EAW DX810 Instruction Manual page 23

is created, activated, and then deactivated. That is
when the combine rules take effect.
Assign Combinations
Now we'll create the combination to allow the
inputs for rooms A and B to be heard in both A and B
outputs when C1 is active.
11. Open the combine view by clicking on the
Combine button.
Tip: Each row of combine buttons (C1-C16) is
associated with the output at the end of the row.
There is no association with the inputs or input
faders at the bottom (vertically). Each output can be
assigned to none, one, or more combinations. The
last row of reddish colored combine buttons are
used to activate individual combinations.
12. Create Combination 1 by clicking on C1 for
Outputs A and B.
13. Click on C1 in the last row of reddish combine
buttons to activate Combination 1.
Now Mics 1 and 2 room will be heard in rooms A
and B outputs.
• Groups 1 and 2 are linked and control the output
level into A and B outputs.
• Group 4 controls the volume of mic #1 into A and
B outputs.
• Group 5 controls the volume of mic #2 into A and
B outputs.
Note: All the control group faders adjust the
volume levels relative to the individual output and
crosspoint level settings made previously.
Next we'll create the combination to allow the
inputs for rooms B and C to be heard in both B and C
outputs when C2 is active.
14. Open the combine view by clicking on the
Combine button.
15. Click on C1 to deactivate Combination 1.
16. Create Combination 2 by clicking on C2 for
Outputs B and C.
17. Click on C2 in the last row of reddish combine
buttons to activate Combination 2.
Now Mics 2 and 3 will be heard in both rooms B
and C outputs.
• Groups 2 and 3 are linked and control the output
level into B and C outputs.
• Group 5 controls the volume of mic #2 into B and
C outputs.
• Group 6 controls the volume of mic #3 into B and
C outputs.
18. Finally, activate both C1 and C2, and all three
inputs can be heard in all three outputs.
• Groups 1, 2, and 3 are linked and control the
output level into A, B, and C outputs.
• Group 4 controls the volume of mic #1 into all
three outputs.
• Group 5 controls the volume of mic #2 into all
three outputs.
• Group 6 controls the volume of mic #3 into all
three outputs.
Input EQ
Click this button to view the Input 3-band EQ
controls, superimposed over the Crosspoint Matrix
Section.
Each input strip has a 3-band EQ comprised of:
1. A high-frequency shelving EQ with adjustable gain
(±15 dB) and frequency (500 Hz–20 kHz).
2. A mid-frequency parametric EQ with adjustable
gain (±15 dB), frequency (20 Hz–20 kHz), and
bandwidth (0.1–6.0 octaves).
3. A low-frequency shelving EQ with adjustable gain
(±15 dB) and frequency (20 Hz–500 Hz).
4. An ON button to turn the EQ on and off.
Click and drag up and down on the control knob
to change the setting.
Note: You can not directly enter a numeric value
with the mouse and keyboard. The EQ settings apply
to all the outputs to which the input is assigned.
Use the arrow keys on the keyboard to make fine
adjustments to a selected control, and the Page Up/
Down keys to make course adjustments. Use the Tab
key to quickly move the selection to adjacent controls.
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