Yamaha Clavinova CVP-609 Reference page 21

Vocal Effect Type List (CVP-609)
Type Name
ROMANTIC REV (Romantic Reverb)
80sPOP REV (80s'Pop Reverb)
ROOM
STAGE (Concert Stage)
PLATE
VCL DOUBLE (Vocal Doubler)
SPREAD (Stereo Spread)
DELAY
SHORT DELAY
R&R DELAY (Rock&Roll Delay)
CROSS DELAY
TEMPO DELAY
TEMPO CROSS (Tempo Cross Delay)
CHORUS (Chorus)
EQ HI-FI
EQ TEL
GRAMOPHONE
ROBOT
OVERDRIVEN
SCREAM&SHOUT
TEMPO FLANGE (Tempo Flanger)
TEMPO PHASER
TEMPO A.PAN (Tempo Auto Pan)
NO EFFECT
Harmony Assign Parameters (CVP-609)
Parameter
Transpose Mode
* These are effective only when Vocoder or
Vocoder-Mono is selected in Mode.
Session Table
* These are effective only when a Chordal Type
other than Scale Diatonic or Parallel is selected.
Key Root
Key Type
CVP-609/605/601 MIDI Reference
Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter / Liste des paramètres liés à l'harmonie vocale / Lista de parámetros de armonía vocal
Description
Long reverb for vocal part. Romantic image.
Long reverb for vocal part. 80's pop image.
Reverb simulating the acoustics of a room.
Reverb simulating the concert stage.
Reverb simulating a plate reverb unit.
Immediate delay with center focused feeling.
Immediate delay with spread feeling.
Produces simple delayed sounds: L, R, and C (center).
Produces short delayed sound with narrow image.
Produces slap back echo sound. Good for Rock&Roll music.
The feedback of the two delayed sounds is crossed.
Tempo-synchronized delay.
Tempo-synchronized cross delay.
Conventional chorus program with rich, warm chorusing.
Equalizer effect that boosts both high and low frequencies.
Equalizer effect that cuts both high and low frequencies.
Produces Lo-Fi sound with gramophone image.
Produces Lo-Fi sound with robotic image.
Produces overdriven sound. Good for rock and dance music.
Produces heavy distorted sound.
Tempo-synchronized flanger.
Tempo-synchronized phaser.
Tempo-synchronized auto pan.
No effect.
Value
0 Assigns the harmony to the octave range centered around the pitch of the played note.
Auto Assigns the harmony to the same octave range as the vocal (microphone) input.
-3 Assigns the harmony to a range roughly 3 octaves below the pitch of the played note.
-2 Assigns the harmony to a range roughly 2 octaves below the pitch of the played note.
-1 Assigns the harmony to a range roughly 1 octave below the pitch of the played note.
+1 Assigns the harmony to a range roughly 1 octave above the pitch of the played note.
+2 Assigns the harmony to a range roughly 2 octaves above the pitch of the played note.
+3 Assigns the harmony to a range roughly 3 octaves above the pitch of the played note.
Normal The chord designation is used as shown. This is for general use in conventional music genres.
Simple Tends to add a simpler harmony. Use this when you need simple accompaniment.
R&R Tends to add harmony with a strong major 6th in both major and minor triads. This is good with rock 'n' roll music.
UrbanA Tends to add harmony with a strong major 6th to the major triad and a minor 7th to the minor triad. This is good for a
sophisticated, urban feel.
UrbanB Tends to add harmony with a strong major 7th to the major triad and a minor 7th to the minor triad. This is good for a
sophisticated, urban feel.
Blues7 Tends to add harmony with a strong minor 7th. This is good for blues music.
UrbanC Tends to add harmony with a strong major 9th to both the major and minor triads. This is good for ballads.
Refer to the Reference Manual.
MSB LSB
1 0
1 16
2 0
3 0
4 0
5 16
5 17
5 0
5 1
5 18
8 0
21 0
22 0
66 0
76 16
76 0
94 0
94 16
98 0
98 16
107 0
108 0
121 0
0 0
Description
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