Table of Contents
Advertisement
Quick Links
• Front Panel Description
• Back Panel Descriptions
• Applications for Use
• Before you Begin...
• Operating Instructions
• FBX Setup Instructions
• Trouble Shooting Tips
• Product Specifications
• Warranty & Cautions
Q
For best results, read all operating instructions
before using the FBX-SOLO (pages 12-19).
1.
Patch in the SOLO where appropriate
for your model, and select the input/
output level on the back.
2.
With gain down on the input channel,
put the SOLO in Active mode (green
bypass LED), then slowly raise the
channel gain to the point of feedback.
3.
Raise the gain slowly until 7 FBX filters
are set, then reduce gain slightly.
4.
Adjust the Clip Level on the SOLO, and
you're ready to go.
T
ABLE OF
S
UICK
TART
OPERATING
GUIDE
FBX-SOLO Model SL820
FBX-SOLO Model SM820
C
ONTENTS
5
6 - 7
8 - 9
10 - 13
13
14 - 18
18 - 19
20 - 21
22 - 23
O
PERATION
© 2003 Sabine, Inc.
Advertisement
Table of Contents
Related Manuals for SABINE FBX SOLO SL-820
Summary of Contents for SABINE FBX SOLO SL-820
- Page 1 LED), then slowly raise the channel gain to the point of feedback. Raise the gain slowly until 7 FBX filters are set, then reduce gain slightly. Adjust the Clip Level on the SOLO, and you're ready to go. © 2003 Sabine, Inc.
- Page 2 CONGRATULATIONS! You now have the state-of-the-art in feedback con- trol. The Sabine FBX-SOLO gives you automatic real-time feedback control for any channel of your mix. In setup and during the performance, it gives you more gain and increases the clarity of your mains and monitors.
- Page 3 THE BEST FEEDBACK CONTROLLER Before the invention of the FBX, the most common device for controlling feedback was the 31-band graphic EQ. However, the FBX has three distinct advantages. The most obvious is the FBX functions automatically, even during the program. Another is the FBX micro-filters are precisely placed while EQ filters are fixed;...
- Page 4 A DIRECT HIT ON FEEDBACK! The FBX-SOLO targets feedback without taking a big chunk out of your sound. Tests prove that a single 1/3-octave EQ slider pulled down 12 dB removes almost half the power going to the speakers over a two-octave range.
- Page 5 SL820 & SM820 FRONT PANELS POWER The On/Off power switch is a two-position push button switch. The LEDs corresponding to all active filters will blink on power-up. ACTIVE/BYPASS In Active mode, the unit controls feedback auto- matically. The two-color "BY" LED lights green when the unit is in Active mode and lights red when in Bypass mode.
- Page 6 Recommended setting of the Clip Level Adjust: the clip LED should blink intermittently. Regardless of the Clip Level Adjust, setting Unity on the back panel will maintain unity gain (no net gain or loss of signal level). When the back panel output is set to Line, the SOLO acts as a preamplifier, and the Clip Level Adjust knob becomes a gain control (see SL820 &...
- Page 7 OUTPUT UNITY/LINE SWITCH Switch to Unity (for level in = level out) for use with amplifiers that accept low level signals, such as guitar amps. In the Unity setting, the SL820 input level equals the output level. Switch to Line (for line level out) if your signal needs pre-amplification.
- Page 8 APPLICATIONS SL820: You can use the SL820 with acoustic/electric guitars and guitar SL820 amplifiers, mixer insert points, pow- ered mixer patch points and high impedance mics. Use the following wiring diagrams as guides for setup: NOTE: For Configurations 1-4, the output control on the back panel of the SL820 may actually be set to either Unity or Line.
- Page 9 4. Instrument IN for Amp NOTE: an SL820 can be inserted at line level after the mixer and before the power amp on smaller systems. Note for SM820: Use the SM820 with balanced microphones. SM820 5. Mic Input to Mixer Line Input 6.
- Page 10 If any of the terms are not clear, or if the system does not perform as expected, contact your local Sabine dealer for further information. Read on for a basic explanation of FBX features you should understand before using your FBX.
- Page 11 signed frequencies (configured during setup). In- creased activity at one of those frequencies may cause the filter to go deeper (e.g.., deepen from -12 dB to -15 dB). Activating the Lock Fix function prevents the Fixed filters from going deeper at their assigned frequencies.
- Page 12 (the Lock Fixed light will turn on), then press it again. (Lock Fixed light will go out). MOBILE vs. STATIONARY MICROPHONES One significant advantage offered by the Sabine family of FBX Feedback Exterminator products is their ability to adapt to changing acoustical relation- ships involving sound system components and vari- ous user applications.
- Page 13 same time, raise the system gain and set the FBX filters one at a time. In some situations, raising the number of dynamic filters (versus fixed FBX filters) may allow a second layer of defense against new feedback from new locations.
- Page 14 FBX SETUP INSTRUCTIONS Place the speakers and micro- phones in the positions where they will be used during the program. Avoid placing microphones di- rectly in front of speakers. If you are using a graphic EQ, adjust it only for the desired tonal quali- ties.
- Page 15 Slowly raise the in- put channel level fader for the channel being set until feed- back occurs. The CHANNEL FIRST SOLO should quickly INPUT FEEDBACK LEVEL TONE remove the feedback. The first Filter LED will then blink to indicate a filter has been set.
- Page 16 HOW TO USE THE "LOCK FIXED" FEATURE In certain situations the FBX may mistake music for feedback and drive the fixed filters deeper than necessary, like in a church with a pipe organ or during a performance with a great deal of intentional sustained electric guitar feedback.
- Page 17 USING SABINE'S OPTIONAL SOLO ACCESSORIES 1-U rack tray (model # SL6RACK): An optional 1- U rack tray holds up to six SOLOs (and/or Sabine's SDA102 digital delays). Mount the SL820s, SM820s, or a combination of both side by side on the tray. Use only Sabine supplied screws;...
- Page 18 phone preamp still functions when the unit is in bypass mode. The SOLO will not pass signal if the power is off in either active or bypass mode. RESETTING THE FILTERS: You must reset the FBX if the microphones or speakers are moved significantly.
- Page 19 Q. Why does my SOLO set filters when music is played through it? A. Make sure the FBX’s Turbo Mode has turned off before you program. Check the signal level ladder. If the red Clip LED lights with no other signal level LEDs lit, the FBX-SOLO is still in Turbo Mode.
- Page 20 PRODUCT SPECIFICATIONS FILTERS Eight independent digital notch filters controlled automatically from 40 Hz to 20 KHz Filter width: 1/10 octave, typical, or 1/5-oct. selectable; constant "Q" Filter depth: DSP controlled, variable to -50 dB Resolution: 1/50th octave Time required to find and eliminate feedback: 0.4 sec., typical @ 1 KHz Total number of combined filters active: User selectable, from 1-8...
- Page 21 PERFORMANCE*** Frequency Response: < +0.75 dB, 20 Hz to 20 Signal to Noise Ratio: >94 dB typical Total Harmonic Distortion: <0.01% @ 1 KHz @ +15 dBV Dynamic Range: >100 dB NOISE GATE Attack Time: Fixed (400 mS) Threshold: Selectable (-24 dB, -36 dB, -48 dB, -60 POWER SUPPLY 8-20 VDC @ 400 mA DIMENSIONS...
- Page 22 B prescrites dans le Reglement sur le brouillage radioelectrique edicte par le ministere des Communications du Canada. Japanese EMI Statement: Only when used with the following Sabine-supplied power modules: AD 1280-100 AD 1280-120 AD 1280-230...
- Page 23 Notice of address changes - If you move from the address shown on the WARRANTY REGISTRA- TION CARD, you should notify Sabine of the change of address so as to facilitate your receipt of any bulletins or other forms of notification which may become necessary in connection with any condition that may require dissemination of information or correction.
- Page 24 ® and FBX Feedback Exterminator are registered trade- marks of Sabine, Inc., and are the brand names of its line of automatic feedback controllers. Covered by U.S. Patent No. 5,245,665, Australian Patent No. 653,736, Canadian Patent No. 2,066,624-2, German Patent No. 69118486.0, and British Patent No.