y'Z' (Gamma
2.6) 5900K (by
adobe)
DCi_p3.icc DCi p3 rGB (Gamma
2.6) 5900K (by
adobe)
d E v i C E d E TA i l S
arriFLeX D-20 shot in daylight using logarithmic encoding
arriFLeX D-20 shot under tungsten light using logarithmic
encoding
Dalsa Origin under tungsten light using linear encoding
panavision Genesis under tungsten light using panalog encoding
thomson viper in daylight (no filters) using Filmstream log
encoding
thomson viper under tungsten light (no filters) using Filmstream
log encoding
theater preview of Fujicolor positive Film F-Cp-3510. Film-out
on arri recorder with Carlos aims onto Fujicolor recording Film
eterNa-rDi, printed on B&H model C, projected using xenon light
source. DpX 445, 445,445 is calibrated to specified LaD status M
and LaD status a.
theater preview of Fujicolor positive Film F-Cp-3513Di. Film-out
on arri recorder with Carlos aims onto Fujicolor recording Film
eterNa-rDi, printed on B&H model C, projected using xenon light
source. DpX 445, 445,445 is calibrated to specified LaD status M
and LaD status a.
theater preview of Fujicolor positive Film 3521XD. Film-out on
arri recorder with Carlos aims onto Fujicolor recording Film
eterNa-rDi, printed on B&H model C, projected using xenon light
source. DpX 445, 445,445 is calibrated to specified LaD status M
and LaD status a.
theater preview of KODaK visiON Color print Film 2383. Film-out
on arri recorder with Carlos aims onto KODaK visiON Color
intermediate Film 5242, printed on B&H model C, projected using
xenon light source. DpX 445,445,445 is calibrated to specified LaD
status M and LaD status a.
theater preview of KODaK visiON Color print Film 2393. Film-out
on arri recorder with Carlos aims onto KODaK visiON Color
intermediate Film 5242, printed on B&H model C, projected using
xenon light source. DpX 445,445,445 is calibrated to specified LaD
status M and LaD status a.
theater preview of KODaK visiON Color print Film 2395. Film-out
on arri recorder with Carlos aims onto KODaK visiON Color
intermediate Film 5242, printed on B&H model C, projected using
xenon light source. DpX 445,445,445 is calibrated to specified LaD
status M and LaD status a.
DCDM X'Y'Z' encoding (gamma 2.6) in accordance with the DCi
spec, for data projected with creative neutrals at 5900K. Full white
(Lab 100,0,0) is mapped to 52.37 cd/m2.
DCi reference projector with p3 rGB primaries and gamma 2.6,
for data projected with creative neutrals at 5900K. Full white (Lab
100,0,0) is mapped to 52.37 cd/m2.
d E v i C E SCEnE or
T y P E PrESEnTATion
EnvironmEnT
ProfilE*
digital motion scene
picture
camera
digital motion scene
picture
camera
digital motion scene
picture
camera
digital motion scene
picture
camera
digital motion scene
picture
camera
digital motion scene
picture
camera
color print film presentation
environment
color print film presentation
environment
color print film presentation
environment
color print film presentation
environment
color print film presentation
environment
color print film presentation
environment
digital cinema presentation
projector environment
digital cinema presentation
projector environment
Color management workflow in Adobe After Effects CS4
r g b APProX.
EnCoding Color
TEmP.
10-bpc DpX 5500
10-bpc DpX 3200
10- to 16-bpc 3200
linear
10-bpc 3200
panalog
10-bpc 5500
Filmstream
10-bpc 3200
Filmstream
10-bpc DpX 5900
printing
density
10-bpc DpX 5900
printing
density
10-bpc DpX 5900
printing
density
10-bpc DpX 5900
printing
density
10-bpc DpX 5900
printing
density
10-bpc DpX 5900
printing
density
12-bpc 5900
gamma 2.6
12-bpc 5900
gamma 2.6
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